Another Cthulhu collection, this one with a bit more of an esoteric occult feel to it. Particularly enjoyed "That Most Foreign of Veils" and "The Litany of Earth." YMMV. ( )

I fully enjoyed this truly weird collection of stories. Editor Scott R. Jones wanted to focus not on the cosmic horror of the Mythos, but of the awe, spiritual and otherwise. The stories and vignettes within approach this in a lot of different ways. A few feel too vauge to really work, but the majority were enjoyable and stretched the borders of the cosmic weird. It showcases an inclusive group of writers and stories.

Of particular note to me were John Linwood Grant's Messages and Jayaprakash Satyamurthy's At the Left Hand of Nothing. Both explore a different angle all those cultists may be taking, and an agenda that is bigger (or more reality-shattering) than anything the old pulp masters thought up. Gord Seller's Heiros Gamos, one if the strangest tales, shows that you don't need to reference Lovecraft's entities and tomes to evoke cosmic awe - it's already part of our mythological history. And if you have not read The Litany of the Earth yet, Ruthanna Emerys has let that novella feature here.

Go seek ye out these Tales of the Black Gnosis ( )

I enjoyed this anthology of contemporary yog-sothothery. Many of the stories keep clear of the canonical names and standard fetishes of the micro-genre, but even the ones that mention Arkham, Shub-Niggurath, or the Necronomicon have a distinct remove from the original Lovecraftian tone. While the stories might still be horror, the protagonists in this book all have (or develop) a conscious appetite for the thrill of congress with the inhuman, or "The Black Gnosis" as it is denominated by the subtitle. Protagonists are generally not "cultists" per se: although they might be votaries of some praeterhuman entity, they largely fall outside the bounds of even cult communities.

The longest story and "star" of the collection is Ruthanna Emrys's "Litany of Earth," which I had read in its earlier online publication at Tor.com. It is in many ways more involved with the Lovecraftian canon than other stories in the book, but in a highly revisionist manner that inverts many of the perspectives in the earlier fiction. It follows an Innsmouth native as a sympathetic survivor of the government raids and arrests in "The Shadow Over Innsmouth." Emrys's social comparanda are not just the interment of Japanese-Americans, but also Nazi Versuchspersonen. The integration of the Yith into the lore of the Esoteric Order of Dagon was a little surprising at first, but I thought the story sold it well. It held up for me on its second reading, and I am seriously contemplating a go at the author's novel Winter Tide centered on the same character.

Other stand-out contributions here include Gord Sellar's "Heiros Gamos" exploring the Eleusinian Mysteries, a mother-daughter team of eschatologists in John Linwood Grant's "Messages," a thing on many doorsteps in "Feeding the Abyss" by Rhoads Brazos, and the outre apprenticeship and epiphany of Stephanie Elrick's "Mother's Nature." In addition to short fiction, there is a sprinkling of poems and manifestos adumbrating the Black Gnosis, and these, along with the more straightforward explanations of editor Scott R. Jones's introduction, have me interested in his "auto-ethnographical work" When the Stars Are Right.