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Elizabeth Prettejohn

Author of The Art of the Pre-Raphaelites

19+ Works 695 Members 9 Reviews 1 Favorited

About the Author

Elizabeth Prettejohn is Associate Senior Lecturer in Art History at the University of Plymouth.

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I loved this book. Its many treasures include an introduction to reception theory; a history of the responses to antique sculpture from the 17th century to the present; an overview of the evolving methods for dating ancient sculptures; the influence of artists in the way we look at (and how we value) antiquities; an explanation of why pseudo-classical Nazi sculpture looks so terrible; an analysis of how Picasso created his "classical" look; and much, much more. Best of all, while quite academic, it's also very well written.… (more)
 
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giovannigf | Jun 7, 2016 |
I found this look at the development of the concept of beauty in art fascinating since I have always taken the idea itself for granted, of course art is beautiful. I never really thought about how that idea had to form and gain acceptance and constant be rethought and re-challenged as art forms changed, grew and matured.
It's easy to forget how shocking the Impressionist movement was in its day or how radical it was to create art for its own sake instead of to teach a lesson or reflect an event in history.
It is easy to forget in general how much of our thoughts and attitudes towards many things have been shaped by those who came before us in ways we don't even realize.
Overall the writing style was very approachable and easy to follow and I loved how many color plates there were so the reader could actually see what the author was referring to especially when comparing and contrasting different works, almost every major example cited was given a colored plate to back it up. This is not done nearly enough in books on art.
There were a few times the writing got a bit dense and hard to follow, mostly in the end of the book as the author delved into our Modern Art, though this may have more to do with my own bias with this art form and critics who write about it than the writing of the author of this book.
Overall this book has made me think more about my own attitudes towards art and to appreciate the work others have done in the past allowing me to experience art in the way I do.
… (more)
 
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Kellswitch | 2 other reviews | Jan 29, 2012 |
This strives to be a niche study in the crowded Rossetti critical mix, and succeeds despite its brevity. The author has some interesting insights into the artists such as Burne-Jones who have affinities with pre-Raphaelitism but are not always included in study of them. The illustrations are fine, but there are many longer books on Rossetti which are more definitive.
 
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Big_Bang_Gorilla | May 17, 2011 |
Exhibition catalog brought to me by a friend who saw the show in Montreal October 2009. Good reproductions, have not read the text yet.
 
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MichellePhilip | Oct 31, 2009 |

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Jon Whiteley Contributor
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Michael Hatt Contributor
Alison Smith Contributor
Robyn Asleson Contributor
Kate Flint Contributor
Alastair Grieve Contributor
Robin Spencer Contributor
Tim Barringer Contributor
Jerome McGann Contributor
Deborah Cherry Contributor
Jeffrey Skoblow Contributor
Andrew M. Stauffer Contributor
Paul Barlow Contributor
Angela Thirlwell Contributor
Imogen Hart Contributor
Isobel Armstrong Contributor
Carol Jacobi Contributor
Jenny Graham Contributor
Catherine Maxwell Contributor
Adam Lee Contributor
Shelley Hales Contributor
Bénédicte Coste Contributor
Kurt Lampe Contributor
Katherine Harloe Contributor
Lee Behlman Contributor
Giles Whiteley Contributor
Daniel Orrells Contributor
Caroline Vout Contributor
Isobel Hurst Contributor
Stephen Bann Afterword
R. B. Rutherford Contributor
Robert Fowler Contributor
James I. Porter Contributor
Duncan F. Kennedy Contributor
Charlotte Ribeyrol Contributor

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Works
19
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Rating
½ 4.4
Reviews
9
ISBNs
49
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Favorited
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