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0316440930
| B07H27TV1G
| 4.41
| 38,497
| Jul 23, 2019
| Jul 23, 2019
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it was amazing
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None
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Notes are private!
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1
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Sep 12, 2022
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Sep 20, 2022
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Sep 12, 2022
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Kindle Edition
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1728250943
| B0971WJBF8
| 3.56
| 38,672
| Aug 02, 2022
| Aug 02, 2022
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it was amazing
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None
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Notes are private!
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1
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Aug 06, 2022
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Aug 12, 2022
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Jul 29, 2022
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Kindle Edition
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000823986X
| 9780008239862
| 000823986X
| 4.37
| 137,783
| Aug 06, 2019
| Aug 02, 2019
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it was amazing
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(4.5 ★’s) You asked how large my sorrow is, The Dragon Republic is a tale of many things— (4.5 ★’s) You asked how large my sorrow is, The Dragon Republic is a tale of many things—festering anger and broken trust, learning to fight for hope and bearing failure’s inevitable rust, yes, but more than anything else, it is a tale of rankling inequity and unspeakable iniquity, of looking at the colour of one’s skin or the size of their head or the shape of their eyes, and deeming them lower, lesser, inhuman and primitive and stupid; of declaring a person chosen and evolved and another, unformed mud; of feeling righteous in reaching for what they have and carelessly trampling them beneath your shining heels. As a Middle Easterner, I know first hand that stories like this are too common in Asia. We bear that legacy of pain on our shoulders—our backs are bent beneath their weights and our heads beaten down. Too often does the world gloss over the atrocities of the past, too often the response to history is “but that’s all in the past.” Well, it is not. You can tell the world to move on, you can shout it and chant it and point to the silent weapons and loud reforms promising freedom and equality, but how can one move on when we still live in an unfair world revolving around privilege, a world where the colour of your skin or the soil you were born on decide what you can and cannot have? The promises and well-intended declarations of “look to the future because what’s passed is in the past”? All they do is veil the injustice that forms the roots of this world, and by forgetting our history there is no way to shape a better future. That is why The Poppy War trilogy matters. That is why this Chinese inspired military fantasy should be read and discussed and remembered. With The Dragon Republic, Rebecca Kuang aims to make you, dear reader, terribly uncomfortable. This is a book that is grim and dark and sucks your energy away like a black hole devouring all light. It’s not a wickedly delightful grimdark fantasy relishing rage and revenge, but one that unveils the leeches feeding and growing on your vengeance and makes you so furious yet so helpless that you are crushed underneath the weight of the world, exhausted and powerless even as you know that there is no fate, only choice. “Happy New Year,” Kitay said. “May the gods send you blessings and good fortune.” I’m not sure if I love or hate that Kuang can take glorious concepts such as ethereal worlds and gods and a revolution, and drag them down to earth so viciously that they turn into tangible, worldly, manageable affairs of everyday life. It’s rather frustratingly admirable, I admit. But with a plot that does not fall into the passivity trap of TPW, added intrigue, improved writing, and awe-inspiringly deeper dive into intended themes like trauma and addiction, TDR managed to steal my heart in the way I’d been all but begging for, despite slightly lacking in development of some relationships (not characters, which were all stunningly layered and shaped)—but we’ll get to that in time. [image] [image] Inspirations: Let’s Talk History If you write a book inspired by true events, you bet I, the history nerd, will dedicate an entire section to analysis of its influences and themes. Forget the characters and relationships and whatnot, this is the real reason why TPW trilogy is worthy of note. From civil war to western colonisation, Kuang unflinchingly tackles every dark nook and cranny of its Chinese influence to the ground, taming it and capturing it and putting it on disturbing display for our guarded eyes. In my review of The Poppy War, I mentioned how I believed these books were largely inspired by the Qing dynasty which was the last imperial dynasty of China, and this sequel further strengthens my conclusion. For one thing, the book’s Poppy Wars and their Hesperian relations are reminiscent of the Opium Wars, which were Europe’s early attempts at western colonisation of China during the reign of the Qing dynasty. Not only that, but Kuang also shows the shift in Europe’s attempts at colonisation through history, from forceful penetration in the 19th century to the economical coercion and civilising mission of the following years. The racism and greed inherent in those intervening, invasive hands seeking control of the resources of prosperous eastern lands excused by beliefs in the superiority of the White race is an infuriating and uncomfortable topic to witness for anyone of any ethnicity, and Kuang fearlessly lays its every preposterous audacity bare. However, she has also jumbled the timeline of events and mixed nations’ and figures’ roles enough that I had to spend an insane amount of time piecing this puzzle together. To share my findings, I’ll have to give you a quick history lesson touching upon a few needed prominent moments: Once upon a time the Qing dynasty ruled over China from 1636 to 1912. During its later years, the British who love tea bought their supply from China—but because they didn’t want to pay for it with their silver, they made up for it with cotton and opium exports from India, in which they’d just gained control. As opium addiction became an issue in the land though, the Chinese government declared a ban on all opium trade. The Great Britain was obviously bothered so, you guessed it, they showed up with their ships and guns in June of 1840 and demanded unjustified rights. The following years brought suffering and two Opium Wars for China as it was overpowered by the west, the US, France, and Russia all taking advantage of its weakness to press for favourable trade treaties and generally getting away with whatever the hell they wanted. What happened with the Chinese Civil War after that is not in the domain of this book, so I’m leaving the story there. As is evident, Kuang has taken events spanning across two centuries, shifted them and changed them and summarised them in a few decades: Mugen (Japan) became the main enemy in the Poppy Wars instead of Hesperia (Europe) and the Second Sino-Japanese War became the Third Poppy War, happening years earlier during the Qing dynasty instead of after its collapse. Vaisra is a Yuan Shikai (a Qing military strongman establishing the first modern army and a more efficient provincial government in North China) who did as Sun Yat-sen had done and sought foreign help, sending his people to learn from the Hesperians. The Consortium is the Comintern, observing and meddling in the precise same way. I could go on, matching every character and action with its historical counterpart because I am mad enough to have spent hours doing just that, but I will spare your poor braincells. Despite the changes that brought the fiction to the historical, TDR ultimately maintains the main themes of its inspirations and boldly explores their implications. From fear and eradication of rumours of sorcery, to anti-Christianity and the cold treatment of western ambassadors during the Qing dynasty; from the colourism dividing North and South China with a line of prejudice and privilege, to idealist liberal movements that are in truth hypocritical and blind to the reality of the depth of injustice; from arrogant civilising missions, colonisations, and rapacity of the west, to beliefs in the superiority and chosen status of a race over the lowly and inhumane view of another, Kuang pours heart and soul into ink and parchment to develop each facet of the picture she draws. “Do not shirk from war, child. Do not flinch from suffering. When you hear screaming, run toward it.” And that, my friends, is why this book matters. It matters because it does not let you ignore what was and what is, still, laid in our foundations. [image] Characters: Development & Relationships If you strip away the powerful themes and exquisite world, you will be left with the characters—and they are just as faceted as the aforementioned aspects of the book. “When you have the power that you do, your life is not your own.” ✿ Rin: It’s quite rare to read healing journeys gone wrong, weaving the ways characters slip instead of succeed in their battle with mental illness, so I appreciate how Kuang delves into Rin’s mentality, her excuses behind addiction, and her immediate flight when encountering grief and guilt. With Rin’s internal struggles, we soberingly witness the philosophy of violence and watch as its haunting consequences unfold. But in all honesty, even as I love Rin’s lethal, unapologetic quickness and zero tolerance, she’s too much of a follower—needing to be disciplined, craving her abusers, picking paths rather than carving her own—to capture my heart yet. I do love that her incompetence is acknowledged, though; something that has me very hopeful for the path the story seems to be taking. [image] ✿ Nezha: This idealistic, clueless, privileged, haunted, idiotically loyal baby boy has me so conflicted I want to simultaneously hug him adoringly and pummel him angrily. It’s a pity that his character and his dynamic with Rin did not get the time and attention they deserved, because they could’ve been my new obsession. But sadly, this relationship ended up being as lackingly developed as Rin and Altan in TPW. Considering how impressively Kuang’s writing has improved though, with Altan’s promised theme of destructive tendencies now finally being shown and thoroughly written, I cannot wait to see Kuang grow even more and steal my breath with Rinezha as well as Nezha himself. [image] ✿ Kitay: You know that character who walks through trauma and emerges as a bitter bastard on the other side? Yes, that one, the one I, however disturbingly, love—that is my Kitay going from an uptight, moral cinnamon roll to a viciously practical scholar slaying me with his sass. It was a little sad to see his righteousness come bite him in the arse, but I’d be lying if I didn’t say it was also satisfying; what can I say, I’m evil. ✿ The Cike: Last but not least, tiny, innocent, brilliant, and dangerous Ramsa, sarcastic, irreverent, and thrill-seeking Baji, hypocritical, tragic Chaghan, and all of the Cike’s forced companionship and solid comradeship left a mark on my heart. They might not be warm, they might not be friendly, they might constantly hit one another, never pulling punches...but to me, they are a testament to the unlikely friends, no allies, that one can stumble upon in times of pain and crisis when all you have is one more broken soul who might hate you for the mirror you are of their own doomed predicament, but they would have your back if you have theirs because, really, you’re all the other’s got. [image] CW ➾ racism, colourism, colonisation, abuse, misogyny, PTSD, grief, substance use and addiction, self-harm, nonconsensual human experimentations and medical examinations, torture, rape, burning, genocide, mutilation, gore and violence[image]
Book series playlist: Spotify URL [image] Books in series: ➴ The Poppy War (The Poppy War, #1) ★★★★☆ ➴ The Dragon Republic (The Poppy War, #2) ★★★★✯ ➴ The Burning God (The Poppy War, #3) ★★★★★ ...more |
Notes are private!
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1
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Oct 08, 2020
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Oct 23, 2020
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Oct 06, 2020
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Paperback
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4.03
| 58,954
| Mar 16, 2021
| Mar 16, 2021
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it was amazing
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None
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Notes are private!
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2
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Aug 04, 2022
Aug 06, 2020
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Aug 04, 2022
Aug 06, 2020
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Aug 06, 2020
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Hardcover
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B07SB6FRDN
| 4.04
| 155,768
| Oct 16, 2018
| Jun 09, 2020
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it was amazing
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None
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Notes are private!
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1
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Jun 05, 2023
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Jun 05, 2023
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Jul 17, 2020
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Kindle Edition
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3.59
| 36,065
| May 04, 2021
| May 04, 2021
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it was amazing
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Attention, attention! “If you don’t belong to a place, perhaps we belong to each other? We who belong nowhere?” I hereby declare that, from man to w Attention, attention! “If you don’t belong to a place, perhaps we belong to each other? We who belong nowhere?” I hereby declare that, from man to woman and all in between, every soul who dreams in colours and unknown magic, who seeks adventures in rich lands alongside characters of flesh and blood, needs to immediately drop whatever the hell they’re holding and pick this book up. Why, you ask? Because Realm Breaker is the book my wretched heart has wished to read ever since it found itself in between the fragile pages of dreams and fantasies and nestled in against the world. No, not because of the hunger woven into its lines or the journey through forest and city and sea, all painted so tangibly they would dance before your eyes and in your ears and up your nostrils, in the gradually introduced medieval-inspired world of Allward that is diverse and bold and feels loved and lived in as a living thing (and which you need to let wash over you at first lest you become overwhelmed by its details and complexity hitting you in the face from the beginning, and instead relax because what you’ll need to remember and understand will be explained slowly later on); though the world sucks in a great deal of my adoration. “Hammer and nail, the Companions are now seven, wind and gail, bound for hell or bound for heaven.” And no, not for the mismatched, merry band of heroes who battle survivor’s guilt and the craving for home as they unwillingly try to save the world from being torn apart by the opening portals, their team growing both in number and begrudging closeness even as they wish one another dead; though I love this blooming found family (whose relationships are not focused on romance) and their challenges. Not even the jaw-dropping action scenes that are sometimes epic and sometimes hilarious but always immersive, or the smooth, artful storytelling that makes the book a tapestry—every moment a thread integral to the tale and leaving waves throughout, the suspense build-up ensuring you feel the tension either way—was what sealed its place in my bewildered heart. No, the true reason why Realm Breaker ascended into my all-time faves shelf was its female characters—its powerful, strategic, rational, calculating, cunning, resourceful, unyielding women who carried the story in their filled pockets, who I could finally point to and say that’s it that’s who I relate to. And it saddens me how rare that is. “Even when it isn’t the end of the world, the realm is a dangerous place for women,” Sorasa added, gesturing between herself and the bounty hunter. In interviews, Victoria has named Tolkien as an inspiration for why she wanted to write an adventure in a medieval fantasy world and, indeed, the Tolkienesque journey is very much there. But, to me, RB does better many things the legendary and worshipped LotR trilogy did inadequately, be it ethnicity and gender diversity, morally grey characters, or a world with trade and politics that make it feel lived in. When Aveyard writes about her inspiration in the Acknowledgements, she thanks Tolkien for “giving me so much—and yet so little. For making me want. For making me hungry,” and that’s precisely it. “There are no greater teachers than fear and pain.” I know fans of Tolkien are going to crucify me under this review (by all means) but, even as Tolkien will always be an idol of mine in the field of linguistics and I will continue to admire his deep knowledge of myths and how he combined them to create his detailed world at a time when fantasy was scoffed at, his works were too absolutist, racist, and sexist for me, a Middle-Eastern girl who supposedly has a “masculine” personality and whose favourite genre is grimdark. And please, don’t argue that he was not, because the defensive arguments are the issue—he was a child of his time and that’s understandable, may he rest in peace. I am not going to pick an argument with a dead man, I just think we need to see and admit the flaws in his works instead of brushing them aside, because that acknowledgement is the only way to improve. So yes, that most renowned work of fantasy leaves me hungry as a blackhole, but the works inspired by it that strive to do it better fill me with hope. So far to climb, but I cannot look up, or look back. The truth we all know is that, for a long time, female characters were either nonexistent or included but in the worst ways possible. Then feminism kicked in and we were given a wave of female leads with no agency. Then voices were raised, and the current wave of diverse strong women rolled it—angry girls who made souls shake in fear and bold girls who did not let anyone put them or their bodies in a box; loving girls who stood strong and fought and quiet ones who slipped through the shadows with knives and deadly promises. At every turn, I loved them. I cheered for them and adored them and wept in joy. But through it all, only a handful were ones I—the reportedly heartless control-freak who mostly only had the evil male masterminds to relate to—could see myself in. And then this book came and wrapped up all my favourite types of female characters in a box, fleshed them out, and tied it with a pretty ribbon for me to tear into. What types of characters, you wonder? What is so special about these people made of words who you could simplify in tropes Aveyard explored and turned on their heads, you want to know? Then read on. “There are breakers of castles, breakers of chains, breakers of kings and kingdoms,” she said, her voice iron. [image] Characters: Powerful Women & Adorable Men ✦ Corayne: Firstly, I have no idea what reviewers mean when they say our chosen one was the weakest character—I’m sorry but did we read the same book? Victoria loves to take tropes and twist them around, both showing how they can’t work and how they can if made realistic. And with Corayne, she does just that. Our girl is like all the other chosen teenagers, and yet the exact opposite. As any teenager taken on a sudden journey around the world to save it, she lacks experience and can’t survive without the adults accompanying her. But that does not make her clueless—far from it, in fact, because she is a sharp-minded planner who suffers no illusions and reads most people easily, knowing how to manage them, and is quick to rein in her emotions in favour of logically assessing the information to find solutions and even direct their group. She may be young and hopeful, but she is not naive, neither is she useless. How could she be, when she has been the mastermind behind the success of her captian (secretly pirate, but Corayne is not supposed to know that) mother’s ship from a young age. No, all this young no-nonsense lady is is out of her element, and she still does not lose herself, gathering herself quickly to react rationally. An alliance bought is still an alliance made. This is a type of character rarely written or understood, especially female and in YA, and especially as a realistic young hero and not an antihero or villain. With her darting eyes and furiously working mind, she always strives to anticipate the next step, planning and looking for answers. But when you insist that you see through all lies, sometimes you might also see through truths and disregard them. And when you have such aversion to unexpected experiences outside your plan, you can fear being incompetent and struggle. And if you are raised by a spontaneous, charming mother who is your opposite, you can also secretly crave to be as fearless and free as her. Still, with all her insecurities, Corayne knows her strengths and what she wants. She has a wanderlust in her, looking for a place to belong and lay roots, and she goes after it as she does everything: methodically. “The Lion should take you as its sigil. You’re twice as fierce, and twice as hungry.” ✦ Erida: Meet the young, morally-grey Queen of Galland, land of the Lion, and my favourite character—the character I thought I would never read. While Erida has been queen for four years, she is still just a woman in the eyes of her patriarchal society. “Untrustworthy, unfit, too weak to rule. History gorges itself on women raised high and then brought low by men grasping for their power,” but she will not be one of them. She always is—and seeks to be—in control, and will tolerate no man’s self-righteousness or share her company, her mind, and the weight on her shoulders with anyone. It might make for a lonely existence, but she does not care. Because Erida and her strategic, cunning mind are preoccupied with more important matters, such as strengthening her hold on power before her court could cast her aside. Only men can speak all day long and still think themselves silent. ✦ Sorasa: As one of the experienced adults among our MCs, this assassin of the Amhara, legend of the shadows, quick with tongue and blade, to whom discord is a better shield than steel, completely steals every scene she’s in. Not only is she a sarcastic, wild woman who takes up the role of reluctantly leading their team through danger after danger with her resourcefulness, her technique and deadly nature are captured with the most masterful quill to make her own the title assassin more than just in name. And slowly getting to know the values this amoral human holds is a welcome arc that filled me with warmth. “Whatever you decide, possible death or certain death, be quick about it.” ✦ Other honourable mentions from the cast who took shelter in my heart include: Andry, the soft boy dreaming of knighthood who has always felt separate from his fellow royal squires and will not hesitate to fight for what and who he holds dear, even if he has to burn his road back. Dom, the honour-bound immortal who, like Andry, grapples with survivor’s guilt but does it more immaturely—because he might be 500 years old, but he has no idea how to deal with emotions and is generally an oddly naive cutie. “Sorrow is a mortal endeavor. I have no use for it.” And Meliz, the woman who rides the seas, enjoys every moment, and wants and wants and will not give up her wanting for anyone. Or Valtik, the eccentric, playful, fleeting witch and her rhymes and absurd priorities who surprised me with her courage. Sigil, the dangerous, meticulous bounty hunter with a dark humour, and her mortal enemy Charlon,, the shameless forger priest I could not resist. And ofc, our king of ashes raised in the mud—oh man do I want more of him. [image] Relationships: Found Family & Villain Romance Corayne inhaled deeply, taking one last gasp of her mother. “How fare the winds?” she whispered into her coat. ✦ Friendship & Family: My favourite aspect of any relationship is the layer of platonic support and mutual understanding. And, even as these cast of characters can barely stand one another, even as their hilarious banter and snapped retorts fill every chapter, even as the additions each bring interactions full of bitter history and tension into the mix, every new member slowly finds their place and rhythm by the end. This is only the start of something beautiful blooming, and I need more of it. Especially of Corayne and her mother, a mother she has never truly been a child to. And also the ones promising a future romance. *winky wink* “[The bargain] will be upheld.” ✦ Romance: Technically, there is no romance in this first installment. However, there is ~chemistry~ and in abundance. I’ll leave the alluded slow-burns for the next books but, I need to talk about the beautiful, beautiful villain romance. “A marriage is a promise, and we promised each other the world entire.” It’s not just the sexual tension, or the delicious wickedness, or the seduction of power. It’s not even the concept of two wolves sizing one another up so very delicately. It’s the fact that she scolds him and wants him as her weapon and he wants and respects her as his equal partner and they’re both formidable threats in their own right and xdkdhs, them combined? May the gods of Allward save our heroes. [image] Writing: World & Atmosphere Building [image] My words are too many and Goodreads’s word limit too little. I want to tell you about RB’s monsters and portals to other worlds that are myths to the current occupants of the Ward and how creative their workings are, and the magic they had once brought into this realm that is now a child’s fever dream. I want to rant about the politics and history of this diverse world, inspired by the Europe, North Africa, and the Middle East, and the themes of conquest and colonisation next to the depiction of various cultures with their strengths and sayings and ways. I want, I want, I want. But I can’t. Saydin nore-sar. What I will tell you is that, even though Aveyard references Tolkien as an inspiration and the parallels are certainly there, the world building reminded me more of GRRM—and I don’t say that lightly, as he is my favourite author. Victoria is someone who always takes care to flesh out every element in exquisite detail, be it war and its strategies, the ways of pirates, or the subtle art of being an assassin. And her changing, immersive landscapes that felt truly lived in with constant conflicts and trades, layered politics ever-present in the dynamics of the world, and tangible cities and kingdoms and clans which bore personalities from the get-go were more reminiscent of GRRM’s, feeling alive and complex the way his always do. And that—this whole book—is everything I want from my fantasy. [image] Companions: Playlist & Related Reviews Book series playlist: Spotify URL [image] Books in series: ➳ Realm Breaker (Realm Breaker, #1) ★★★★★ ➳ Blade Breaker (Realm Breaker, #2) ★★★★✯ ➳ Untitled (Realm Breaker, #3) ☆☆☆☆☆ ...more |
Notes are private!
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1
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May 08, 2021
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May 14, 2021
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Jul 15, 2020
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Kindle Edition
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125025437X
| 9781250254375
| B084M1NQCR
| 4.02
| 100,889
| Sep 01, 2020
| Sep 01, 2020
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it was amazing
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No, I wasn’t reading on bed for a day. I was sailing the grim, deadly Narrows on the mainmast of a shadow ship, a spyglass sharpening my gaze; I was dr No, I wasn’t reading on bed for a day. I was sailing the grim, deadly Narrows on the mainmast of a shadow ship, a spyglass sharpening my gaze; I was dredging the bottom of the deep blue sea, silence and chaos my companions. Such is the way of a book so atmospheric. Isolde was the wind and sea and sky of Saint’s world. She was the pattern of stars that he navigated by, the sum of all directions on his compass. And he was lost without her. Fable is not a fast paced, fun tale of adventure in line with Pirates of the Caribbean; this fable is grim, and dangerous, and slowly immersive—you might say it’s more in line with the show Black Sails if you’re really looking for a comparison, albeit ill-fitting. This is a book that takes you beneath the sea and into the unknown cold and lets you watch the shadows of all the pain and longing, and makes you secretly hope. I tried my best to capture the vibe of the book in my book playlist, you can listen to that as a side aid ➾ Spotify URL [image] To put it best, Adrienne Young has spun a yarn of yearning, made from threads of survival, family, and the meaning of home; of longing for something that seems both the cure and the ultimate, inevitable curse. A yarn where the core is love; love of an abandoned daughter for a distant father and a haunted father for his precious daughter; love of a terrified boy for a fiery girl and a lost girl for a cold boy; and the love of a tortured brother for his little sister and a trapped sister for her looming brother. It is a fable of doomed love that creeps up on your stoic, lonely soul, and the efforts to conceal its warmth in the darkest corners of the treacherous sea. Because in a world where a father would leave his fourteen year old daughter on an island of backstabbing survivours at fourteen to fend for herself and cross thieves and seas to find her way back to him and prove she has it in her to live and thrive in the ruthless ocean with its greedy guilds of merchants and two faced pirates, in a world where caring is equivalent to giving others power over you, there are only five rules to keep tucked in your heart: ➯ Keep your knife where you can reach it. These rules make up the very essence of what kind of a tale or world this book goes through, what consequences there are for every action. And with Young’s careful writing, they are so vitally woven into each line of every page that I’m going to have to use them for discussing different aspects of the book: [image] Tragedy & Brutality ↳ Rule One: Keep your knife where you can reach it. It wasn’t uncommon for women to crew ships, but they were definitely outnumbered. And the softer you looked, the more likely you were to become prey. The world of Fable is a ruthless one, as divided by privilege as it is by your ability to cut a throat. Surviving has its own strategies, and you either figure them out and cut yourself a place on the seas, or you’re carrion. This is a lesson every character we meet has had to learn one way or another—that there is a certain amount of darkness it takes to live the life of a trader in the Narrows. And Fay, our main character, was forced to confront this at fourteen when her father, Saint, abandoned her on an island of cutthroat dredgers. And as she attempts to reclaim her own place on the waters four years later, she learns the truth of this life of bloody business firsthand. “You want something in this life?” She came to stand over me. “You take it, Fable.” Young paints the hard, grim life of Fable and all the characters with a deft flourish and shows its violence and unfairness not only through every challenge our main cast face but also the choices they make, the violence they themselves carry out for revenge or justice. You always hear there are worse things in life than death, and in Fable you’ll get a quiet but heavy lesson on the truth of life on a ship in the Narrows. You’ll learn sailors have their own evident nightmares that don’t hold a candle to the darker pieces of their lives—you’ll learn there are worse things than a shipwrecking storm. [image] Plot & Adventure ↳ Rule Two: Never, ever owe anyone anything. This is not a book one should pick up looking for a fast paced, plot driven extravaganza, because the shining jewel and the centre of gravity to Fable is its savouring of the sea and the cold life of its people, cold as the sea they travel. Of course, that doesn’t mean there is no adventure to be found here, it just means the adventure is slow and silent and dangerous as swimming deep beneath the surface, sometimes exploring and sometimes frantic, and always immersed head to toe in painful, peaceful water and shadows. Like a weary bird flying out over the most desolate sea, I finally had a place to land. As a story of seeking your place with your distant powerful father, a near-king to merchants in the Narrows, who abandoned you, all while wondering if you even belong, Fable takes us on an unwelcoming trading ship that is more than it seems and through ports where there is no currency more valuable than information. And her tale of fighting to earn a home is woven with a hushed, grim tone brimming with secrets rather than a loud and joyful one, and it conveys the message the better for it. [image] Writing & Atmosphere ↳ Rule Three: Nothing is free. One way or another, you always paid. Undeniably the most exceptional facet of Fable is the author’s immersive storytelling—it reaches through the pages and grabs your collar with steady, reaching hands, and it pulls; it pulls and pulls and no matter how hard you seek a handhold, no matter if you find one and clasp your bed, your chair, your life, you will fall and fall and fall into the churning waters of a Fable that is not where you were but oh is it where you crave to be. I imagine this is what falling in love must feel like. It was unnerving to see the sea asleep when I’d seen how bloodthirsty she could be. From the nuances of fishing or sailing or listening to the tale of the sea and storm as you venture deep inside them, Young uses every detail in her arsenal to capture the true nature of the elements used in her book. But she doesn’t dump paragraphs of detail on you, she shows you how it’s done and what lives the characters lead by simply having you experience their adventures and choices. It’s this ability to apply the information instead of explaining it, to use the themes she wants to explore as the backbone of the structure she’s building, that made me feel what it is to live this life. Made me feel that there are no favours in this world, and every bit you get is what you earn if you don’t want to find yourself overboard. [image] The best way to describe Young’s subtly beautiful and quickly flowing writing is comparing it to sailing. To steal and tinker with Fable’s own words: the rhythm of crewing a ship is like a melody of pushes and pulls, of steadily unsteady ups and downs, of waves in water and waves in hands, and it’s a melody I’ve never known and yet one I shall hum to myself for the rest of eternity—and this I owe to Young. Because not only does she write the rhythm well, her writing is the rhythm. It is constructed of the rhythm’s highs and lows; it carries the rhythm in each word and every syllable. And it is her crime in making me fish and sail and swim between the pages of this book that will keep me forever dreaming of being a dredger diving down to the darkest depths of the drowning deep. [image] Secrets & Lies ↳ Rule Four: Always construct a lie from a truth. Anything given freely was probably a lie. Listen well and listen close, because here is the cutting reality of a trader’s life: it is “a constant game of strategy,” a “never-ending maneuvering to get ahead” and an “insatiable hunger to want more. More coin. More ships. More crews.” Because “in the Narrows, nothing was what it seemed. Every truth was twisted. Every lie carefully constructed.” Yes, I just used a bunch of quotes to explain what I couldn’t word better, because no one can show the duplicity and slipperiness of this life, the inability to truly trust anything in it, better and more finely than Young herself. “You’re a good liar. Anyone ever tell you that?” These characters lie to live because to tell the truth is to lay yourself down, vulnerable for all to walk over. To tell the truth is to yield your hand where truth is the unofficial currency traders dwell in. So what you do is break it into pieces and hand each broken piece to one person to hold, unbeknownst to all else. It’s what a helmsman would do, and it’s what West does. And that is why there is an ocean of lies dragging behind the very ship Fable has paid and begged her way onto. But how far can you go before the wolves catch you? This is the story this book tells, and the rule it abides by. [image] Characters & Relationships ↳ Rule Five: Never, under any circumstances, reveal what or who matters to you. Ships and oceans, gems and traders, they are all secondary to the characters and, most importantly, the relationships in Fable, because the weight and meaning of loyalty and love, home and family, in a world as vicious as this is the true essence of this tale. No matter where I went, I’d never get home. Because home was a ship that was at the bottom of the sea, where my mother’s bones lay sleeping. ☸ Fable: Our protagonist is a wild and unyielding tempest, a brutal girl unconcerned with looks or riches and more concerned with staying alive, swallowing the sea, and most importantly, finding a place to belong. She is lost and unmoored, wandering since the night her life changed, ripped apart so thoroughly when even her father abandoned her in his cursed attempt to save her from himself and his deadly life. That is a father who shaped her despite not being by her side. Because the world he left Fable in, and the rules and expectations of this man whose shadow always loomed over her, are why she became the selfish bastard that she is, enough of a cutthroat businesswoman to use what and who she has to to survive without showing weakness—really, her pride would not even let her. During this book, we watch as her search for a place in this world is thrown into uncertainty by the question of whether she can even fit inside it. The doubt is as realistic as the reveal of the mettle she was made of as she sinks into the power and danger of the ways of the Narrows and finds a crew she realises she wants as family. You can feel the restlessness in her, see how her world centres around that desperate need for a home that has her flying past any chance of it, until she understands that no home or place is handed to anyone, and she has to play her cards right to carve a place for herself. Her pain and reaching hands were both a familiar song I wanted to escape and an exceptional depth I could not get enough of. “Nothing comes free, Fable. We both know that surviving means sometimes doing things that haunt you.” ☸ West: Meanwhile our love interest and helmsman is a haunted, guarded young man of few words, impatient and stubborn and coldheartedly dangerous. All intensity and hard edges, uncontrollable yet made of coolly controlled rage. He is only ever pieces, shadows hiding the details, the secrets, his dark side locked behind doors of iron will—a side that, while hidden, always bleeds through somehow. And beneath it all, beneath the shadows and the quiet cold, West is obsessively and possessively protective, his admiration for the demanding boss who saved his life so strong he became a killer and his caring for those he loves so severe it cuts through soaked in desperation and fear. He will carry you on his back, crossing lines to protect what he holds dear, but also to conceal what it is he cares for. “Don’t.” I shook my head. “The moment you tell me anything, you’re going to be afraid of me.” ☸ The Romance: This is, to me, perhaps the most surprising part, unexpectedly laying waste to my heart as the line they draw in the sand to stay distant is wiped clean with their growing trust, as he bares himself to her after only allowing her broken pieces of himself, as he softens for her despite being all sharp edges. I think this is less a romance about falling in love and more one of coming to understand the love that had formed between them and futilely attempting to guard against it but failing miserably. Their efforts feel too late, their surrender inevitable in the best way possible. It’s a love that rings desperate, so pent up and intense, so hidden but revealing itself slowly and pleadingly. Because you see, they live the life of the sea, and there are only two things strictly forbidden and deemed deadly on a ship: love and drunkenness. And when your ship is your life and your life is that of a pirate with enemies watching you for any weakness to exploit, you don’t have the luxury of love. To love is to jump off a cliff and hope you hit water rather than land, knowing even the water will likely drown you. And the characters’ understanding and fear of this is what makes their love all the more decadent. If we were going to do this, I would have to be his safe harbor and he would have to be mine. ☸ The Crew: This is a crew of youngsters and outcasts, daring to hope, working together to survive against all the odds. I fell in love with the way Young captured their deep understanding, camraderie, and sense of family in a world where everyone is competition to doubt. They each know their places and work in perfect tandem with one another, our MC fitting naturally with them despite not being welcomed. The team spirit in their found family is palpable and vividly experienced. I specifically loved Auster’s cool support and Paj’s bitter, hilarious energy. And oh, Willa, this ferocious, caustic creature tied between love and freedom. Her bloodthirsty delight, her heart wrenching lack of choice in the way of her life, and her longing to be free of it and that love at last made her so thoroughly stand out. ☸ Saint: And last but not least, rarely seen but forever felt, is Fable’s father. It astounds me how fleshed out he is despite his little page time, how constantly his charisma bleeds through every page despite being almost a ghost, and how his drive and motivations are felt despite him mostly being a shadow over our characters’ lives. Saint is a stoic, lonely, hungry fortress of a pirate so in need of control and power he will cut the knees out from everyone so he’d stand taller, and what makes him so complex is his ruthless fairness that earns him love while his guarded heart pushes it all away, never so intensely as with his daughter. Which brings me to... ☸ The Father-Daughter Bond: One might say there is no such bond here, and their dynamic is one of complex push and pull, denying and hiding their love for their fear and not knowing how to show it even if they wanted to, only causing each other pain from a distance. And while I wouldn’t wholly disagree, I’d say that beneath the hurt, beneath the struggle, he is still the dad who believes in her and does everything he does bc he thinks it’ll protect her, and she is still the daughter who proudly follows in his steps and just wants to be by his side. They might keep each other away and feel as if they’ve lost and have to guard against one another, but they still both evidently care and hate that they do. The only safety that existed was in being completely alone. In the end, if there was one thing this book had to say, it’d be that people are a whole being onto themselves, out of our control no matter what we do, and to care is to hand over your control, hand over reins with power over you, to those you care for and to all who would use them against you. And in this world, that is something to fear. For West or Saint, people carved from stone with an iron grip, that is the ultimate fear. [image] My deepest thanks to my superhero for providing me with an eARC through Edelweiss. Companions Book series playlist: Spotify URL [image] Books in series: ➳ Saint (Fable, #0) ✰✰✰✰✰ ➳ Fable (Fable, #1) ★★★★★ ➳ Namesake (Fable, #2) ★★★★★ ➳ The Last Legacy ✰✰✰✰✰ ...more |
Notes are private!
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2
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Aug 03, 2022
Aug 05, 2020
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Aug 03, 2022
Aug 06, 2020
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Jul 15, 2020
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Kindle Edition
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1473224233
| 9781473224230
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| 4.24
| 51,316
| Jul 07, 2020
| Jul 07, 2020
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it was amazing
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Paperback
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4.18
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it was amazing
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When a book traps your soul from beginning to end and beyond, keeping hold of a string to your heart even as you leave it behind, you know it deserves
When a book traps your soul from beginning to end and beyond, keeping hold of a string to your heart even as you leave it behind, you know it deserves all the constellations in the night sky. [image][image] Credit: Nicole What is a person, if not the marks they leave behind? They say if you look through a wooden ring on the 29th night of July, just after dark, you’d see a wraith wandering valleys and alleys—singing, sighing, seeking. And if you lean in, shell of an ear pressed to the ring, you would hear the echoes of a madwoman, murmuring of a dance of three centuries, a game between the ruler of darkness and a ghost of a girl, a war that was a love affair and a need and an obsession. They say that, if you follow closely, she’d take you through continents and centuries—chasing shadows, stalking the vanishing footsteps of an idea, a touch, a constellation of seven freckles. And if you stack up your courage in a fist and ask her what it is she seeks, she would tell you it is a god and a girl, a forgotten thing. And then she would turn to the night and cry out in challenge and raging prayer. This, my friend, is where I suggest you let your fist fly open, scattering the gathered grains, and flee. For if you don’t, you would glimpse a man with raven hair and a fleeting emerald labyrinth for eyes set in the face of a wolf step from the shadows, a dark god bearing his own temples of need and desperation. For if you stay, the devil would take your soul. They say, and they say it honest and true. I would know—I am the wraith, after all. “No matter how desperate or dire, never pray to the gods that answer after dark.” This quiet, languid, fleeting, wandering, aromantic romance that is more need and companionship than love; this tale of immortality with its heartwrenching wail and tragic tale of watching all you hold on to fall apart in your grasp; this book of a bewitching affair and search for freedom, love, and remembrance; this book with its ingenuous creativity, dwelling on the power of belief and ideas...stole my heart, bled it dry, and speared it atop the gates of hell to warn the unwary what would happen if you fell in love with the devil. I persistently urge you to listen to the unbelievably flawless and fitting songs on my playlist of this book ➾ Spotify URL “Nothing is all good or all bad,” she says. “Life is so much messier than that.” In honour of Addie’s seven-star constellation of freckles, the feature that ensnared gazes and inspired artists and shone through centuries, I’m assigning each of the seven main stars of the Orion to the seven whys The Invisible Life of Addie LaRue is a haunting, blinding, bold sky: [image] ★ Rigel: Storytelling I would like to announce that I am the biggest idiot on earth for depriving myself of the writing of such a master storyteller. Such exceptional weaving techniques of piecing the tale together as a puzzle; such eloquent work, bringing the pages and words full circle; such perfect prose with sensible, tangible, and fitting metaphors. Such talent. Much perfection. What she needs are stories. From sculpting characters that are more than a sculpture, real as any person with various outlooks on life that indeed leak into their way of speech, to scrutiny of details, wiping away any possible logical holes in the plot or magic, I am going to call V.E. Schwab my new all-time fave author even though this is my first book of hers. Let me just fold up my sleeves and get into the process of devouring the rest of her works. [image] ★ Bellatrix: Addie LaRue, the Muse Scarier than having a dream, a desire, a need, and making a huge mistake because of it, haunted by your blindness for 3 centuries, is watching it happen and thinking that could be me. It’s the relief of understanding towards an unrestrained, wild thing in search of her freedom, her life, her own path—be it companionship or loneliness; it’s the warmth of kinship towards a defiant dreamer dreaming of a stranger with dark hair, crying out against the night to belong to no one but herself, be bound to none but herself; and it’s the resignation to a road undoubtedly ahead of a girl fleeing the smallness of a static life, a tomb, strings cut, head wandering. It’s joy and it’s pain and it’s unforgettable. Addie LaRue is unforgettable. [image] ★ Betelgeuse: Love & Luc, the Devil Before I talk of Luc and love, I will—in true self-centred-me fashion—talk about me. So buckle up for personal information you absolutely did not ask for. # confession time I’ve always believed myself a loveless creature. I’ve believed it and declared it, to friend, family, stranger. Strangers raise an eyebrow, family nods in understanding of a shared problem, but friends...friends always disagree, always start a speech about how kind and caring and helpful and generous I am, well-intendedly attempting to explain myself to me as if I don’t live in my head. What those friends do not understand is the meaning of love. Frankly, I was not sure of it either other than knowing I am not capable of it. That is, until Schwab wrote: “You are not capable of love because you cannot understand what it is to care for someone else more than yourself.” Love comes with honesty and compassion and trust and understanding, yes, but, above all else, love is putting someone else before yourself. And I admit I cannot truly love because I know that, no matter how giving and caring and helpful I am, I will always choose me if choosing others hurts me, and the fact that I do not care for most things so I wouldn’t be hurt by them (like money) does not take away from my being an essentially selfish creature. I confess this without any sugar coating because I believe it’s crucial to know your most prominent flaws and be honest with yourself and those around you, to refrain from harming others through them. That’s love. So what about Luc? “Pain can be beautiful,” he says, exhaling a cloud of smoke. “It can transform. It can create.” My uncalled for rant above makes it glaringly—blindingly, really, because if you didn’t get it then seriously whatareyoudoin—obvious I relate to this god of the dark between the stars; this selfish and lonely creature with secret longings and hidden loss; this cruel, moody immortal seeing the world as a game but also capable of being wounded and confused; this “vast and savage night, the darkness, full of promise, and violence, fear, and freedom” with a lack of respect for boundaries. “Do not mistake this—any of it—for kindness, Adeline.” His eyes go bright with mischief. “I simply want to be the one who breaks you.” But beyond being relatable, he is possessive, obsessive, abusive, and other unattractive -ives. And this plus Addie’s unwillingness to ever back down is what makes their bloodsport of a dynamic so utterly irresistible—one that, despite its toxicity (that is never overlooked or romanticised), has its perks (how he pushes her, challenges her, to be better, if ruthlessly) and hilarious moments (how he ruins her dates, even as he’s a god for god’s sake). But remember that, no matter how these two cutthroats fit, no matter how their passionate, warlike back-and-forths are something they both crave, she only really had him in the vast emptiness of her world, and he made it so. Her thoughts are filled with him, because he made it so. Remember that, however alluring their affair, it is not love. [image] ★ Alnilam: Henry, the Storykeeper You know that feeling when you get gifted a box of sweets and you think well okay this will probably be cloyingly sweet and ah, well, I will end up tired of it and then you have a taste and oh will you never forget the moment it sizzled on your tongue and you realised no no it is not more of the same and it’s simply unique? That’s Henry for me. Because sensitive, caring, soft, quiet, strong characters haunted by failure more often than not fail to hold my flickering attention, yet I now trust Victoria Schwab to do the unlikely. Because he is more than those adjectives strung up together; he is lost and hungry in a world that holds an insurmountable number of tastes, insatiably craving too many of them to choose; he is a boy who sees stories in theology, who fears being himself as much as he hates not being seen as himself; and he is more than simply sensitive, carrying a cracked heart that lets in everything and anything, and Schwab’s exploration of his mental health and anxiety was soulful and unforgettable. [image] ★ Alnitak: Feminism Sometimes I wonder if, through the millennia that humans have roamed the earth, there has ever been a girl who has not looked away, looked up, from what life had handed her, seen the lot of boy next to her and wanted more. I wonder if, even among the content and kind and incurious of generations ago where being a dreamer was not yet a seed planted, not a one of them dreamt of freedom and ownership of one’s own life. And mostly, I wonder if the women who called after questioning girls as one would a sheep gone astray, are in reality the ones who’d seen the most injustice, dreamt the hardest, and learned such a hard lesson to end up helping in the keeping of the leash. Freedom is a pair of trousers and a buttoned coat. A man’s tunic and a tricorne hat. If only she had known. The darkness claimed he’d given her freedom, but really, there is no such thing for a woman, not in a world where they are bound up inside their clothes, and sealed inside their homes, a world where only men are given leave to roam. I might never know, but I will always seek tales of dreamers who would look at men and see at what little cost they moved through life, who would look into the woods and ask to be a tree, grown wild rather than pruned and cut down to burn in someone else’s hearth, be someone else’s chair. Addie LaRue’s is one such tale. [image] ★ Mintaka: History & Art For a book that spans across hundreds of years and yards, it goes without saying that there will be history and humanity with all its wonders and cruelty and war and art. And yet, as Addie would put it, “history is a thing designed in retrospect” and Addie LaRue is less a lesson on history than a parable of a great many presents. “Art is about ideas. And ideas are wilder than memories. They’re like weeds, always finding their way up.” So while there is history with clever commentary on evolution of fashion and glimpses of war and death and revolution, that is not what it is about. Schwab’s new novel is about history taking shape. About stories and ideas taking root in unseen places and climbing up through the darkest places of mind that have never seen the sunlight. Not about the world-changing historical figures and world-ending historical events written as a hammer falling, but as a friend and a brief conversation and a flash of life. This is not about the affect of the grand but the power of the minor. It’s about life and art and humans and how, even after one hundred years or three hundred years, there is yet more to find. Unknowns to see. Novelties to discover. And it is all the more memorable because of it. [image] ★ Saiph: Loneliness & Remembrance Have you ever watched that glorious, solitary tree of decades and centuries and memories struck down by a lightning storm? Ever held that tiny, inconsequential keepsake of a forgotten soul, refusing to ease your desperate grasp? Have you spent hours and days and a lifetime breathing your heart and soul and life into that lifeless thing, shaping it with your will and need and then, just a blink too soon, a moment before perfection, resolution, completion, seen it fall apart? Tell me, have you ever felt that abyss of sadness reserved for the lost? The forgotten? The lonely? “Why would anyone trade a lifetime of talent for a few years of glory?” I am a creature doomed to loneliness, seeking its banishment and knowing it is here to stay, and this book is the song of my soul. Because this, this is the why behind the exquisite pain of this book: a loss so stark, so sharp it cut straight through me and I poured, I poured until I drowned and I poured until all was washed away and there, right there—beneath the pain and the dirt and the injustice—there lay the gem of names and marks fading into darkness; of identity and reality with its bittersweet embrace; of dreams and time slipping through your clutching hands; of me, and you, and humanity’s unending need to be remembered and chased and never replaced. “The vexing thing about time,” he says, “is that it’s never enough. Perhaps a decade too short, perhaps a moment. But a life always ends too soon.” Millions of thankful stars and constellations to my superhero for sending me an eARC from Edelweiss! Info on the film adaptation with Schwab as screenwriter. ...more |
Notes are private!
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1
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Jul 08, 2020
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Jul 10, 2020
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Jun 08, 2020
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Kindle Edition
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B07BB2GVJX
| 4.29
| 852,579
| Jan 08, 2019
| Jan 08, 2019
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it was amazing
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I hate this book. I hate it so much I can’t stop thinking about it. I hate it enough to wanna make 100 accounts to rate it one star over & over again. B I hate this book. I hate it so much I can’t stop thinking about it. I hate it enough to wanna make 100 accounts to rate it one star over & over again. But I won’t, not because that’s immoral but because there can’t be hate unless there is love. There can’t be loss unless there is need. There can’t be hurt unless there is care. “I hate you,” I say, the words coming out like a caress. I say it again, over and over. A litany. An enchantment. A ward against what I really feel. So really, it’s my own damn fault. I all but handed Holly Black a gilded dagger, turned my back, and begged her to please please stab me right in the feels, going so far as to give her directions to the place just south of my hopes and slightly north of my dreams. I am Jude and this book is my Wicked King. And there is no better way, absolutely none, to convey how it feels to read its every page, every brush of ink, every curve and crease, than to quote the book itself: It has all the sinister pleasure of sneaking out of the house, all the revolting satisfaction of stealing. It reminds me of the moment before I slammed a blade through my hand, amazed at my own capacity for self-betrayal. (Please do excuse me for stealing lines—I do so because I am an inadequate piece of human soul and incapable of competing with the Faerie Queen who wrote this pure trove of gems). “Power is much easier to acquire than it is to hold on to.” I have said it before, and I’ll say it again: People don’t paint this series as it truly is. The Folk of the Air is not a light, romantic fairytale, however addictive; it’s a dark and deadly one—less a page-turner and more a temptress. It’s about tricks and snares, games and intrigue and pain and, above all else, power. Infectious, greedy, alluring power. And that, all of that, weaves itself through every nook, around every thread of the books. It hugs Jude’s curves and flies from her lips, slides along Cardan’s tail and between his clever clasp. It wraps its hungry grasp around the characters, bathing, entombing, suffocating. And it, quite gloriously, circles the dynamics and bonds, twisting and blurring the lines of love and hate, want and fear, until it is one with its every angle, dip, and chip. I guess it makes sense some would mistake one for the other. Isak Danielson’s song Power (which you can find on my book playlist) is The Wicked King incarnate and why oh why didn’t I listen when people told me NOT to finish it before an exam and went ahead to do just that? Sigh, I’m a fool, yes, but a fool for Jude and Cardan. And that never ceases to be an honour. “Things are always super dramatic around here,” Vivi tells Heather. “Epic. Everyone acts as though they just stepped out of a murder ballad.” As I called this book a pure trove of gems, I will proceed to refer to the treasures as the four most precious gemstones: [image] Black Diamond: Jude Duarte “Once upon a time, there was a human girl stolen away by faeries, and because of that, she swore to destroy them.” I will fight every single person who dares call my Jude annoying or unbearable and anything else in the thesaurus for those adjectives. She is the definition of a brilliant badass queen and I am willing to rip throats to prove it. Metaphorically, of course. In The Cruel Prince she evolved from the girl who wanted to impress and fit in and fight for honour, to a ruthless, power-hungry, scheming star, and in this sequel her shine multiplies a thousandfold; so I suggest you all shield your eyes before you go blind from her magnificence. Exploring her hatred of vulnerability, her need for control, and her insistence on relentlessly pushing and pushing herself both physically and mentally to the brink of collapse until she’s achieved perfection and utter independence, made me relate to her on a level that bordered on discomfort, if comfort really had any meaning (at least to me) and I wasn’t such a self-absorbed bastard. The sheer will. That, right there, is my most adored trait in human or faerie, reality or fiction. “You’re unwinding yourself like a spool. What happens when there’s no more thread?” Anger or fear? Fear or anger? Jude would argue anger (unsurprisingly, that is, her being a furious hurricane and all) and I happen to agree. Both are overwhelming emotions that can drown and paralyse and turn one into a fool, while both can also motivate and embolden and turn one into a champion. However, there is a certain strand of arrogance interwoven with amger that fear happens to lack. And, you all know me, I would pick anger over fear any day. So I can do nothing less than shout my love for her from the rooftops, no mountains, as Jude takes the hurt and weakness the Folk carved into her flesh and bone, adds it to the stew of her desire to be magic like them mixed with her obsessive knowledge of their rules and their ways and the music of their strings as they are pulled and plucked, and sprinkles it with a formidable amount of pleasure from the power and the dance and determination to learn and excel, watching it all bubble and burn. She is certainly my favourite cook, because she is better at being worse than them. Never, ever underestimate my little murderer’s strength, her skill at strategy, and her capacity for cruelty. Lastly, I want to raise a glass to the question Holly raises with this book: Is it good, or bad, for a ruler to contain those cutting, cunning impulses? Answer that as you will. [image] Cat’s Eye Emerald: Cardan Greenbriar “Have you never heard that virtue is its own reward?” Cardan says pleasantly. “That’s because there’s no other reward in it.” Ahhhh, I am in love with this wicked king (while wanting to strangle him to death and back, ofc) and I’m not even sorry. I stand by my point in my review of The Cruel Prince that his most important difference from most wicked charming boys (or girls) in books, is his absolute lack of ambition. Hell, that’s also the main difference between him and Jude. This small (perhaps inconsequential to most fans) detail is so ridiculously highlighted for me because it makes him endearing and unique and helplessly adorable, adding to his irresistible charm as he languishes on life, and why am I swooning right now ugh. The Wicked King is undoubtedly the best installment in this trilogy and one of the reasons for that is Cardan’s beautiful, heart-stopping growth as a character. He goes from a person commited to, as Jude would put it, “being a layabout who does none of the real work of governance,” to finding himself, his resolve, mettle, fight—whatever you want to call it—because of how his feeling of powerlessness and fear trickle away, drip by drip, as he no longer has someone to inflame (Jude excluded). And, mostly, because of Jude pushing him unwittingly. He learns to own it. “The three of you have one solution to every problem. Murder. No key fits every lock.” Cardan gives us all a stern look, holding up a long-fingered hand with my stolen ruby ring still on one finger. “Someone tries to betray the High King, murder. Someone gives you a harsh look, murder. Someone disrespects you, murder. Someone ruins your laundry, murder.” I could go on for two more paragraphs about why he seems to “have a singular taste for women who threaten” him and why and how a certain type of power dynamic appeals to our dear twisted fearie as it, honestly, does to most of the messed up characters in this series, but I won’t bore you anymore with my psychological talk. I will just go ahead and carve a Cardan-shaped chamber deep in my cold, dark heart to trap this clever, cutting, shameless, straightforward yet playful boy and protect him at all costs. [image] Burmese Ruby: The Jurdan Ship “If you’re the sickness, I suppose you can’t also be the cure.” I mean whoever wasn’t already abroad this ship should be careful because I might kindly push them overboard for being late to the party (let’s ignore the fact that I was also late to the general party shh). If book one was them warming up for the match, book two is them sparring at full swing and I am here for it. And “what is sparring but a game of strategy, played at speed?” So just as he is wary of her, bracing for her next blow while enjoying the game and trusting her completely, he is also going to land blows. Really, it’s only fair. “I have heard that for mortals, the feeling of falling in love is very like the feeling of fear. Your heart beats fast. Your senses are heightened. You grow light-headed, maybe even dizzy.” I think my second favourite aspect of their relationship (after the games and sparring match) is how their need and attraction and glimpse of a kindred spirit morphs into denial and fury and fiery hatred as they run away from the feeling they despise lacing through their love, all while being helpless to do so. Running at full speed on the tilted ground drenched with a rain of pain and desire, Cardan has already slipped. It’s Jude’s turn to do so. “Kiss me again,” he says, drunk and foolish. “Kiss me until I am sick of it.” Now, I’m going to make a confession. I was as stupefyingly petrified of their dynamic shifting as Jude was. Every step he took beyond her control, every claim he made to his own self, every fistful of power he dug up, I found myself screaming no no just as much as I cheered his growth. Because I understand her fear of being out of control and powerless, and do not want him to hold more power than Jude. And that fear is idiotic and unfair, because the fact that one’s power should come out of another’s powerlessness needs to give everyone pause. He has capered while she schemed, it’s time for them to learn to be equals, with mutual trust even in their game of chess, having faith in the fact that their opponent and partner will never land a killing blow. “For a moment,” he says, “I wondered if it wasn’t you shooting bolts at me.” [image] Violet Sapphire: Rest of the Rabble “Like the ant in the fable who labors in the dirt while the grasshopper sings the summer away.” ✧ Storytelling: I might’ve read only one trilogy by Holly Black, but I can safely say she is one true Weaver; taking the tale by the throat, dunking it in an ocean of vocabulary and punctuations, and threading the water and words into whorls of magic and enchantment. Thank you, Holly, for weaving waves of wailing tales for us. ✧ Worldbuilding: No words can capture and frame my love for this mystical, fairytaleish land of exotic, quiet allure, so I’m not even gonna try. “I’m still your father.” ✧ Madoc: I could not tear my gaze away from this messed up father-daughter relationship. He, the monster who took everything from Jude, also gave her a new life, pushed her to her fullest potential (even while underestimating her), encouraged her fire (even while beating her down), was all is she had. And I lived for how thoroughly this facet of this dark tapestry, this theme of moving past and beyond the power of the person who raised you, burns throughout the book. P.S. Pain makes you strong? Sith much? “Your ridiculous family might be surprised to find that not everything is solved by murder,” Locke calls after me. ✧ Taryn the Betrayer: I argued in my review of The Lost Sisters that Taryn likes the games and adventure and power play and is fierce enough to claim her own tale (while being hypocritical enough to deny it). And she does. But doesn’t mean she is not weak, because she is that, too. She escapes confrontation and discomfort like a sunflower constantly turning towards the sun to flee the darkness—and I’ve never much liked sunflowers. This adaptability is exactly what fascinates Locke, and this weakness is just what takes apart the trust between these two lost sisters. ✧ Locke the F***ing Fox: I know everyone hates and wants to kill this guy, but I can’t resist bringing him back to life after choking him for more of his playful, dangerous-but-fun fox games of backstabbing delight. *sheepish smile* “Revenge is sweet, but ice cream is sweeter.” ✧ Vivi the Humanlover: A moment’s appreciation for mt defiant yet chill, loving yet selfish knight-at-heart. ✧ Fala the Fool: Putting him here because NO ONE SEEMS TO CARE FOR THIS GEM WHY. K I’mma truly shut up now bye. [image] Companions Book series playlist: Spotify URL [image] Books in series: ➳ The Cruel Prince (The Folk of the Air, #1) ★★★★★ ➳ The Lost Sisters (The Folk of the Air, #1.5) ★★★★☆ ➳ The Wicked King (The Folk of the Air, #2) ★★★★★ ➳ The Queen of Nothing (The Folk of the Air, #3) ★★★★☆ ➳ How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5) ☆☆☆☆☆ ...more |
Notes are private!
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2
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Aug 20, 2022
Jun 04, 2020
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Aug 21, 2022
Jun 09, 2020
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Jun 04, 2020
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Kindle Edition
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B086JMSSVH
| 4.23
| 645,207
| Mar 29, 2020
| Mar 29, 2020
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it was amazing
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(4.5 ★’s) “You’re such a bad influence,” That might make no sense to you but it makes perfect sense to me (4.5 ★’s) “You’re such a bad influence,” That might make no sense to you but it makes perfect sense to me and to Hawke who might just be my very first book crush—how is that possible someone mark the date because hell has frozen over. This was my very first book by JLA and I will willingly climb over your rooftop to shout at the top of my lungs and declare her an excellent writer for all and any of your neighbours to hear. Why? Because From Blood and Ash takes many of the most addictive and—to use Hawke’s and my favourite word—intriguing tropes and teen storytelling elements then proceeds to not only throw them all in the same pot but also add spice and her experienced touch filled with angst, working to make a memorable, mesmerising stew out of them. Loneliness often brought with it a heavy, coarse blanket of shame, and a cloak constructed of embarrassment. I believe what made this book a favourite and an obsession for me is the clever fact that the pieces gathered from all over the YA and NA genre are not simply inserted next to one another, but spun around to tread a fresh path and well-developed to stand out of the thin, flat pages boldly. From a sheltered, caged Maiden that is in truth a secretly rebellious skilled warrior, to a charming, shameless, cunning vicious guard love interest who cheers for her as she fights and stands next to her rather than in front of her, to the potent and intoxicating feeling of raging anguish thoroughly lacing the tale, JLA has created an iconic, unbelievably hot, and forbidden enemies to lovers dynamic in a nearly flawless paranormal romance that I gleefully let drown me. “The truth is not designed to ease fears,” Vikter responded. But the author’s best decision, in my eyes, was writing FBaA as a new adult book. No, not because of all the steamy tension (though there’s also that), but because this genre let Poppy’s struggles with her gilded cage, lacking freedom, stolen choice, and the inherent yet quiet theme of corrupt power and distorted religion in From Blood and Ash to be opened without being glossed over and left unexplored. But remember, just because FBaA digs into the abuse of power, religion, and faith to take away people’s choices, it’s not speaking against those who choose to dress as they believe. Poppy’s pain is not about covering her face, it’s about not having a choice in the matter. From Blood and Ash Evidently and unfortunately, I’m rather efficient at predicting things (if I say so myegoisticself, and I do) and it did not help that the reveals were predictable; in fact, if you draw a Venn diagram of every single twist in FBaA, big and small, and every single prediction of mine, big and small, the circles wouldn’t just overlap—they’d be virtually the same. The phenomenon here though is how me seeing it all coming did not take away even 0.00000001% of my enjoyment. What it truly felt like was rereading a favourite book. It makes sense: the plot starts ingenuously and remains exciting in its small bumps instead of grand turns, the UST-filled dynamic is perpetually perfect and deliciously inebriating, the characters are all precisely my type in their insanity (even side characters like Tawny who you’ll find saying things like, “My hormones are always clouding my rational thought, thank you very much.”), the action scenes are well written and not impossible, and the book does indeed enjoy being deadly and killing its characters in the most emotional way possible (I cried so many times I swear—though my book playlist might also be to blame). Death with dignity, dignity in death; From Blood and Ash certainly killed me without giving me the courtesy. Damn all cliffhangers to hell. “Death is like an old friend who pays a visit, sometimes when it’s least expected and other times when you’re waiting for her. It’s neither the first nor the last time she’ll pay a visit, but that doesn’t make any death less harsh or unforgiving.” CW ➾ graphic mature content, explicit language, sexual assault, abuse, caning, sexism, loss of loved ones, blood and violence [image] Obsessed Thumbs Up: Romance “I hate you.” Read the above quote and tell me that’s not one of the most romantic things you have ever read. No, tell me. Thinking on it though, maybe no one should evaluate the romantic-ness of anything based on the opinion of a deeply sick and sociopathic aromantic whose fave dynamics are similar to a savage, furious sparring match where the partners are striving to draw first blood and the chemistry is all about the quandary of wanting and abstaining, and is probably not the paragon of a healthy relationship. [image] Why do I love them? I love how he’s a lethal killer and she’s (disturbingly enough) drawn to it. I love how she, too, is a skilled fighter and pushes herself to work harder and not be bested by him. And oh I love how he sees her and challenges her and never underestimates her. I love how insane they both are. Happy now? “When you listen to me, I think the stars will fall.”[image] Swooning Thumbs Up: Hawke Flynn “You’re ridiculous,” I sputtered. How can you love someone so much and yet want to kill them so badly? I don’t know but I think Poppy does, because I believe we share that urge to constantly stab Hawke Flynn with a sharp dagger. Honestly? Hawke’s cunning charming audacious insufferable arrogant vengeful killer swaggering put me in mind of Rhysand from A Court of Mist and Fury except I love Rhys more as one would an adorable misunderstood puppy while Hawke might just have claimed the place of my first (or second?) book crush. To put it simply, Hawke is a less mushy more cutting-blade version of Rhys, which is just my gig—the less mush the better. [image] Relieved Thumbs Up: Penellaphe Balfour Wasn’t that what living meant? Taking more than a sip here and small bite there. It was all about gulping and swallowing as much as you could. First, I would like to thank the gods of publishing industry as we seem to be getting blessed with so many unique, captivating badass female leads (or maybe it’s just me and I’m gravitating towards a certain type of book). Secondly, I would like to thank JLA for blessing me with Poppy who is not just “another strong female MC” and actually deserves the title. [image] Yes, she might be the opposite of all the traits her namesake represents (Penellaphe, the Goddess of Wisdom, Loyalty, and Duty—bearing another type of rare strength) she is strong and courageous all the same. This girl, who has endured abuse and pain and chains most of her life, kept quiet and steady, swallowing her pain and keeping her chin up, is the epitome of strength; later falling over the edge and into the unstoppable well of rage does not change that. Becoming an extreme, violent, wild, vengeful, deadly, occasionally irrational tornado does not change that, because it is her right. To protest and refuse being a helpless pawn is her right. I cheered as she exploded, fell in love with her only when she snapped. And her every action and thought and aspect of story supported and showed this vicious strength and I appreciate how JLA’s words were not empty. “And your scars? They are a testament to your fortitude. They are proof of what you survived. They are evidence of why you are here when so many twice your age wouldn’t be. They’re not ugly. Far from it. They’re beautiful, Poppy.” With Poppy whose choice, whose future was long ago taken away, FBaA delves into the traditional expectations society has of women such as the “innocence” and value of virginity over every other part of person’s character, and digs deep, not being satisfied with brushing the surface. With Poppy who was not allowed to want or need and was thrown in a cage of vipers, never safe and never free, JLA takes note of all that people have and take for granted, peppering this book of romance with reality. With Poppy, JLA shows gradual change and cutting of chains through determination and dreams and NOT because of falling in love with a guy. A Maiden doesn’t question the gods’ plans. She has faith in them without knowledge of them. To be honest, I was hesitant about reading the tale of “a sheltered, clueless girl” falling in love with her “protector” but man am I relieved that Poppy was not that; she resisted being “sheltered and clueless” at every turn and awed me with her fierceness, clear intelligence (which was no less marred by her sometimes idiotic decisions rooted in emotions or lack of cunning), and relentless curiousity (that was never stopped by fear). It’s brave and compassionate Poppy’s of the world who make me remember why I loved Gryffindors. “Fear and bravery are often one and the same. It either makes you a warrior or a coward. The only difference is the person it resides inside.”[image] Sad Semi Thumbs Down: World Building “May Rhain escort you to paradise,” I whispered, wiping the blood from my dagger on a small towel that had been draped over the end table. “And may you find eternal peace with those who have passed before you.” No, the downfall of From Blood and Ash was not being predictable because really who cares life is predictable, it was its world building—no, not its world but the building of its world. At first glance, you would find the book confusing and think it’s complicated, but that’s not the case; at least, it could have been the case because the world JLA has created is, in essence, complicated, but not on the page. Instead, it’s akin to being given 10 pieces of a 100 piece puzzle you don’t know the eventual picture of to put them in their right places, frame it, and gladly hang it on your wall and go about your day. I mean, who the fuck does that? “Some truths do nothing but destroy and decay what they do not obliterate. Truths do not always set one free. Only a fool who has spent their entire life being fed lies believes that.” FBaA attempts to walk the there are two sides to every story path and grossly fails, neglecting one side of the story so thoroughly that you have no choice but to accept the other side and can’t understand what the characters are even conflicted about as, in all honesty, one side makes absolutely zero sense. This is a very lacking approach and takes away tremendously from the book’s potential. I know, you’re going to say “but you didn’t criticise the world in, say, The Shadows Between Us, a fantasy romance with barely any world building,” and that’s because Tricia Levenseller decided what she wanted to write and didn’t make any claims to other aspects, while JLA chose to go there but, sadly, tripped. What this lead to was a world with a jumble of fantastic ideas and spins on paranormal creatures and no glue to hold them together whatsoever. Only at the very end of the book does the glue of sense grace us with its presence and even then explanations and rules are vague, making the world disjointed and odd but not in the good odd way I cherish. [image] My issue with JLA’s world building nearly stopped me from shelving From Blood and Ash as not just a fave but an all-time fave. Fortunately, Hawke and Poppy and their romantic bloodsport so helplessly possessed my heart that I was all but an adoring acolyte. Companions Book series playlist: Spotify URL [image] Books in series: ➴ The Red Pearl Bonus Scene (Blood and Ash, #0.5) ★★★✯☆ ➴ From Blood and Ash (Blood and Ash, #1) ★★★★✯ ➴ A Kingdom of Flesh and Fire (Blood and Ash, #2) ★★★★✯ ➴ The Crown of Gilded Bones (Blood and Ash, #3) ☆☆☆☆☆ ...more |
Notes are private!
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2
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Jul 28, 2023
Sep 11, 2020
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Jul 29, 2023
Sep 13, 2020
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May 29, 2020
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Kindle Edition
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1101886013
| 9781101886014
| 1101886013
| 4.49
| 79,912
| Jan 08, 2019
| Oct 01, 2019
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it was amazing
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Just give a moment *goes to bury herself alive with dream/nightmares of this enchanted book; remember her*
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Notes are private!
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1
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Jan 11, 2020
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Jan 14, 2020
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Jan 11, 2020
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Paperback
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110188598X
| 9781101885987
| 110188598X
| 4.35
| 100,944
| Dec 05, 2017
| Jun 26, 2018
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it was amazing
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None
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Notes are private!
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1
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Jan 06, 2020
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Jan 09, 2020
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Jan 06, 2020
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Paperback
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1466885041
| 9781466885042
| B06X3VBJ21
| 4.45
| 64,024
| Sep 05, 2017
| Sep 05, 2017
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it was amazing
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None
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Notes are private!
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1
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Nov 05, 2019
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Nov 12, 2019
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Nov 05, 2019
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ebook
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1473208289
| 9781473208285
| B011A8S534
| 4.41
| 148,990
| Jan 26, 2016
| Jan 28, 2016
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it was amazing
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None
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Notes are private!
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1
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Sep 09, 2019
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Sep 13, 2019
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Sep 09, 2019
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Kindle Edition
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1473208246
| 9781473208247
| B00W1SXST4
| 4.28
| 164,205
| 2015
| Oct 08, 2015
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it was amazing
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None
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Notes are private!
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1
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Sep 06, 2019
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Sep 09, 2019
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Sep 06, 2019
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Kindle Edition
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B005PM3YII
| 4.54
| 462,829
| Oct 14, 2008
| Mar 30, 2010
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it was amazing
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None
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Notes are private!
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1
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Aug 22, 2019
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Aug 31, 2019
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Aug 22, 2019
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Kindle Edition
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B003XNTTYY
| 4.38
| 509,556
| Aug 21, 2007
| Mar 30, 2010
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really liked it
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None
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Notes are private!
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1
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Aug 11, 2019
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Aug 21, 2019
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Aug 11, 2019
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Kindle Edition
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1408882515
| 9781408882511
| 1408882515
| 4.21
| 34,296
| Jan 27, 2015
| Feb 09, 2017
|
it was amazing
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4.5 STARS! Take up the challenge. Catch the fugitive. Win $15,000. #SpreadTheWord WANTED FOR MURDER: [image] For the horrid crime of stabbing yours truly 4.5 STARS! Take up the challenge. Catch the fugitive. Win $15,000. #SpreadTheWord WANTED FOR MURDER: [image] For the horrid crime of stabbing yours truly in the back, Samantha Shannon, a killer parading as an author, is wanted by the Assembly for Revenge of the Unjustly Deceased by Books, requested by the poltergeist that is what remains of yours truly, now known as Mary the No-Longer Merry. Assist us in this manhunt! ...more |
Notes are private!
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1
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Jul 21, 2019
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Jul 25, 2019
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Jul 21, 2019
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Paperback
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3.96
| 847,388
| May 19, 2020
| May 19, 2020
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Am I the only one excited to read more of Snow's brilliantly manipulative ways and dive into his past and (hopefully) rise to power? I mean, poisonsss
Am I the only one excited to read more of Snow's brilliantly manipulative ways and dive into his past and (hopefully) rise to power? I mean, poisonsssssss *snake hissing* | ...more |
Notes are private!
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1
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Jun 28, 2020
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Jun 29, 2020
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Jun 17, 2019
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Kindle Edition
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my rating |
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4.41
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it was amazing
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Sep 20, 2022
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Sep 12, 2022
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3.56
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it was amazing
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Aug 12, 2022
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Jul 29, 2022
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4.37
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it was amazing
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Oct 23, 2020
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Oct 06, 2020
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4.03
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it was amazing
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Aug 04, 2022
Aug 06, 2020
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Aug 06, 2020
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4.04
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it was amazing
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Jun 05, 2023
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Jul 17, 2020
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3.59
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it was amazing
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May 14, 2021
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Jul 15, 2020
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4.02
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it was amazing
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Aug 03, 2022
Aug 06, 2020
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Jul 15, 2020
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4.24
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it was amazing
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Aug 14, 2020
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Jul 05, 2020
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4.18
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it was amazing
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Jul 10, 2020
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Jun 08, 2020
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4.29
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it was amazing
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Aug 21, 2022
Jun 09, 2020
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Jun 04, 2020
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4.23
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it was amazing
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Jul 29, 2023
Sep 13, 2020
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May 29, 2020
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4.49
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it was amazing
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Jan 14, 2020
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Jan 11, 2020
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4.35
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it was amazing
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Jan 09, 2020
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Jan 06, 2020
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4.45
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it was amazing
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Nov 12, 2019
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Nov 05, 2019
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4.41
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it was amazing
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Sep 13, 2019
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Sep 09, 2019
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4.28
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it was amazing
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Sep 09, 2019
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Sep 06, 2019
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4.54
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it was amazing
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Aug 31, 2019
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Aug 22, 2019
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4.38
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really liked it
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Aug 21, 2019
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Aug 11, 2019
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4.21
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it was amazing
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Jul 25, 2019
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Jul 21, 2019
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3.96
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Jun 29, 2020
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Jun 17, 2019
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