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A Bigger Message: Conversations with David Hockney A Bigger Message: Conversations with David Hockney by Martin Gayford
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“I think I’m greedy, but I’m not greedy for money – I think that can be a burden – I’m greedy for an exciting life. I want it to be exciting all the time, and I get it, actually. On the other hand, I can find excitement, I admit, in raindrops falling on a puddle and a lot of people wouldn’t. I intend to have it exciting until the day I fall over.”
David Hockney, A Bigger Message: Conversations with David Hockney
“Drawing makes you see things clearer, and clearer, and clearer still. The image is passing through you in a physiological way, into your brain, into your memory - where it stays - it's transmitted by your hands.”
Martin Gayford, A Bigger Message: Conversations with David Hockney
“Would Turner have slept through such terrific drama? Absolutely not! Anyone in my business who slept through that would be a fool. I don't keep office hours.”
Martin Gayford, A Bigger Message: Conversations with David Hockney
“Most people feel that the world looks like the photograph. I've always assumed that the photograph is nearly right, but that little bit by which it misses makes it miss by a mile. This is what I grope at.”
Martin Gayford, A Bigger Message: Conversations with David Hockney
“I think I'm greedy, but I'm not greedy for money - because that can be a burden - I'm greedy for an exciting life. I want it to be exciting all the time, and I get it, actually. On the other hand, I can find excitement, I admit, in raindrops falling on a puddle and a lot of people wouldn't. I intend to have it exciting until the day I fall over.”
Martin Gayford, A Bigger Message: Conversations with David Hockney
“In London, too, there's always someone dropping in, but not here - it's too awkward a place to get to. I like people to come and stay. I'm not anti-social; I'm just unsocial.”
Martin Gayford, A Bigger Message: Conversations with David Hockney
“When you are drawing, you are always one or two marks ahead. You're always thinking, 'After what I'm doing here I'll go there, and there.' It's like chess or something. In drawing I've always thought economy of means was a great quality - not always in painting, but always in drawing.”
Martin Gayford, A Bigger Message: Conversations with David Hockney
“Only after seeing the winter, do you comprehend the richness of summer. This was a big theme, and one I could confidently do: the infinite variety of nature.”
Martin Gayford, A Bigger Message: Conversations with David Hockney
“After I'd drawn the grasses, I started seeing them. Whereas if you'd just photographed them, you wouldn't be looking as intently as you do when you are drawing, so it wouldn't affect you that much.”
Martin Gayford, A Bigger Message: Conversations with David Hockney
“Eight years ago, I wouldn't have painted this subject I'm starting now: a clearing filled with grasses. It would have seemed too much of a jumble. I had to keep looking and drawing, and looking. Now, because of all that time I spent drawing these grasses, I know what I'm looking for.”
Martin Gayford, A Bigger Message: Conversations with David Hockney