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James N. Powell

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Born
French Polynesia
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Influences

Member Since
February 2008



~ New York Times

Most people think they use language to communicate. But language is insidious; it determines the way we think. Modern philosophers say we live in a universe limited by our language. Ludwig Wittgenstein even said we were ''bewitched.'' James Powell goes a little further. He examines the symbols of language the way a biologist examines cells. By inquiring into the nature of symbols themselves, he hopes to show the transcendental capacity of language not for mere communication but for ''communion.'' He assures us that the universe is a silent partner in a dialogue that goes on all the time and that throughout history certain images and techniques of meditation have led consciousness to break through the limitations of la
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Cloud Melting into Sky

The Manual for Self Realization: 112 Meditations of the Vijnana Bhairava (Lakshmanjoo Academy Book Series) The Manual for Self Realization: 112 Meditations of the Vijnana Bhairava by Lakshmanjoo

My rating: 5 of 5 stars


swans

In his comments on Verse 24 of the scripture, Swami Lakshmanjoo speaks of the prana being exhaled from the heart to a space outside the body that is twelve finger-widths downward from the tip of the nostrils. And then, upon inhalation, of prana moving from the space outside the body ba Read more of this blog post »
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In his comments on Verse 24 of the scripture, Swami Lakshmanjoo speaks of the prana being exhaled from the heart to a space outside the body that is twelve finger-widths downward from the tip of the nostrils. And then, upon inhalation, of pran
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Quotes by James N. Powell  (?)
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“Deconstruction seeks neither to reframe art with some perfect, apt and truthful new frame, nor simply to maintain the illusion of some pure and simple absence of a frame. Rather it shows that the frame is, in a sense, also inside the painting. For the frame is what "produces" the object of art, is what sets it off as an object of art—an aesthetic object. Thus the frame is essential to the work of art; in the work of art. Paint a $5,000 abstract painting on a railroad boxcar and nobody will pay a cent for it. Take a torch, remove the panel of the boxcar, install it in a gallery, and it will be worth $5,000. It will be art because it is now framed by the gallery. But at the same moment that the frame encloses the work in its own protected enclosure, making it a work of art, it becomes merely ornamental—external to the work of art. Thus is the frame central or marginal? Is the frame inside the work of art, essential to it, or outside the work of art, extrinsic to it?”
James N. Powell, Derrida for Beginners

“It is within and through language that the human mind points to itself.”
James N. Powell, The Tao of Symbols
tags: symbol

“So that to give a commentary on the text, such as we are attempting here, is to reinforce the illusion that a present meaning exists–that a text can be presented.

When I try to present a commentary (as I am doing here), I necessarily resist the suction of the play of meanings which attempts to suck any such attempt–which it produces–back into a void. If I try to explain the text, I forget that the production of my explanation is already related to its dissolution, its disappearance into a textual void, a void between any two readings, a void which is always already producing another reading, and its dissolution.”
James N. Powell, Derrida for Beginners

“We lay on the ground and kissed. Perhaps you smile. That we only lay on the ground and kissed. You young people can lend your bodies now, play with them, give them as we could not. But remember that you have paid a price: that of a world rich in mystery and delicate emotion. It is not only species of animal that die out. But whole species of feeling. And if you are wise you will never pity the past for what it did not know. But pity yourself for what it did.”
John Fowles, The Magus

“ASANA

Now I shall instruct you regarding the nature of asana or seat. Although by 'asana' is generally meant the erect posture assumed in meditation, this is not its central or essential meaning. When I use the word 'asana' I do not mean the various forms of asana’s such as Padmasana, Vajrasana, Svastikasana, or Bhadrasana. By 'asana' I mean something else, and this is what I want to explain to you.

First let me speak to you about breath; about the inhaling breath-apana, and the exhaling breath-prana. Breath is extremely important in meditation; particularly the central breath-madhyama-pranan, which is neither prana nor apana. It is the center of these two, the point existing between the inhaling and exhaling breaths. This center point cannot be held by any physical means, as a material object can be held by the hand. The center between the two breaths can be held only by knowledge-jnana – not discursive knowledge, but by knowledge which is awareness. When this central point is held by continuously refreshed awareness – which is knowledge and which is achieved through devotion to the Lord – that is, in the true sense settling into your asana.

“On the pathway of your breath maintain continuously refreshed and full awareness on and in the center of breathing in and breathing out. This is internal asana." (Netra Tantra)

Asana, therefore, is the gradual dawning in the spiritual aspirant of the awareness which shines in the central point found between inhaling and exhaling.

This awareness is not gained by that person who is full of prejudice, avarice, or envy. Such a person, filled with all such negative qualities, cannot concentrate. The prerequisite of this glorious achievement is, therefore, the purification of your internal egoity. It must become pure, clean, and crystal clear. After you have purged your mind of all prejudice and have started settling with full awareness into that point between the two breaths, then you are settling into your asana.

“When in breathing in and breathing out you continue to maintain your awareness in continuity on and in the center between the incoming and outgoing breath, your breath will spontaneously and progressively become more and more refined. At that point you are driven to another world. This is pranayama." (Netra Tantra)

After settling in the asana of meditation arises the refined practice of pranayama. ‘Pranayama’ does not mean inhaling and exhaling vigorously like a bellow. Like asana, pranayama is internal and very subtle. There is a break less continuity in the traveling of your awareness from the point of asana into the practice of pranayama. When through your awareness you have settled in your asana, you automatically enter into the practice of pranayama.

Our Masters have indicated that there are two principle forms of this practice of ‘asana-pranayama’, i.e. cakrodaya and ajapa-gayatri. In the practice of ajapa-gayatri you are to maintain continuously refreshed full awareness-(anusandhana) in the center of two breaths, while breathing in and out slowly and silently. Likewise in the practice of cakrodaya you must maintain awareness, which is continually fresh and new, filled with excitement and vigor, in the center of the two breaths – you are to breathe in and out slowly, but in this case with sound.”
Swami Lakshmanjoo

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