Amadeus Knave

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Don Quixote
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  (page 450 of 940)
"END OF PART 1.

I've been milking this saga. Started way back at 20 pages a day, but I've lapsed. Fits & starts. DQ has been by turns delightful, microcosmic, and tedious. I already feel as though the knight errant himself has given me a new paradigm by which to judge Madness. He's everywhere. Just recently I saw him embodied by a delusional friend under the thrall of mythology (like DQ's books of chivalry.) Gah!"
Sep 14, 2020 08:51AM

 
Working: People T...

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  (page 66 of 640)
"This is some of the best American --no, scratch that-- some of the best poetry I've ever read, period. The gorgeous vernacular, for pages on end, untrammeled, unenjambed.

You won't believe how well-spoken and self-aware even the most common people used to sound back in 1970. Steel workers, switchboard operators. Somewhere along the line our skills as raconteurs took a serious nosedive."
Jul 19, 2020 10:23AM

 
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Flann O'Brien
“What you think is the point is not the point at all but only the beginning of the sharpness.”
Flann O'Brien, The Third Policeman

Friedrich Nietzsche
“In the end I also write slowly. Nowadays it is not only my habit, it is also to my taste - a malicious taste, perhaps? - no longer to write anything which does not reduce to despair every sort of man who is 'in a hurry'. For philology is that venerable art which demands of its votaries one thing above all: to go aside, to take time, to become still, to become slow- it is a goldsmith's art and connoisseurship of the word which has nothing but delicate, cautious work to do and achieves nothing if it does not achieve it Lento. But for precisely this reason it is more necessary than ever today, by precisely this means does it entice and enchant us the most, in the midst of an age of 'work', that is to say, of hurry, of indecent and perspiring haste, which wants to 'get everything done' at once, including every old or new book: - this art does not so easily get anything done, it teaches to read well, that is to say, to read slowly, deeply, looking cautiously before and aft, with reservations, with doors left open, with delicate eyes and fingers ... My patient friends, this book desires for itself only perfect readers and philologists: Learn to read me well!”
Friedrich Nietzsche, Daybreak: Thoughts on the Prejudices of Morality

G.K. Chesterton
“There is no such thing on earth as an uninteresting subject; the only thing that can exist is an uninterested person. Nothing is more keenly required than a defence of bores. When Byron divided humanity into the bores and bored, he omitted to notice that the higher qualities exist entirely in the bores, the lower qualities in the bored, among whom he counted himself. The bore, by his starry enthusiasm, his solemn happiness, may, in some sense, have proved himself poetical. The bored has certainly proved himself prosaic.”
G.K. Chesterton, Heretics

Cynthia Ozick
“I read in desperate snatches in the interstices of the Quotidian, and dream of finding three uninterrupted quiet hours to think, moon, mentally maunder, and, above all, write. I am pursued by an anti-Muse; her name is Life. Her homely multisyllabic surname is often left unenunciated, but to certain initiates it may be whispered: Exigency.”
Cynthia Ozick

Renata Adler
“I think when you are truly stuck, when you have stood still in the same spot for too long, you throw a grenade in exactly the spot you were standing in, and jump, and pray. It is the momentum of last resort.”
Renata Adler, Speedboat

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