A History of the World in 10½ Chapters Quotes

“Women were brought up to believe that men were the answer. They weren't. They weren't even one of the questions. ”
― Julian Barnes, A History of the World in 10½ Chapters

“Perhaps love is essential because it's unnecessary.”
― Julian Barnes, A History of the World in 10½ Chapters

“You can deal with the brain, as I say; it looks sensible, whereas the heart, the human heart, I'm afraid, looks a fucking mess.”
― Julian Barnes, A History of the World in 10½ Chapters

“How do you turn catastrophe into art? Nowadays the process is automatic. A nuclear plant explodes? We'll have a play on the London stage within a year. A President is assissinated? You can have the book or the film or the filmed book or booked film. War? Send in the novelists. A series of gruesome murders? Listen for the tramp of the poets. We have to understand it, of course, this catastrophe; to understand it, we have to imagine it, so we need the imaginative arts. But we also need to justify it and forgive it, this catastrophe, however minimally. Why did it happen, this mad act of Nature, this crazed human moment? Well, at least it produced art. Perhaps, in the end, that's what catastrophe is for.”
― Julian Barnes, A History of the World in 10½ Chapters

“History isn't what happened, history is just what historians tell us.”
― Julian Barnes, A History of the World in 10½ Chapters

“I love you." For a start, we'd better put these words on a high shelf; in a square box behind glass which we have to break with our elbow; in a bank. We shouldn't leave them lying around the house like a tube of vitamin C. If the words come too easily to hand, we'll use them without thought; we won't be able to resist. Oh, we say we won't, but we will. We'll get drunk, or lonely, or - likeliest of all - plain damn hopeful, and there are the words gone, used up, grubbied. We think we might be in love and we're trying out the words to see if they're appropriate? How can we know what we think till we hear what we say? Come off it; that won't wash. These are grand words; we must make sure we deserve them. Listen to them again: "I love you.”
― Julian Barnes, A History of the World in 10½ Chapters

“The history of the world? Just voices echoing in the dark; images that burn for a few centuries and then fade; stories, old stories that sometimes seem to overlap; strange links, impertinent connections. We lie here in our hospital bed of the present (what nice clean sheets we get nowadays) with a bubble of daily news drip-fed into our arm. We think we know who we are, though we don't quite know why we're here, or how long we shall be forced to stay. And while we fret and write in bandaged uncertainty - are we a voluntary patient? - we fabulate. We make up a story to cover the facts we don't know or can't accept; we keep a few true facts and spin a new story round them. Our panic and our pain are only eased by soothing fabulation; we call it history.”
― Julian Barnes, A History of the World in 10½ Chapters

“You can't love someone without imaginative sympathy, without beginning to see the world from another point of view. You can't be a good lover, a good artist or a good politician without this capacity (you can get away with it, but that's not what I mean). Show me the tyrants who have been great lovers.”
― Julian Barnes, A History of the World in 10½ Chapters

“Anyway... she's asleep, turned away from me on her side. The usual stratagems and repositionings have failed to induce narcosis in me, so I decide to settle myself against the soft zigzag of her body. As I move and start to nestle my shin against a calf whose muscles are loosened by sleep, she sense what I'm doing, and without waking reaches up with her left hand and pulls the hair off her shoulders on the top of her head, leaving me her bare nape to nestle in. Each time she does this I feel a shudder of love at the exactness of this sleeping courtesy. My eyes prickle with tears, and I have to stop myself from waking her up to remind her of my love. At that moment, unconsciously, she's touched some secret fulcrum of my feelings for her.”
― Julian Barnes, A History of the World in 10½ Chapters

“we must be precise with love, its language and its gestures. If it is to save us, we must look at it as clearly as we should learn to look at death”
― Julian Barnes, A History of the World in 10½ Chapters

“Listen to them again: ‘I love you.’ Subject, verb, object: the unadorned, impregnable sentence. The subject is a short word, implying the self-effacement of the lover. The verb is longer but unambiguous, a demonstrative moment as the tongue flicks anxiously away from the palate to release the vowel. The object, like the subject, has no consonants, and is attained by pushing the lips forward as if for a kiss. ‘I love you.’ How serious, how weighted, how freighted it sounds.”
― Julian Barnes, A History of the World in 10½ Chapters

“And if you had no tongue, no celebrating language, you’d do this: cross your hands at the wrist with palms facing towards you; place your crossed wrists over your heart (the middle of your chest, anyway); then move your hands outwards a short distance, and open them towards the object of your love. It’s just as eloquent as speech.”
― Julian Barnes, A History of the World in 10½ Chapters

“Tertullian said of Christian belief that it was true because it was impossible. Perhaps love is essential because it's unnecessary.”
― Julian Barnes, A History of the World in 10½ Chapters

“Our nights are different. She falls asleep like someone yielding to the gentle tug of a warm tide, and floats with confidence till morning. I fall asleep more grudgingly, thrashing at the waves, either reluctant to let a good day depart or still bitching about a bad one. Different currents run through our spells of unconsciousness.”
― Julian Barnes, A History of the World in 10½ Chapters

“Religion decays, the icon remains; a narrative is forgotten, yet its representation still magnetizes.”
― Julian Barnes, A History of the World in 10½ Chapters

“Everything is connected, even the parts we don’t like, especially the parts we don’t like.”
― Julian Barnes, A History of the World in 10½ Chapters

“The rainbow in place of the unicorn? Why didn't God just restore the unicorn? We animals would have been happier with that, instead of a big hint in the sky about God's magnanimity every time it stopped raining.”
― Julian Barnes, A History of the World in 10½ Chapters

“Not merely hope, but any burdensome yearning: ambition, hatred, love (especially love) - how rarely do our emotions meet the object they seem to deserve? How hopelessly we signal; how dark the sky; how big the waves. We are all lost at see, washed between hope and despair, hailing something that may never come to rescue us. Catastrophe has become art; but this is no reducing process. It is freeing, enlarging, explaining. Catastrophe has become art: that is, after all, what it is for.”
― Julian Barnes, A History of the World in 10½ Chapters

“For the point is this: not that myth refers us back to some original event which has been fancifully transcribed as it passed through collective memory; but that it refers us forward to something that will happen, that must happen. Myth will become reality, however sceptical we might be.”
― Julian Barnes, A History of the World in 10½ Chapters

“poets seem able to turn bad love – selfish, shitty love – into good love poetry. Prose writers lack this power of admirable, dishonest transformation. We can only turn bad love into prose about bad love. So we are envious (and slightly distrustful) when poets talk to us of love.”
― Julian Barnes, A History of the World in 10½ Chapters

“Sleep democratizes fear. The terror of a lost shoe or a missed train are as great here as those of guerrilla attack or nuclear war.”
― Julian Barnes, A History of the World in 10½ Chapters

“Don’t get me wrong. I’m not recommending one form of love over another. I don’t know if prudent or reckless love is the better, monied or penniless love the surer, heterosexual or homosexual love the sexier, married or unmarried love the stronger. I may be tempted towards didacticism, but this isn’t an advice column. I can’t tell you whether or not you’re in love. If you need ask, then you probably aren’t, that’s my only advice… But I can tell you why to love. Because the history of the world, which only stops at the half-house of love to bulldoze it into rubble, is ridiculous without it. The history of the world becomes brutally self-important without love. Our random mutation is essential because it is unnecessary. Love won’t change the history of the world (that nonsense about Cleopatra’s nose is strictly for sentimentalists), but it will do something much more important: teach us to stand up to history, to ignore its chin-out strut. I don’t accept your terms, love says; sorry, you don’t impress, and by the way what a silly uniform you’re wearing. Of course, we don’t fall in love to help out with the world’s ego problem; yet this is one of love’s surer effects.’
Love and truth, that's the vital connection, love and truth. [. . .] How you cuddle in the dark governs how you see the history of the world.”
― Julian Barnes, A History of the World in 10½ Chapters

“How come I can’t make her happy, how come she can’t make me happy? Simple: the atomic reaction you expect isn’t taking place, the beam with which you are bombarding the particles is on the wrong wavelength.”
― Julian Barnes, A History of the World in 10½ Chapters

“Blame someone else, that’s always your first instinct. And if you can’t blame someone else, then start claiming the problem isn’t a problem anyway. Rewrite the rules, shift the goalposts.”
― Julian Barnes, A History of the World in 10½ Chapters

“Love is anti-mechanical, anti-materialist: that’s why bad love is still good love. It may make us unhappy, but it insists that the mechanical and the material needn’t be in charge”
― Julian Barnes, A History of the World in 10½ Chapters

“History just burps, and we taste again that raw-onion sandwich it swallowed centuries ago.”
― Julian Barnes, A History of the World in 10½ Chapters

“People prefer to get what they want rather than what they deserve.”
― Julian Barnes, A History of the World in 10½ Chapters

“You are in love, at a point where pride and apprehension scuffle within you. Part of you wants time to slow down: for this, you say to yourself, is the best period of your whole life. I am in love, I want to savour it, study it, lie around in languor with it; may today last forever. This is your poetical side. However, there is also your prose side, which urges time not to slow down but hurry up. How do you know this is love, your prose side whispers like a sceptical lawyer, it’s only been around for a few weeks, a few months. You won’t know it’s the real thing unless you (and she) still feel the same in, oh, a year or so at least; that’s the only way to prove you aren’t living a dragonfly mistake. Get through this bit, however much you enjoy it, as fast as possible; then you’ll be able to find out whether or not you’re really in love.”
― Julian Barnes, A History of the World in 10½ Chapters

“I love you.’ For a start, we’d better put these words on a high shelf; in a square box behind glass which we have to break with our elbow; in the bank. We shouldn’t leave them lying around the house like a tube of vitamin C. If the words come too easily to hand, we’ll use them without thought; we won’t be able to resist. Oh, we say we won’t, but we will. We’ll get drunk, or lonely, or – likeliest of all – plain damn hopeful, and there are the words gone, used up, grubbied”
― Julian Barnes, A History of the World in 10½ Chapters

“...και οι δυο λένε Σ'αγαπώ για να διώξουν τον φόβο, για να πεισθούν από τα λόγια για τα έργα, για να βεβαιωθούν ότι έχει επέλθει η πολυπόθητη κατάσταση, για να ξεγελάσουν τους εαυτούς τους με την ιδέα ότι δεν έχει παρέλθει ακόμη. Πρέπει να φυλαγόμαστε από τέτοιες χρήσεις. Το Σ'αγαπώ δεν πρέπει να βγαίνει στον κόσμο, να γίνεται νόμισμα, εμπορεύσιμη μετοχή, να μας αποφέρει κέρδη.”
― Julian Barnes, A History of the World in 10½ Chapters