Nell

“Lady Dunreath, in the meantime, suffered torture; after she had seen Malvina turned from the abbey, she returned to her apartment; it was furnished with the most luxurious elegance, yet she could not rest within it. Conscience already told her, if Malvina died, she must consider herself her murderer: her pale and woe-worn image seemed still before her: a cold terror oppressed her heart, which the terrors of the night augmented. The tempest shook the battlements of the abbey; and the wind howled through the galleries, like the moan of some wandering spirit of the pile, bewailing the fate of one of its fairest daughters.”
― Regina Maria Roche, The Children of the Abbey

“I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.”
― Simona Panova, Nightmarish Sacrifice

“With painstaking rumination, the tips of his fingers grazed over my neck, a deafening silence. I didn't move as his hand paused at the base of my throat. He listened to the arrhythmic beating of my heart, my pulse thumping beneath his fingers. He kissed me along my neckline and throat. I almost burst apart from the longing. My blood burned for him.”
― Rae Hachton

“And I wasn’t playing a role – I was trying to be myself.
But the harder I was striving, the more I was realizing that I had probably lost that ‘myself’ somewhere between two perfectly performed roles...”
― Simona Panova, Nightmarish Sacrifice