Christine's Reviews > Suspended Sentences: Three Novellas
Suspended Sentences: Three Novellas (The Margellos World Republic of Letters)
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Disclaimer: ARC via Netgalley
It’s sad but I hadn’t heard of Patrick Modiano until he won the Nobel. Honestly, my first reaction was “who is that”.
Yeah, American press doesn’t do too well when it comes to books that require translation.
In terms of style, at least in these three novellas, a reader can see why Modiano won the Nobel Prize. There is a beauty in the simple sentences that are not over loaded with unnecessary words or description. It isn’t so much the simple setting of the stories in Paris that bring the city to mind, it is Modiano’s writing. I can’t really describe what aspect of his writing does this, but there is something of Paris in the style (or at least how the style is translated).
But in terms of plot, at some points the point felt a little loose and a little lost at times. This is particularly true of the last story, “Ruined Flowers”, and far less true of the middle story, the title story itself. This story is about a young boy, his brother, and his mysterious guardians. The first story, “Afterimage” is stronger than the last story and almost as gripping as the second. It concerns a photographer as viewed though the memories of man who himself is reaching the photographer’s age. It doesn’t have the mystery that “Suspended Sentences” does. IT is more melancholy, and yet, strangely, slight more hopeful.
In many ways, the stories are shadows, constantly shifting, murky, like night in the city of lights.
It’s sad but I hadn’t heard of Patrick Modiano until he won the Nobel. Honestly, my first reaction was “who is that”.
Yeah, American press doesn’t do too well when it comes to books that require translation.
In terms of style, at least in these three novellas, a reader can see why Modiano won the Nobel Prize. There is a beauty in the simple sentences that are not over loaded with unnecessary words or description. It isn’t so much the simple setting of the stories in Paris that bring the city to mind, it is Modiano’s writing. I can’t really describe what aspect of his writing does this, but there is something of Paris in the style (or at least how the style is translated).
But in terms of plot, at some points the point felt a little loose and a little lost at times. This is particularly true of the last story, “Ruined Flowers”, and far less true of the middle story, the title story itself. This story is about a young boy, his brother, and his mysterious guardians. The first story, “Afterimage” is stronger than the last story and almost as gripping as the second. It concerns a photographer as viewed though the memories of man who himself is reaching the photographer’s age. It doesn’t have the mystery that “Suspended Sentences” does. IT is more melancholy, and yet, strangely, slight more hopeful.
In many ways, the stories are shadows, constantly shifting, murky, like night in the city of lights.
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Reading Progress
October 18, 2014
–
Started Reading
October 18, 2014
– Shelved
October 20, 2014
–
Finished Reading
October 22, 2016
– Shelved as:
netgalley-and-arcs
October 22, 2016
– Shelved as:
literature-french
Comments Showing 1-4 of 4 (4 new)
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Samadrita
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Oct 22, 2014 11:00PM
Good to get a heads up from you on Modiano. Seems like there's no consensus here on his Nobel worthiness.
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In style I can understand but I can also name several authors that I enjoyed more - Byatt and Mantal come up right away - who would have been more deserving to my mind.