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Elizabeth Graver

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Elizabeth Graver

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Born
in Los Angeles, The United States
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Member Since
August 2009


Elizabeth Graver’s new novel, Kantika, is a multigenerational saga that moves from Istanbul to Barcelona, Havana and New York, exploring displacement, endurance, and family as home. Inspired by the life story of the author’s maternal grandmother Rebecca, Kantika was selected by the New York Times as a 2023 Best Historical Novel and Notable Book of the Year, and by NPR as a Best Book of 2023. Turkish and German editions are forthcoming. Elizabeth Graver's previous novel, The End of the Point, set in a summer community on Buzzard’s Bay from 1942 to 1999, was on the long list for the 2013 National Book Award and a New York Times Notable Book. She is the author of three other novels: Awake, The Honey Thief, and Unravelling. Her short story c ...more

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Elizabeth Graver Thanks for asking, Aaron! I've had some lovely encounters so far with people whose family histories intersect with the worlds of my novel. Yesterday, …moreThanks for asking, Aaron! I've had some lovely encounters so far with people whose family histories intersect with the worlds of my novel. Yesterday, I got an email from a woman with the same name as my heroine (and grandmother in real life), Rebecca Cohen. Her family also came from Istanbul and left to avoid military conscription. And she attended the same high school as my mother in Queens! I've also gotten gratifying responses from historians who work in Sephardic Studies and from musicians who are reviving Sephardic/Ladino music (I have two upcoming joint events with one of them, Sarah Aroeste, and am in conversation with a wonderful young musician named Tutti Druyan, who coincidentally also has a project called Kantika!). Writing a novel can be quite solitary. I'm loving all these conversations out in the world!(less)
Elizabeth Graver Congratulations on your publication, Elizabeth (and I like your name 😉). Let me know if you succeed in unlinking your book from my profile. If you run…moreCongratulations on your publication, Elizabeth (and I like your name 😉). Let me know if you succeed in unlinking your book from my profile. If you run into issues, I can try too. I guess Goodreads’ system got confused by the fact that we have the same name!
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Average rating: 3.72 · 8,670 ratings · 1,148 reviews · 17 distinct worksSimilar authors
Kantika

4.07 avg rating — 4,793 ratings — published 2023 — 13 editions
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The End of the Point

3.21 avg rating — 2,222 ratings — published 2013 — 15 editions
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The Honey Thief

3.33 avg rating — 981 ratings — published 1999 — 14 editions
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Unravelling

3.57 avg rating — 346 ratings — published 1997 — 7 editions
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Awake

3.24 avg rating — 280 ratings — published 2004 — 7 editions
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Have You Seen Me?

4.04 avg rating — 27 ratings — published 1993 — 3 editions
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The Mourning Door

4.67 avg rating — 3 ratings
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Prize Stories 1996: The O. ...

0.00 avg rating — 0 ratings2 editions
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[ The Honey Thief - Greenli...

0.00 avg rating — 0 ratings2 editions
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Strictly Casual: Women on L...

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More books by Elizabeth Graver…

“Searching for My Father’s Story, Finding a Tantalizing Grandfather,” for the Boston Globe

I wrote a meditation for the 9/25/2024 “Writer’s Journal” column in The Boston Globe about looking for a grandfather I never knew…

I GO LOOKING FOR MY GRANDFATHER, Louis Graver, who died in 1944, twenty years before I was born. He went by Lou, which is also my parents’ nickname for me, though it’s only now, a few weeks after my sixtieth birthday and long after my father’s death, that I notice the t

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Published on September 25, 2024 20:36

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Curriculum by Design by Mary  Crane
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Same Bed Different Dreams by Ed Park
Same Bed Different Dreams
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To & Fro by Leah Hager Cohen
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TO AND FRO is a luminous, charming, and utterly original novel filled with pleasures and provocations at every turn. Through some strange alchemy, Leah Hager Cohen has combined character-driven storytelling with brilliant philosophical forays into wh ...more
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TO AND FRO is a luminous, charming, and utterly original novel filled with pleasures and provocations at every turn. Through some strange alchemy, Leah Hager Cohen has combined character-driven storytelling with brilliant philosophical forays into wh ...more
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Quotes by Elizabeth Graver  (?)
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“To have hummingbirds visit. Charlie set up a feeder outside her bedroom window. Never a poet like Dossy, Helen feels a new urge toward veerse. Flit and perch, hovercraft, I follow you.”
Elizabeth Graver, The End of the Point

“I love birds, she says dreamily into her son's ear, or maybe she just thinks it, she the one who taught him to name and spot the rare ones-the bar-tailed godwit, the whimbrel and Blackburnian warbler-just as her father had taught her, first from the fields and beach, then from inside, his wheelchair by the window, Petersons and binoculars in his lap, and she'd bike to the salt creek or climb to the top of the Teal Rock and sit there waiting, then ride back and drop her bike on the grass and go inside, to where the names flew from her mouth into her father's ears, a gift for both of them.

"I love birds." She says it again, or maybe for the first time.
"I know," Charlie says.”
Elizabeth Graver, The End of the Point

“Table salt hardens here. Books mildew. Diaries flip open. Private Property: Please Turn Around.”
Elizabeth Graver, The End of the Point

“Ken sos tu? I am Rebecca (Rivka, Rebekah) from my mother’s mother and the wife of Isaac in the Bible. The name means “to tie firmly” or “to snare,” which is why—or so her mother used to tell her when she struggled at sewing—she could, with practice, become skilled with a needle and thread. I am Camayor, from my mother’s father, Behor Camayor of blessed memory, and also Cohen, high priests descended from the sons of Aaron, a name
she feels she must live up to, though she’ll hide it as needed and may God forgive her. I am from the pomegranate tree my father planted at my birth, from my nuns in white habits, my staircase
with the worn ninth tread, the candlelight reflected in my fingernails. I am a gypsy girl, because to have no home place had once seemed romantic and she could do the dance, just as she could climb ropes at gymnastics, rising and lowering at will. Or was it actually that home, back then, was everywhere?”
Elizabeth Graver, Kantika

“Darling, I don't want you; I've got no place for you; I only want what you give. I don't want the whole of anyone.... What you want is the whole of me-isn't it, isn't it?-and the whole of me isn't there for anybody. In that full sense you want me I don't exist.”
Elizabeth Bowen, The Death of the Heart

“How we spend our days is, of course, how we spend our lives.”
Annie Dillard, The Writing Life

“You can't test courage cautiously, so I ran hard and waved my arms hard, happy.”
Annie Dillard, An American Childhood

“A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.”
Alice Munro, Selected Stories

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