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Sally Benson (1897–1972)

Author of Shadow of a Doubt [1943 film]

22+ Works 655 Members 14 Reviews 1 Favorited

About the Author

Includes the name: Benson Sally

Image credit: Robert McAfee
Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Works by Sally Benson

Shadow of a Doubt [1943 film] (1943) — Screenwriter — 148 copies, 5 reviews
Meet Me in St. Louis (1942) 124 copies, 5 reviews
Junior Miss (1937) 106 copies, 1 review
Viva Las Vegas [1964 film] (1964) — Screewnriter — 68 copies, 2 reviews
Stories of Gods and Heroes (1940) 63 copies
Summer Magic [1963 film] (1963) — Screenwriter — 47 copies
The Singing Nun [1966 film] (1966) — Screenwriter — 30 copies
Anna and the King of Siam [1946 film] (1946) — Screenwriter — 18 copies
Come to the Stable [1949 film] (1949) — Writer — 17 copies
The Young and Beautiful (1956) 9 copies
Avon Bedside Companion (1947) — Contributor — 5 copies
Woman and Children First (1976) 4 copies, 1 review
Emily (1938) 3 copies
The Overcoat 2 copies
Little Woman 2 copies

Associated Works

The Illustrated Treasury of Children's Literature, Volumes 1-2 (1955) — Contributor — 474 copies, 4 reviews
Wonderful Town: New York Stories from The New Yorker (2000) — Contributor — 363 copies
Short Stories from The New Yorker, 1925 to 1940 (1940) — Contributor — 205 copies, 1 review
Meet Me in St. Louis [1944 film] (1944) — Original book — 186 copies, 1 review
Twenty Grand Short Stories (1967) — Contributor — 162 copies, 4 reviews
The Big New Yorker Book of Cats (2013) — Contributor — 138 copies, 1 review
The Best American Humorous Short Stories (1945) — Contributor — 86 copies, 2 reviews
The American Mercury Reader (1979) — Contributor — 81 copies, 1 review
55 Short Stories from The New Yorker, 1940 to 1950 (1949) — Contributor — 62 copies
50 Best American Short Stories 1915-1939 (2013) — Contributor — 28 copies
No Man of Her Own [1950 film] (1950) — Screenwriter — 15 copies, 1 review
Modern American Short Stories (1941) — Contributor — 7 copies
Time to Be Young: Great Stories of the Growing Years (1945) — Contributor — 7 copies
Teen-Age Treasury for Girls (1958) — Contributor — 5 copies, 1 review
The Best American Short Stories 1942 (1942) — Contributor — 5 copies
Modern Short Stories — Contributor — 3 copies
Husbands and Lovers (1949) — Contributor — 2 copies, 1 review
The Avon Annual 1945: 18 Great Modern Stories (1945) — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Benson, Sally
Legal name
Smith, Sara (birth)
Other names
Evarts, Esther
Birthdate
1897-09-03
Date of death
1972-07-19
Gender
female
Nationality
USA
Birthplace
St. Louis, Missouri, USA
Place of death
Woodland Hills, California, USA
Places of residence
St. Louis, Missouri, USA
New York, New York, USA
Los Angeles, California, USA
Occupations
journalist
screenwriter
short story writer
Organizations
The New Yorker
Short biography
Sally Benson was born Sara Smith in St. Louis, Missouri. Her family moved to New York, where she grew up and attended the Horace Mann School. She studied dance and started working at age 17. Two years later, she married Reynolds Benson, with whom she had a daughter; the couple then divorced. She began her literary career writing articles and film reviews for newspapers and magazines, including interviews with the rich and famous. Between 1929 and 1941, she wrote for The New Yorker, sometimes using the pen name Esther Evarts. Her short stories "The Overcoat" (1935) and "Suite 2049" (1936) won O. Henry Awards. In 1936, she published her first collection of stories, People Are Fascinating, followed by a further collection, Emily (1938). She also wrote a popular series of stories about Judy Graves, a gauche adolescent girl, which were collected in book form under the title Junior Miss (1941). Junior Miss was adapted by Jerome Chodorov and Joseph Fields into a comedic play for Broadway. A movie version was released in 1945, followed by a television musical and a radio series.
Benson's most famous work was Meet Me in St. Louis (1942), derived from a series of vignettes first published in The New Yorker under the title 5135 Kensington Avenue, the address of her birth and early childhood. Benson worked on the screenplay for the film adaptation starring Judy Garland made by MGM in 1944, but her draft was never used; however, she was credited as the original author. Her more successful script writing efforts included Shadow of a Doubt (1943), Anna and the King of Siam (1946), No Man of Her Own (1950), Viva Las Vegas (1964), and The Singing Nun (1966). Benson also adapted the novel Seventeen by Booth Tarkington into a successful Broadway musical in 1951.

Members

Reviews

Elvis Presley– Viva Las Vegas 2:22
Elvis Presley– What'd I Say 3:03
Elvis Presley– If You Think I Don't Need You 2:04
Elvis Presley– I Need Somebody To Lean On 2:57
Elvis Presley– C'mon Everybody 2:19
Elvis Presley– Today, Tomorrow And Forever 3:25
Elvis Presley– Santa Lucia 1:10
Elvis Presley– Do The Vega 2:25
Elvis Presley– Night Life 1:52
Elvis Presley– Yellow Rose Of Texas 2:55
Elvis Presley– The Eyes Of Texas
Elvis Presley With Ann Margret– The Lady Love Me 3:43… (more)
 
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carptrash | 1 other review | Oct 9, 2024 |
Acting: 5.0; Theme: 5.0; Content: 4.5; Language: 5.0; Overall: 5.0

A young teenage girl, Charlie Newton, (Teresa Wright) is ecstatic when she learns her Uncle Charlie (Joseph Cotten) is coming for a visit to their small California town. However, Charlie becomes very suspicious of him as she begins noticing clues that he might be the "Merry Widow" murderer. Very suspenseful and Hitchcockian. Highly recommend.

***December 26, 2023***
 
Flagged
jntjesussaves | 4 other reviews | Dec 26, 2023 |
Lovely Teresa Wright shines in Alfred Hitchcock’s tale of darkness and evil coming to stay in Santa Rosa, California. A story by Gordon McDonnell was adapted for the screen by Thorton Wilder, Alma Reville, and Sally Benson, and this slice of Americana is played out perfectly by a wonderful cast.

Teresa Wright is the bored young daughter of Emma (Patricia Collinge) and Joseph (Henry Travers) Newton. Life for her in the small town of Santa Rosa has become boring for the wholesome American girl looking to stretch her wings. Wright’s “Charlie” is the very picture of small town innocence. When her Uncle and namesake (Joseph Cotten) blows into town, it is the catalyst for the change she desires. Hitchcock has already shown the audience by this time that something is not quite right about the charming Uncle Charlie, so the viewer already knows from the get-go what’s going on in this film. The special bond between Charlie and her uncle and their unusual connection is fully explored by the director in the happy and charming early moments that follow Cotten's arrival in Santa Rosa.

Hitchcock quickly begins shading this portrait in grey, however. Charlie’s adoration of her uncle borders on a crush, leaving her open and vulnerable to anything Charlie wants. Here the famous director creates some almost uncomfortable scenes, giving the viewer the impression that at any moment Cotton might just take the smiling and adoring Charlie in his arms and kiss her. And for her part, Charlie might remain passive, so unsure is she of her own feelings. But strange behavior in her uncle and the attention of a government agent after him who falls in love with young Charlie will change everything, as Uncle Charlie’s spell is broken when his warped and twisted view of the world is finally revealed. The tune he whistles might be the key to his long absence.

Hume Cronyn steals every scene he is in as Herbie. Long talks on the porch, attempting to devise the perfect murder plan for amusement is ironic and darkly humorous considering the real evil right under their noses. Charlie can’t risk destroying her weak mother, but luckily she has Agent Jack Graham’s (Macdonald Carey) number. Uncle Charlie, however, has no intention of going to the gallows…

This is both a beautiful portrait of small-town America and a suspenseful thriller. Cotten, always solid yet often underrated, underplays his role to marvelous effect. Teresa Wright is simply wonderful in this Hitchcock masterpiece, the very picture of confused innocence. A film that must be seen by all, especially Hitchcock devotees.
… (more)
 
Flagged
Matt_Ransom | 4 other reviews | Nov 23, 2023 |
A film starring Teresa Wright and Joseph Cotten (Universal, 1943).

A girl suspects her uncle is a criminal.

B (Good).

I guess it's a good movie? It's interesting, and it's entertaining enough thanks to comedic side characters.

(Feb. 2023)
½
 
Flagged
comfypants | 4 other reviews | Feb 21, 2023 |

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