Misty's Reviews > Crewel
Crewel (Crewel World, #1)
by
by
Misty's review
bookshelves: juvenile-ya, sci_fi-fantasy, timeslip, weaving, excited-for, own, arc-or-galley, 2012-debuts__apocalypsies, read-in-2012, review-copy_unsolicited, rant, love-quadrarhombazoideral, debut
Mar 29, 2012
bookshelves: juvenile-ya, sci_fi-fantasy, timeslip, weaving, excited-for, own, arc-or-galley, 2012-debuts__apocalypsies, read-in-2012, review-copy_unsolicited, rant, love-quadrarhombazoideral, debut
This review has been a hard one for me to sit down and write. Crewel was one of my most anticipated books of this year (I mean, hello, buzzwords!), and I was all ready to be impressed and count it among my favorites. But sadly, it ended up being one of my biggest letdowns.
Crewel lured me in almost immediately - the intro was strong and compelling, Adelice's predicament in trying to hide her talent, and all of the chaos and confusion of the beginning chapters were really effective and interesting. The world that was set up had all of the building blocks for something cool and memorable (though I sometimes had to fight through Albin's occasionally muddled writing to see those building blocks), and Adelice's voice was engaging - basically, the elements were there, and I was ready to love the story.
BUT.
But then it just kind of fell apart. Albin sets up a world that is very repressive, with very strict rules on pretty much everything, most especially gender roles and norms. There is strict gender segregation in nearly every aspect of life (especially for the young), a limited amount of jobs womencan are allowed to perform, and ways in which they are expected to look while performing those jobs. Flirtation and gender-mingling is pretty much non-existent, and talk of sex and sex-related things is, understandably, taboo. This is the world Adelice has known, so when she's thrust into the world of the Spinsters (which is still really regimented and gender-segregated), and suddenly finds herself moving about in the world of lecherous, creepy Powerful Men, she's pretty shaken. This could have been really, really cool (and sometimes was); it had a Mad Men-esque vibe that made my skin crawl, and I really liked seeing the juxtaposition of naive-in-the-ways-of-the-world Adelice (and all of the other young Spinsters and Spinster-wannabes) with the really, supreme ickiness that men brought into this world. It was reminiscent of
The Handmaid's Tale
(which I love), and it was an element I wasn't expecting, so I was excited.
BUT.
(Again, there's that but.)
But when these two worlds collided, the characters and the rules became really inconsistent. There was a lot of slang (like, our slang, not slang of the Crewel-world), and attitudes toward sex/boys/attraction that just didn't gel with the world that had been set up. It was really hard to believe that all of these girls who had been raised with strict gender segregation and hardcore rules about sex would suddenly speak very freely about sex and teh hawties, that they'd be borderline predatory - and catty, and jealous, and vapid, and a million other things that just didn't suit - and that nobody would bat an eye. I suddenly found I didn't buy the characters or how they fit into their world - who they are and how they interact, relative to the world, caused a huge disconnect, the world was weakened, and I felt cheated. Things just didn't work with the world as it was set up. They could have* - it would have only taken minor tweaks - but instead things were contradictory and discordant, and they kept shaking me out of my WSOD. I felt deprived of what could have been a really interesting world - but a world very different from our own with characters like us superimposed on it just doesn't work. It feels phony and almost lazy.
Also - this had a serious case of the Typical YA Romance blahs. A touch of romance potential (a lingering look, a fastly-beating heart, a burgeoning curiosity**) to be built up over the length of the series, pitted against the icky aspects of Mad Men-style sexualization would have been much more interesting and believable. Instead, it was all Insta-Love-Triangles™ all over the place, and again, I felt cheated of the build-up and the potential power. Add to this all the jealousies and plots and it all became a little too soap opera for me. It did have some interesting dynamics I'd like to see explored more, but I want to see them explored as I think characters from this world would explore them, and not characters from our world. If you're going to tackle sexualization, sexual intimidation, homosexuality, gender roles, etc., please, Ms. Albin, do it as these characters from this world with this set of experiences would do. That has the potential to be so much more fascinating and powerful and memorable than Crewel as it is now, which unfortunately faded pretty quickly from my mind.
Essentially, I was looking for impact, but I got write-by-numbers - stock characters, lack of believability, and everything built on a foundation of sand. But maybe it wouldn't be such a letdown if I didn't see potential. Then, I could just write it off and be done with it. But the fact that it sort of actively disappointed me means that I saw where it could have been incredible (especially after that strong beginning), and it was so close, that I was left feeling cheated - but also hopeful that the series can somehow get back on track and leave me feeling more fulfilled than this book did. I guess only time will tell.
If you're curious, you can read chapters 1-5 here for free.
*A case can be made that the girls - even in their gender-segregated lives - were raised to be this way. And I would buy that - if it had been shown. There are touches (like girls growing up knowing that they can be only a handful of things, or like the girlish fantasy of being a Glamorous Spinster) that would begin to make a case for...hmm, indoctrination, I guess? into this type of role/behavior. But more was needed if that's the way this story was going to go.
**But good god, nothing so purple-prosey as that. =P
Crewel lured me in almost immediately - the intro was strong and compelling, Adelice's predicament in trying to hide her talent, and all of the chaos and confusion of the beginning chapters were really effective and interesting. The world that was set up had all of the building blocks for something cool and memorable (though I sometimes had to fight through Albin's occasionally muddled writing to see those building blocks), and Adelice's voice was engaging - basically, the elements were there, and I was ready to love the story.
BUT.
But then it just kind of fell apart. Albin sets up a world that is very repressive, with very strict rules on pretty much everything, most especially gender roles and norms. There is strict gender segregation in nearly every aspect of life (especially for the young), a limited amount of jobs women
BUT.
(Again, there's that but.)
But when these two worlds collided, the characters and the rules became really inconsistent. There was a lot of slang (like, our slang, not slang of the Crewel-world), and attitudes toward sex/boys/attraction that just didn't gel with the world that had been set up. It was really hard to believe that all of these girls who had been raised with strict gender segregation and hardcore rules about sex would suddenly speak very freely about sex and teh hawties, that they'd be borderline predatory - and catty, and jealous, and vapid, and a million other things that just didn't suit - and that nobody would bat an eye. I suddenly found I didn't buy the characters or how they fit into their world - who they are and how they interact, relative to the world, caused a huge disconnect, the world was weakened, and I felt cheated. Things just didn't work with the world as it was set up. They could have* - it would have only taken minor tweaks - but instead things were contradictory and discordant, and they kept shaking me out of my WSOD. I felt deprived of what could have been a really interesting world - but a world very different from our own with characters like us superimposed on it just doesn't work. It feels phony and almost lazy.
Also - this had a serious case of the Typical YA Romance blahs. A touch of romance potential (a lingering look, a fastly-beating heart, a burgeoning curiosity**) to be built up over the length of the series, pitted against the icky aspects of Mad Men-style sexualization would have been much more interesting and believable. Instead, it was all Insta-Love-Triangles™ all over the place, and again, I felt cheated of the build-up and the potential power. Add to this all the jealousies and plots and it all became a little too soap opera for me. It did have some interesting dynamics I'd like to see explored more, but I want to see them explored as I think characters from this world would explore them, and not characters from our world. If you're going to tackle sexualization, sexual intimidation, homosexuality, gender roles, etc., please, Ms. Albin, do it as these characters from this world with this set of experiences would do. That has the potential to be so much more fascinating and powerful and memorable than Crewel as it is now, which unfortunately faded pretty quickly from my mind.
Essentially, I was looking for impact, but I got write-by-numbers - stock characters, lack of believability, and everything built on a foundation of sand. But maybe it wouldn't be such a letdown if I didn't see potential. Then, I could just write it off and be done with it. But the fact that it sort of actively disappointed me means that I saw where it could have been incredible (especially after that strong beginning), and it was so close, that I was left feeling cheated - but also hopeful that the series can somehow get back on track and leave me feeling more fulfilled than this book did. I guess only time will tell.
If you're curious, you can read chapters 1-5 here for free.
*A case can be made that the girls - even in their gender-segregated lives - were raised to be this way. And I would buy that - if it had been shown. There are touches (like girls growing up knowing that they can be only a handful of things, or like the girlish fantasy of being a Glamorous Spinster) that would begin to make a case for...hmm, indoctrination, I guess? into this type of role/behavior. But more was needed if that's the way this story was going to go.
**But good god, nothing so purple-prosey as that. =P
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Reading Progress
March 29, 2012
– Shelved
March 29, 2012
– Shelved as:
juvenile-ya
March 29, 2012
– Shelved as:
sci_fi-fantasy
March 29, 2012
– Shelved as:
timeslip
March 29, 2012
– Shelved as:
weaving
June 16, 2012
– Shelved as:
own
June 16, 2012
– Shelved as:
excited-for
June 16, 2012
– Shelved as:
arc-or-galley
June 16, 2012
– Shelved as:
2012-debuts__apocalypsies
August 5, 2012
–
Started Reading
August 6, 2012
–
26.09%
"Hmm... Not so sure about this, now. It started off really strong to me, and then it just took a turn. I'm starting to get worried, 'cause I had high hopes...
*crosses fingers*"
page
96
*crosses fingers*"
August 12, 2012
–
Finished Reading
August 13, 2012
– Shelved as:
read-in-2012
September 10, 2012
– Shelved as:
review-copy_unsolicited
January 6, 2014
– Shelved as:
rant
January 6, 2014
– Shelved as:
love-quadrarhombazoideral
February 6, 2014
– Shelved as:
debut
Comments Showing 1-16 of 16 (16 new)
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message 1:
by
Tammy
(new)
Aug 05, 2012 11:16AM
I can't wait to hear your thoughts on this. I want to read it so bad!
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Aw, sorry you didn't like this very much, Missy. I'm reading it right now and I'm loving it (about 30% in). Can't wait to see your thoughts on it!
I loved it in the beginning (I mean, really. Was fully ready to be impressed), but then it just lost steam and became really typical for me. Sucks, because I love the concept, but I was just left feeling kinda meh, and I'm not sure I'll read more of the series.
My main problem was the love triangle, the superficiality (dresses dresses dresses!) and then the lack of weaving. Which was plainly ridiculous considering the entire book is supposed to be about weaving. :\
Nafiza wrote: "My main problem was the love triangle, the superficiality (dresses dresses dresses!) and then the lack of weaving. Which was plainly ridiculous considering the entire book is supposed to be about w..."
YES. Weaving is one of my "buzzwords" so I was looking forward to that.
I HATED the love triangle, and a lot of the decisions - like the triangle, and the dresses, and some of the language and treatment of sex/attraction, etc - seemed really not suited to the society that was being set up. They didn't make sense for the characters, and I really couldn't get past that.
YES. Weaving is one of my "buzzwords" so I was looking forward to that.
I HATED the love triangle, and a lot of the decisions - like the triangle, and the dresses, and some of the language and treatment of sex/attraction, etc - seemed really not suited to the society that was being set up. They didn't make sense for the characters, and I really couldn't get past that.
Yeah, I think I'm done with this world too. There are so many other books to read after all. Have you read Flutter yet? I'd love to know your reaction to it.
Hmmmm. About 80% of it. I just want your reaction to the ending! Haha. It's by Gina Linko, a 2012 debut. Better than Crewel anyway.
The world building + the behaviour of the characters just isn't meshing for me. Thus far I don't have a *huge* problem with Adelice, but then I am only 160 pages in, hehe! I know that the worst is no doubt yet to come
I don't know that it would bother others as much as it bothered me, but I just couldn't stop thinking the entire time how much more interesting it would have been with characters that felt like they were raised in that world, rather than characters from our d in. It not only made it feel inauthentic and hard to connect to, but I felt cheated of the worlds characters.
No; I completely understand that. While sometimes it might be nice to have that ONE character who is sort of the reader substitute in that universe(and it doesn't have to be he protag) it does seem a little forced that almost every character is speaking with our-world sort of reasoning to an extent. It's like Albin was scared of potentially distancing her readers by providing characters with ideas and beliefs that wouldn't sit easily with a 21st century person. But that's sort of the POINT of a dystopian fantasy fic! hehe.