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1250154049
| 9781250154040
| 1250154049
| 3.78
| 17,578
| Oct 31, 2017
| Oct 31, 2017
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it was amazing
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Actual rating: 4.5 stars. I love Dickens, especially at Christmastime. I’ve lost count of how many times I’ve read A Christmas Carol, and I’m planning Actual rating: 4.5 stars. I love Dickens, especially at Christmastime. I’ve lost count of how many times I’ve read A Christmas Carol, and I’m planning to read it again before this Christmas. Last year I watched the film, The Man Who Invented Christmas, about the story behind Dickens writing his famous Christmas story, and I thoroughly enjoyed it. I know it was inspired by a book of the same name, but when I saw this title, Mr. Dickens and His Carol, I was both enchanted and intrigued, and decided to try Silva’s take on the tale instead. I’m so glad that I did, because this book was a joy to read from start to finish. Our story follows Charles Dickens over the weeks leading up to one particular Christmas. When his current novel fails to perform up to the level of his prior works, his publishers essentially blackmail him into writing a Christmas book within just a few weeks, or he would have his wages garnished significantly. With an already alarming number of demands on his finances, coming from all sides, Dickens has a bit of a panicked breakdown of sorts. He is feeling less of the Christmas spirit than ever before, acting so out of character that he actually drives his wife to leave with the children for Scotland. Alone, and running from everyone’s demands on his money, can Dickens find enough inspiration to pen the Christmas story he so desperately needs to get himself out of his situation? I absolutely loved Silva’s take on Dickens. He felt balanced, and embodied his characters so well. It was a joy seeing what inspired certain names and scenes and plot points of this story I’ve loved all my life. Dickens was a great collector of names, and it was so much fun to watch him come across so many of his most famous ones. There was such whimsy to this story, even at its darkest points. The writing here is charming and clever, with quippy plays on words and evocative imagery. And yet there’s a depth of feeling to the story, as well. I felt that the quippy prose came near to negating that depth on occasion, tempering the turmoil Dickens was feeling instead of letting us stew in it alongside him. I also find it a bit difficult to suspend my disbelief when an author adds elements of magical realism or the supernatural into events that actually occurred, but that’s a personal struggle. Other than those two qualities, this was a nearly perfect book for me. Silva stated in her author’s note that this book is “most of all, a fan letter, a love letter, to the “Inimitable Boz” himself that says, “I know you were a flawed man who had a heart as big as the world. That you saw Christmas as a time to reconnect with out humanity and revel in even our smallest blessings. And that you lived with so much darkness, inside and out, but leaned—urgently, frantically—always toward the light.” That’s a beautiful sentiment, and one that rings true to me. Silva’s take on Dickens entertained me and moved me, and I can’t ask for more than that. ...more |
Notes are private!
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1
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Dec 07, 2023
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Dec 15, 2023
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Dec 07, 2023
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Hardcover
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0593157885
| 9780593157886
| 0593157885
| 3.41
| 4,400
| Aug 2019
| Jul 25, 2023
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it was amazing
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I would love to live in The Little Village of Book Lovers. It sounded like such a charming place, brimming with big personalities, saturated in gorgeo
I would love to live in The Little Village of Book Lovers. It sounded like such a charming place, brimming with big personalities, saturated in gorgeous landscapes, and containing a surprisingly robust literary scene. And Love, of course. Love is so wonderfully present in this little village. This is the kind of magical realism that I love, where the magical element is mostly emotional but definitely still magical. What an absolutely charming story. Confession time: I thought this book sounded overly saccharine. While I love books about books, the description of this one sounded like it would pull a bait-and-switch on me. I’ve lost count of the number of books that present themselves as a love letter to books, only to drop the very element that attracted me in the first place as soon as the plot kicks in. I always feel cheated. Thankfully, that’s not at all what happened in The Little Village of Book Lovers. The love and importance of books permeated this story all the way through. On top of that, it’s actually a book about a book within another book about books - The Little Paris Bookshop, which I’ve not yet read but cannot wait to remedy. There were so many wise and beautiful things said about books and stories within the pages of this one. I highlighted so much in my Kindle copy, and I had to immediately order a physical edition, so that I can repeat the process there. Here’s an example: “Books turn people into time travelers, shape shifters, body switchers, mind readers, and immortals, and therefore books are the last great alchemy of our age.” Beautiful, isn’t it? For some reason, this book doesn’t have the best of ratings. I’m not sure why, because I thought it was just lovely. Maybe bordering on saccharine, but I thought it toed that line well. The plot never dragged, even if it was light in places. However, those portions felt necessary to weaving the setting and the atmosphere tightly around the reader, and the atmosphere is what made the tale so magical. And then there are the characters. As I stated above, these characters are brimming with personality. Marie-Jeanne, our main character, is pretty wonderful. She gets an interesting start in life, wrapping her fist around the finger of Love personified while still an infant. This surprising contact with Love shifts her entire life, letting her see Love’s mark on others, which no one but Love itself is supposed to be able to see. Marie-Jeanne is an orphan raised by a childless couple, Elsa and Frances. Elsa is terrified of love, and that fear has made her hard. Frances is balances that out with his softness. When he gets the idea to start a mobile library through their surrounding area, life throughout the village and beyond is never the same. I loved Marie-Jeanne’s thirst for books, and her unique outlook on life. I loved the elaborate descriptions of the secondary characters, and how this mobile library impacted them. I loved seeing these people change and soften and grow over the course of the story. And I love that the story is narrated by Love, who is unable to look away from the little human that gripped Love in her fist. The Little Village of Book Lovers is a story I can see myself returning again and again, whenever I need some comfort or to be reminded of the magic held within the covers of a book. And I can’t wait to read more of Nina George’s work. She has a beautiful way with words, and it’s obvious that she absolutely adore books. I feel like I found a kindred spirit. ...more |
Notes are private!
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1
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Jan 16, 2024
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Jan 20, 2024
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May 18, 2023
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Hardcover
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1728271703
| 9781728271705
| 1728271703
| 3.71
| 2,394
| Feb 24, 2022
| Apr 25, 2023
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liked it
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The Gifts was recommended for lovers of The Essex Serpent, which I adored last year. While I can definitely understand where such comparisons could be
The Gifts was recommended for lovers of The Essex Serpent, which I adored last year. While I can definitely understand where such comparisons could be drawn, this book didn’t live up to The Essex Serpent, in my opinion. And because that’s what drew me to the book to begin with, I found myself a bit disappointed in it, though it wasn’t at all a bad story. The elements of The Essex Serpent that made it so great were the thoughtful prose, the philosophical and religious ponderings, and the possible supernatural event at the heart of the story that never resolved itself. I loved the epistolary portions of the book, as well as the romantic tension. It was a slow, meandering tale that captivated me, giving a lot of food for thought without providing clear-cut answers. The setting was dark and moody and vaguely gothic, and I loved exploring it through the lens of a naturalist, as our main character viewed herself. That setting, combined with the potential presence of a supernatural element, are the main similarities between The Essex Serpentt and The Gifts. But where the former fostered deep thought and never answered the question of whether the supernatural was truly present or not, the latter was more plot-driven, and the supernatural was unquestionably present. Some important topics, like race and gender and religion, are touched on in The Gifts, but are not delved into in any meaningful way. The Gifts is woven primarily from five main perspectives, four of whom are talented women in their fields. But as this takes place in England in the 1840s, those talents are not encouraged or even acknowledged by the majority of their male counterparts. The fifth common perspective is that of a male surgeon, and I found him absolutely despicable. As I was meant to. I could tell he was meant to be more nuanced than I read him, but I found him fairly unredeemable. I found the female perspectives interesting, but none of them ever fully won me over emotionally. And because we knew with certainty what was happening in certain perspectives, the use of these same events as mysteries to be solved by other perspective characters felt tiresome. There were decisions made that had me rolling my eyes, and events that felt entirely to convenient in terms of timing. Even had the central supernatural core of the story been removed, I would have still found the plot and timing unbelievable. There were things I enjoyed about this book. While it took me a while to warm up to it, the storytelling was fairly compelling. The world was well fleshed out and believably rendered. There was a small romantic side plot that was sweet, and a pretty satisfying ending. However, I think I would have enjoyed this book more had I not heard it compared to The Essex Serpent. But if you’re a fan of historical fiction and are looking for something darker with an element of magical realism, I think you might enjoy The Gifts very much. ...more |
Notes are private!
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1
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May 25, 2023
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May 29, 2023
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May 18, 2023
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Hardcover
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1982175370
| 9781982175375
| 1982175370
| 3.61
| 35,752
| Aug 15, 2023
| Aug 15, 2023
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liked it
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The Invisible Hour is a love letter to books and libraries, to favorite authors and the endurance of classics. It’s about thinking that you’ve found y
The Invisible Hour is a love letter to books and libraries, to favorite authors and the endurance of classics. It’s about thinking that you’ve found your place and living to regret it, and about finding the actual people and places and books that you need, when you need them most. It’s about the slow, insidious entrapment of commune or cult life, and how it always seems to take the most from women and girls. It’s about female autonomy, and everything that entails. And it is of course about love, and the passions that make us who we are. This is a book that had so much to offer in a scant few pages. And yet, there was something about it that left me cold. There are lots of lovely lines, but there’s also something about Hoffman’s writing that doesn’t touch me emotionally, though the story is one that should. I felt the same way about Practical Magic when I read it years ago. I appreciate her work, and even like it, but it doesn’t move me. And a story like this should move me. I confess, I felt that Hoffman tried too hard to make The Invisible Hour properly literary. The “invisible” motif was too frequent and heavy-handed to be effective. It felt repetitious by the end of the book. There were also a few conversations that felt shoehorned in simply to bring out some particular message or point Hoffman wanted to make, which made these interactions—of which there were too few to begin with—feel disingenuous. And there was way too much exposition and over-explanation in comparison to action and dialogue. I felt like I was told a lot about these characters without being shown, which made it difficult for me to form any meaningful connections. The shift to time-traveling magical realism in the middle of the book was a very odd juxtaposition to the plot of the first half of the story which, while an unusual tale, is one firmly rooted in reality. I’ve never known anyone as infatuated with any author, much less Hawthorne, as are Hoffman and her protagonist. It was honestly just a little off-putting, because it was just so outside of my expectations. This actually give it an almost fanfiction vibe, though The Invisible Hour is definitely a literary novel. I didn’t dislike The Invisible Hour. But I also didn’t particularly enjoy it. It was fine, I suppose. A book to check off of my list that I don’t expect to remember a year from now. Which is a shame, because it had a lot of potential. And I’m sure that there are many people who have loved and will love this book; Hoffman is an incredibly popular author for a reason. But after having read this book and Practical Magic, I’ve decided that her work sadly isn’t for me. ...more |
Notes are private!
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1
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May 20, 2024
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May 23, 2024
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Feb 23, 2023
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Hardcover
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125028080X
| 9781250280800
| 125028080X
| 4.07
| 212,274
| Feb 02, 2023
| Mar 07, 2023
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it was amazing
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Actual rating: 4.5 stars, rounded up. I received an advance digital copy of this novel from the publisher, St. Martin’s Press, via NetGalley in exchang Actual rating: 4.5 stars, rounded up. I received an advance digital copy of this novel from the publisher, St. Martin’s Press, via NetGalley in exchange for an honest review. I judged Weyward by it’s cover, which is absolutely gorgeous. And I’m so glad that I did, because the story it houses is exceptional. This family saga follows three generations of Weyward women across 5 centuries. We follow Altha, who is on trial for witchcraft in 1619; Violet, a teen in 1942 who has never been off of the family estate and yet still ended up suffering mistreatment; and Kate, fleeing from an abusive relationship in 2019, after finding out she’s pregnant and refusing to bring a child into such a toxic environment. This is a fiercely feminist story across all three time periods. I would summarize each of the three stories as follows: hell hath no fury like a woman abused who has finally had enough, but with a little bit of witchcraft. The patriarchy is undoubtedly the enemy in every branch of this story, and yet Hart manages to convey this in a way that doesn’t portray every male of the species as inherently evil. I loved the affinity each of the women had for nature, and how nature fights for them when called. This affinity, combined with the way the stories begin to mingle toward the end of the novel and finally tie together in the conclusion, are what sets this tale apart as Gothic magical realism instead of a straight Gothic mystery containing a family drama. It was a really interesting balance. The writing is lovely without being lyrical, because the prose wasn’t the focus. The settings were beautifully described without getting lost in detail, and were very atmospheric. Especially Weyward Cottage. The characters’ development were all different enough to not get confused with one another while also following similar familial patterns. Characters, setting, and writing all took a backseat to the stories being woven, and I loved how Hart braided the three together in the end. I was fortunate enough to get an early audio copy of this through libro.fm’s ALC program, so I was able to tandem read the audio alongside the digital copy. That’s always my favorite way to read, as I find it incredibly immersive. All three storylines here were voiced by different narrators, all of whom did a lovely joy. Whatever your preferred format, I highly recommend Weyward. It’s a lush, emotional, fierce, empowering story that kept my attention from the first page to the last. ...more |
Notes are private!
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1
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Feb 15, 2023
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Feb 18, 2023
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Jan 20, 2023
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Hardcover
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1250850975
| 9781250850973
| 1250850975
| 3.88
| 6,999
| Feb 28, 2023
| Feb 28, 2023
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liked it
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I received an advance digital copy of this novel from the publisher, Tordotcom, via NetGalley in exchange for an honest review. “The more you love someI received an advance digital copy of this novel from the publisher, Tordotcom, via NetGalley in exchange for an honest review. “The more you love someone, the more dangerous to you they become. The more you love someone, the more willing you are to show them your throat.” The Crane Husband is a retelling of and new spin on the Japanese folktale, “The Crane Wife.” While this was an interesting riff on a classic, well-known story, I found it unrelentingly sad. Our perspective character is an unnamed, fifteen year old girl living with her artist mother and six year old brother, Michael. This girl has been the caretaker of the family since her father passed away, ensuring that her mother’s art sold so that there was money in the bank and food on the table. Their mother isn’t a bad mother, but she is flighty and absorbed in her art and the affairs she has so often. But none of these romantic entanglements have any real impact on the lives of the family. That is, until the crane comes to stay. “Art, true art, exists only to transform. And it is only truly art when it does transform. The maker. The viewer. Everyone.” The day the crane walks in on their mother’s arm, the family’s lives start falling apart. Their mother is now consumed by the unhealthy, abusive relationship to the point of neglecting the sale of her art and the care of her children. As our perspective character does her best to keep herself and Michael fed, their mother falls further and further into her “love” for the crane and into one particular piece of art that consumes both her and the crane, as she tries and fails to get it right. Child services is knocking at the door, and our main character will do anything to keep herself and Michael from being separated. “Love opens the city gates wide, and allows all manner of horrors right inside.” This is a very deep tale, impeccably well written. Topics like abuse and neglect in all their guises, toxic relationships, the vulnerability of love, and the transformative nature of art are all presented and discussed in lovely ways. We see how love can make it impossible to leave a situation, and yet how sometimes is not enough to make one stay. The family folklore here is that women tended to only stay long enough for their children to fend for themselves before flying away, but how that paradigm had shifted when our perspective character’s father had died too young. There’s some subtext about the roles in which we see ourselves and whether others will remember us in the way we want to be seen, or if we over-inflate our own importance in the lives of others. In other words, there’s a lot of food for thought here. “She said it was a sin to butcher an animal that you didn’t love first.” So why, when this is an interesting and philosophical story well crafted, did I not enjoy it more? It goes back to the unrelenting sadness I mentioned earlier. The mixture of maudlin and whimsical tones reminded me of The Ocean at the End of the Lane, which I love. But that story has moments of light relieving the dark. There were no such moments here. This made for a story that felt far too heavy, especially considering the brief page count. I was left feeling utterly bereft. If there was hope in these pages, it never rang true enough to me to make a lasting impression. “What’s the point of a thing? It doesn’t live or breathe or love. The only value we must keep close to our hearts is the living.” The Crane Husband is a creative, powerful new take on a familiar tale. Many people are going to absolutely love this story, and might even find a type of catharsis or healing in its pages. I am unfortunately not among that number, but I still respect what Barnhill crafted here. While this novella might not have landed well for me, I look forward to reading Barnhill’s middle grade work. All quotations were taken from an uncorrected proof and are subject to change upon the book’s official publication. ...more |
Notes are private!
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1
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Jan 17, 2023
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Jan 17, 2023
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Jan 17, 2023
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Hardcover
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1250867878
| 9781250867872
| 1250867878
| 3.38
| 1,111
| Jun 13, 2023
| Jun 13, 2023
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really liked it
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Maddalena and the Dark is one of those stories that truly contains multitudes, at least when it comes to genre. First and foremost, it’s historical fi
Maddalena and the Dark is one of those stories that truly contains multitudes, at least when it comes to genre. First and foremost, it’s historical fiction, set in 1717 Venice. The lush, clever writing invites readers to place it in the literary fiction camp, while the darkly romantic tone and tension house it firmly in gothic fiction, which blends with the more fantastical elements to tip it into magical realism or even fantasy territory and, since much of this dark story takes place in a school setting, dark academia could be included for good measure. All of this could have made for a muddled story, and it did in a few instances. But overall, this is a story unlike anything else I’ve ever read. There’s an elegance to this story because of the beautiful, unusual setting. However, one of my favorite elements of the book was that Venice was not simply the setting, but an actual character in her own right. And a deeply disturbing one, at that. All of the fantastical elements of the story were based around this idea of Venice having a life and mind of her own, and I found that aspect of the story absolutely fascinating. This is, at its core, a story of obsession. Luisa is obsessed with music, and wants nothing more than to be the best violinist in Venice, but her nerves get in the way. She’s an orphan, valued only for her musical talent at the Pieta she calls home. She has never quite fit in, and longs to belong to someone. Then she meets Maddalena, the daughter of a noble family sent to the Pieta to study music and improve her marriage prospects after scandal strikes. Maddalena is obsessed as well, but not with music; it’s Luisa who consumes her heart and mind. The friendship between the two borders on the romantic, which is completely impermissible at the Pieta. We see obsession close in on madness. We see deals struck for selfish gain. We see romance blossom and backs stabbed. It’s a fascinating, if dark, look into a society and time I know little about. I felt that the narrative unraveled a bit toward the end, and lost itself a couple of times earlier in the story, but I was always interested enough to continue reading. I can’t say I liked any of the characters much, but they were at least compelling. I would definitely recommend this book for those who like gothic or historical fiction and would like to try something more unique to both genres. ...more |
Notes are private!
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1
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Aug 03, 2023
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Aug 10, 2023
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Dec 17, 2022
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Hardcover
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0062910698
| 9780062910691
| 0062910698
| 3.63
| 69,876
| Mar 15, 2022
| Mar 15, 2022
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liked it
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The Cartographers is one of those books that I added to my most anticipated list as soon as the cover and blurb were released. A literary mystery revo
The Cartographers is one of those books that I added to my most anticipated list as soon as the cover and blurb were released. A literary mystery revolving around maps and map-making, with a dose of magical realism to boot? That sounded so very much up my alley that I snatched it up as soon as Book of the Month announced it as a March pick, and have been very much looking forward to it. The fact that it was only in my house for a couple of months before picking up is saying something, as even highly anticipated have my massive TBR to compete with before I manage to get to them. But unfortunately, I think my experience with The Cartographers is a case of letting anticipation spoil whatever is being anticipated, because it fell quite flat for me. “Maps are love letters written to times and places their makers had explored.” I loved everything about this on paper. The premise was enticing, and there’s a very intriguing mystery at the story’s core. The cast of characters is vast and varied, and comes with a helping of found family, which is a trope I adore. All of these characters are very passionate about their unusual niche, that is, cartography and maps in general. The magical realism element gave an entirely new meaning to putting a town on the map; I loved the imagination behind the idea. And the writing was solid, which is always a plus. However, there was something about the execution that just didn’t work for me. First and foremost, the pacing felt off. While Shepherd imbued the story with a tension that made it feel as if it was trying to be fast paced, the actual action of the story felt plodding. And it wouldn’t have, had the tone not felt so tense. The mystery elements that should have been so intriguing also fell flat. I was able to guess every single twist or reveal in the entire novel way before the actual reveals, which was frustrating. I even actively tried not to guess, but I couldn’t ignore all of the clues. Perhaps most disappointing for me were the characters. This had the potential to be such a bright, wonderfully varied cast, full of unique individuals with a ton of personality. But that wasn’t the case, in my opinion. Even those described as being so interesting and magnetic felt bland to me in their execution. And this made the found family trope, which I love so much, feel like a wasted effort. Finally, I felt that The Cartographers defied genre in a negative way. It wasn’t mysterious enough to be a mystery, or thrilling enough to constitute a thriller. The fantastical element wasn’t used strongly enough to term fantasy or ever solidly magical realism, in my opinion. The writing wasn’t bad at all, but wasn’t lyrical or polished enough to slot the book into literary fiction, which would have made the book’s inability to fit neatly into a genre a strength instead of a weakness. While I’m disappointed in the overall execution, there were things that I did truly enjoy about The Cartographers. Namely, the maps themselves. I’ve always really loved maps, and have maps and globes scattered throughout my home as decor. The idea of falling into a map is one that I’ve always found incredibly magical. So the thought of a map itself actually altering the real world in some way immediately drew me in. And seeing these maps through the eyes of people who are so passionate about them was a joyous experience. I love any story revolving around one’s passion for their art or profession or the intersection of both, and The Cartographers really catered to that love. The fact that it’s a more unusual field, one not written about as often as writing or music or other visual arts, made this very much a worthwhile read, regardless of how I felt about the actual plot and characters. And I love that maps as an intersection of science and art was discussed with such devotion through Shepherd’s characters. Even though The Cartographers didn’t live up to my expectations, it is still a book that I’m glad to have read. If you feel any pull toward this story at all, please don’t let my experience drive you away. Use it to better temper your own expectations, and maybe that will improve your own reading experience. But if the idea of a novel with maps as its focal point intrigues you, The Cartographers is exactly what you’re looking for. You can find this review and more at Novel Notions. ...more |
Notes are private!
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1
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May 30, 2022
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Jun 09, 2022
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May 30, 2022
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Hardcover
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1250213622
| 9781250213624
| 1250213622
| 4.05
| 17,548
| Jan 04, 2022
| Jan 04, 2022
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it was amazing
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I received an advance copy of this novella from the publisher, Tordotcom, in exchange for an honest review. “There are worlds where death itself is malI received an advance copy of this novella from the publisher, Tordotcom, in exchange for an honest review. “There are worlds where death itself is malleable, where anything can be rewritten, be undone, if the right approach is taken. Worlds where the air bleeds words and lightning can rewrite the past.” Reading McGuire’s newest Wayward Children novella has become something of a Christmas tradition for me over the past few years. While my reading experience has varied book to book, it’s always cozy and enjoyable and transportive. I request very few ARCs, but this series is top among them and I’m always elated to receive the next installment. I was cautiously excited about Where the Drowned Girls Go, as it’s a pretty direct followup to my least favorite novella in the series, Beneath the Sugar Sky. However, this newest novella was absolutely fantastic; so much so, in fact, that it made me want to go back and reread Beneath the Sugar Sky to see if my opinion of it had changed. Where the Drowned Girls Go was a thoughtful, different addition to the series, and builds on and links every single one of its predecessors. “I never wanted to be a hero, but that doesn’t mean I’ll let you turn me into a villain.” Cora Miller, a girl who found her true identity as a mermaid of the Trenches, as been claimed by the Drowned Gods of the Moors, a different world than the one to which she yearns to return. Back at Eleanor West’s Home for Wayward Children, Cora is so scared of the Drowned Gods that she is determined to escape and forget any and all doors to other realms, even the one that her heart calls home. And she’ll do it at any cost. This determination leads her to switch her enrollment to West’s sister school, the Whitethorn Institute, despite Eleanor’s desperate pleading for her to reconsider. Because Whitethorn isn’t welcoming, friendly, or safe. It’s a prison, and Cora has just voluntarily incarcerated herself. Will the Drowned Gods find her anyway? Will Cora let herself fade, as Whitethorn demands of her? Or will she finally find the courage to face her fears and search for home? “I am not yours to cling to or to claim.” “I am not your door… But I might be my own.” Besides Cora, we have a fairly extensive cast of returning character at West’s, as well as new characters we meet at Whitethorn. I found most all of these new characters interesting, and the returning characters who received much time on the page had all developed in lovely ways. This is especially true of Cora herself. I didn’t love her in her first story, Beneath the Sugar Sky, for a host of reasons. But I found many of those reasons not only addressed but rectified in this new chapter of her story. She grew tremendously as a character, and I’ve come to love her as much as I do Jack and Kade and Christopher. I’m now incredibly interested in getting more of her story. “You can’t say ‘my hands are clean, that means I’m a good guy’ when you let people stand behind you with knives, ready to slash at everyone you say you want to save.” I mentioned that this book builds on all of the preceding novellas. Some of the others could be read independently of the rest of the series, but that is definitely not the case here. The plots and settings and characters of the six books before this one are essential to understanding and appreciating Where the Drowned Girls Go. I feel like this installment bound the others into one entity, a solid foundation upon which McGuire could take the series in any direction for any duration. It made me incredibly excited to see what comes next. “Sticks and stones, as the sages say; sticks and stones. I know what I am and I’m happy this way, and saying something true shouldn’t be an insult, ever, because that’s not how words want to work.” Something I have loved about every single Wayward Children novella is the philosophical depth McGuire so beautifully imbues into the prose of each story. The writing is exquisite; I always find myself recording pages of quotes that moved me both with what they communicate and the lovely ways in which the do so. Even though all of these books are under 200 pages long, they always make me think and feel deeply. McGuire truly has a gift, and it’s always beautifully wielded on the page. I’m in awe. If each of these novellas has a philosophical theme, this one is courage and self-acceptance and being willing to stand up for both yourself and others, even when those in authority truly believe the ways in which they hurt you are “for your own good.” The dichotomy between the two school hammered these points home, and gave me an even deeper appreciation for the haven Eleanor West offers. “You’re a monster in a hall of heroes, and we’re going to defeat you. That’s what heroes do. We beat monsters, no matter how much it costs us.” Seanan McGuire’s Wayward Children series is this wonderful, rare balancing act between comforting and thought-provoking. Each installment is unique and offers something different in both story and topics to contemplate. But the central thread, the desire to find a place of our own and the need to Be Sure before we take the risky step out of our comfort zone and into a reality that fits us better, binds all of these stories into something even stronger together than they are individually. Where the Drowned Girls Go acts to solidify that tie while also telling a very compelling story in its own right. There’s something truly magical about McGuire’s writing and world building, and I’m already eagerly awaiting the eighth installment in the series. You can find this review and more at Novel Notions. ...more |
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1
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Dec 15, 2021
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Dec 20, 2021
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Dec 15, 2021
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Hardcover
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0755380541
| 9780755380541
| 0755380541
| 4.00
| 153,536
| Feb 01, 2011
| Aug 30, 2012
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really liked it
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So sad and sweet. Speaks profoundly about grief and belief, and how these differ from person to person. This was a lovely update of a fairy tale. Whil
So sad and sweet. Speaks profoundly about grief and belief, and how these differ from person to person. This was a lovely update of a fairy tale. While I appreciated the fairy tale element and loved the depth written into the characters, my favorite part of this novel was Alaska. The setting is truly a character in its own right, and it was absolutely stunning. I wasn’t thrilled with the ending, but sometimes poignant is more fitting to a story that happily ever afters.
...more
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1
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Dec 26, 2020
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Dec 29, 2020
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Dec 26, 2020
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Paperback
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1772601144
| 9781772601145
| 1772601144
| 3.45
| 65
| unknown
| Oct 08, 2019
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liked it
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I received an audio copy of this book from the publisher, Second Story Press, via NetGalley in exchange for an honest review. The Oracle of Cumae was a I received an audio copy of this book from the publisher, Second Story Press, via NetGalley in exchange for an honest review. The Oracle of Cumae was an unexpectedly enjoyable foray into a different time and place. While erring on the side of silly, it was entertaining and absorbing. I listened with a smile on my face. This is one of those books I’m very glad to have gotten on audio. The names of characters and settings would have been impossible to wrap my head around otherwise. I was grateful to have someone pronouncing them for me, instead of being constantly distracted by my own poor internal attempts every time I stumbled across them in the text. Also, there is something about the story itself that lends itself incredibly well to an auditory experience. After all, the framework is that of an old woman telling the secrets of her life to a priest on her 99th birthday. That setup is perfect for an audiobook. My favorite thing about this novel is the setting. Early nineteenth-century Italy isn’t a setting that would usually grab me, but a large portion of this story took place in a remote mountain village that seemed happily adrift in time. It was utterly charming, and I would love to live in, or at least visit, such a place. The scenery was well described and sounded absolutely beautiful. The characters in this book were seriously wacky. Mariuccia, our perspective character, is grouchy in her elderly present and a snarky tomboy in her teenage past. I really liked her. And then there’s the Oracle herself. She just about defies description, but I enjoyed her immensely. The rest of the cast ranged from pleasant to amusingly antagonistic to downright silly. I did a lot of eye rolling and, even if entertaining, this all became a bit much after a while. I prefer my humor dry and in smaller doses than an entire novel, but it didn’t grate too terribly. Some of the voices the narrator chose for these more laughable characters might have been part of what made the story seem over-the-top, but said choices also did a lot to flesh out these characters. Saffron Henderson, the narrator, gave a great performance. While not perfect, The Oracle of Cumae was a fun read. The supernatural element was just enough to give the story a little extra kick, the characters were unique, and the setting was lovely. If you like your historical fiction with a dash of magical realism and a heaping helping of humor, I think you might enjoy this one. ...more |
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1
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Dec 07, 2020
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Dec 10, 2020
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Dec 07, 2020
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Paperback
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3.99
| 1,952,347
| Aug 13, 2020
| Sep 29, 2020
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it was amazing
| “Between life and death there is a library, and within that library, the shelves go on forever. Every book provides a chance to try another life you c “Between life and death there is a library, and within that library, the shelves go on forever. Every book provides a chance to try another life you could have lived. To see how things would be if you had made other choices… Would you have done anything different, if you had the chance to undo your regrets?” This is the premise of The Midnight Library, Matt Haig’s newest novel. I’ve never read anything by Haig before this book, but I can guarantee that this oversight will be addressed. Because The Midnight Library was wonderful. There’s incredible philosophical depth packed into relatively few pages. And for a book that begins with a suicide attempt, it ended up being surprisingly positive and uplifting. Not only is it a thoughtful novel, it inspired deep contemplation within the reader, but in a way that is comfortingly gentle for the times in which we’re living. “Fear was when you wandered into a cellar and worried that the door would close shut. Despair was when was the door closed and locked behind you.” Nora Seed doesn’t matter. Not to any single person on the face of the earth. At least, that’s what she thinks. When this belief leads her to the decision to end her own life, she finds herself caught between life and death in the Midnight Library. This library contains every single life she could have possibly led had she made even the slightest of different decisions. If she can find the perfect life among the stacks before midnight ends, she can keep it. But if she’s still undecided when the clock begins to tick once more, the Midnight Library will burn to ash, taking every perspective life, and Nora herself, along with it. “The thing that looks the most ordinary might end up being the thing that leads you to victory.” I loved accompanying Nora on each of her journeys. Not so much because they were adventures, though some of them were, but because I really enjoyed witnessing her growth. As she tackled her regrets, she slowly and sometimes painfully changed both her worldview and her opinion of herself and her worth. It was such an encouraging transformation, and reminded me more than a little of It’s a Wonderful Life. She's more important than she knows, and every decision she's ever made has rippled out to touch others. “And that sadness is intrinsically part of the fabric of happiness. You can’t have one without the other. Of course, they come in different degrees and quantities. But there is no life where you can be in a state of sheer happiness for ever. And imagining there is just breeds more unhappiness in the life you’re in.” If given the same opportunity Nora has, would you try on different lives in hopes of finally finding one that fits? My knee-jerk response would be a unequivocal yes. But upon further reflection, I don’t think I would actually take that plunge. While I might not be the rock star or author or professor I dreamed of becoming as a child, those possibilities still live within me, and will until I draw my final breath. What I wouldn’t change for the world are the relationships I have. I’ve been blessed with an insanely fun marriage to my best friend, a tight-knit family, and some wonderful friendships. Any different path I might have taken could have radically altered any of those relationships. I honestly believe that it wouldn’t be worth the risk. Instead, I can take those relationships and the potential I know lives within me and make more of an effort to make one or more of my own dreams come true. The worst that could happen is that I fail and end up back where I started. What would I have lost? Absolutely nothing but the fear that kept me from trying in the first place, the loss of which would actually be worth failing in order to attain. “Sometimes just to say your own truth out loud is enough to find others like you.” Any work of fiction that can move its readers to reevaluate their own lives and try a little harder has accomplished something incredible. And if the book can do so in a way that is gentle and comforting instead of shaming in any way, that’s truly something special. Matt Haig gives us something that special with The Midnight Library. I can see this being a book I reread whenever life starts feeling like it isn’t worth the trouble. The Midnight Library is hope and potential and solace all packed into one slim book. Read it. Press it into the hands of anyone you know that might be struggling. Let it comfort and inspire you. You can find this review and more at Novel Notions. ...more |
Notes are private!
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1
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Oct 27, 2020
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Oct 30, 2020
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Oct 27, 2020
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Hardcover
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0062851500
| 9780062851505
| 0062851500
| 3.79
| 10,659
| May 12, 2020
| May 12, 2020
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liked it
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The synopsis for The Library of Legends sounded wonderful. This story takes place in China in 1937, when the city of Nanking falls to the Japanese. Th
The synopsis for The Library of Legends sounded wonderful. This story takes place in China in 1937, when the city of Nanking falls to the Japanese. The narrative follows Lian, a scholarship student who is fleeing with her university to save not only themselves but the Library of Legends, an original collection of China’s fables and folklore that is integral to their national identity. Lian does her part to protect the Library, and I very much enjoyed this aspect of the story. As the journey progresses, we start to see these legends come to life on the periphery of the story, as the legends themselves begin to evacuate the mortal world. There were so many excellent building blocks to this story. An interesting and well-developed setting, a dramatic and compelling plot, a respect for stories, a star-crossed romance, and even an element of mysticism were all present. But there was something about both the characters and the writing itself that just fell a bit flat for me. None of the characters ever felt tangible to me, which made them less than believable. I think this disconnect is directly linked to Chang’s writing style and choices in prose. Something about it just didn’t resonate with me as a reader. Though I had my issues with The Library of Legends, I loved getting to learn more about a time and place with which I was fairly unfamiliar. I can see this novel appealing to a lot of readers, especially those who gravitate towards non-literary historical fiction. ...more |
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1
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Oct 08, 2020
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Oct 14, 2020
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Oct 08, 2020
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Paperback
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1250112044
| 9781250112040
| 1250112044
| 4.17
| 25,518
| Nov 14, 2017
| Nov 14, 2017
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it was amazing
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I can’t remember the last time I was so utterly charmed and delighted by a story. Beasts of Extraordinary Circumstance reads like a middle grade novel
I can’t remember the last time I was so utterly charmed and delighted by a story. Beasts of Extraordinary Circumstance reads like a middle grade novel for adults, and I need more books like this one in my life. There is a wholesome, wonderful innocence to the story that won me over immediately. I’ve never been a fan of the word “precious,” but that term perfectly describes Lang’s debut novel. I’m a sucker for stories in which nature is a main character, and that is definitely the case here. Lang does a marvelous job describing the natural world. The way in which she presents forests, and wolves, and storms, and bees is simply lovely. Everything in this book, whether human or fauna or flora, is busting with character. Weylyn is an absolute treasure who needs to be protected at all costs. He’s charming and innocent and kind and selfless and incredibly loving, and I adore him. I just wanted to adopt him. But though his life is a bit of a mess, he does come across good people who love him for and in spite of his inexplicable uniqueness. This is the kind of magical realism that I love. The story takes place in our world, but with one major difference: Weylyn. All of the unusual and uncanny events center around and siphon through him. There is never an explanation given for how or why he is the way he is, and I was totally okay with that. The mystery is part of the magic. With the right casting, I think this could be a brilliant movie. Beasts of Extraordinary Circumstance is one of those rare books that I could comfortably recommend to just about anyone. It’s light in tone with plenty of depth, it’s relatively clean, and it’s concise. I read it in roughly 48 hours or so. But more than anything, it was a delightful breath of fresh air during a difficult year. It’s definitely worth your time. ...more |
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1
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Oct 2020
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Oct 02, 2020
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Oct 01, 2020
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Hardcover
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1982105542
| 9781982105549
| 1982105542
| 3.88
| 18,003
| Jul 30, 2019
| Jul 30, 2019
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it was amazing
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The Book Charmer is the kind of delightful that I often seek out but rarely find. This is a sweet, incredibly charming example of magical realism that
The Book Charmer is the kind of delightful that I often seek out but rarely find. This is a sweet, incredibly charming example of magical realism that still has plenty of depth. It’s the literary equivalent of a hug from a dear friend whom you haven’t seen in ages. Though I've never read her, I can see this book appealing to fans of Sarah Addison Allen.
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1
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Jun 26, 2020
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Jun 30, 2020
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Jun 26, 2020
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Paperback
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0062913484
| 9780062913487
| 0062913484
| 3.96
| 194,830
| Oct 29, 2019
| Oct 29, 2019
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it was amazing
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Nothing to See Here is one of the funniest books I’ve read in a long time. The tone is just hilarious. Lillian, the perspective character, is absolute
Nothing to See Here is one of the funniest books I’ve read in a long time. The tone is just hilarious. Lillian, the perspective character, is absolutely bonkers and I adore her. She’s tough and kooky and always afraid that she’s going to mess things up, and I just want to be her friend more than anything. This book is short and breezy without being shallow, and it completely transported me into this beyond weird circumstance in the midst of normalcy. “I wasn’t destined for greatness; I knew this. But I was figuring out how to steal it from someone stupid enough to relax their grip on it.” Lillian’s life isn’t great. She was raised very poor. As a young teen, she worked her butt off to get a scholarship to a prestigious girl’s boarding school in her town. This is where she meets her best friend in the world, Madison. Madison is gorgeous and filthy rich but is just as much of a weirdo deep down as Lillian. Even after Madison’s dad pays Lillian’s mom off to allow Lillian to be blamed for something Madison did, even after Lillian is expelled for this and loses her shot at getting out of this town and building a better for herself, she still loves Madison. So when Madison, now the wife of a senator, begs Lillian to help her through a weird situation, Lillian can’t say no, even though she’s let herself be beaten down by life and isn’t sure what she could possibly offer her friend. “From that point on, I guess I sort of realized that my imagination, which made life tolerable, needed to be kept a secret from the rest of the world. But if you keep something hidden away, all tied up, it’s hard to summon it when you really need it.” Turns out what Madison needs is someone who is fiercely loyal to her and able to keep a secret. Lillian is her girl on both counts. This is how Lillian suddenly finds herself caring for Madison’s senator husband’s twin ten-year-olds from his previous marriage. While she doesn’t see how she’s at all qualified to take care of kids, Lillian agrees to the task. That’s when Madison drops a bomb: these kids spontaneously combust when agitated. It doesn’t harm the kids in any way; the flames don’t even singe their hair. But obviously they’re incredibly destructive and their weirdness needs to be kept under wraps. Lillian decides that she will do whatever it takes to keep these kids safe, and she throws herself into caring for them. “Maybe raising children was just giving them the things you loved most in the world and hoping that they loved them too.” The random spontaneous combustion of these kids is the only element of Nothing to See Here that might cause it to be classified as magical realism. Everything else is firmly based in reality. Bessie and Roland, the kids in question, are basically feral after having been raised in isolation by their now dead mother. But Lillian clicks with them immediately. Their relationship is a joy to watch bloom. “You took care of people by not letting them know how badly you wanted your life to be different.” While the premise of combustable children is pretty attention-grabbing, what made Nothing to See Here work so well for me was the humor that oozed out of every page. Lillian is quite possibly my favorite narrator of any book ever. This is another novel that was simply fabulous on audio. I felt that Ireland added even more quirkiness to an already crazy character through her narration. Her Southern drawl was insanely thick and served the story incredibly well, and it lended the book an even stronger sense of place. “A lot of times when I think I’m being self-sufficient, I’m really just learning to live without the things that I need.” I have nothing negative to say about this book. I’m looking forward to digging into Wilson’s back catalogue, as this was the first of his work I’ve ever read. Nothing to See Here is the best kind of crazy. If you’re looking for something that will make you laugh and remind you that your problems could always be worse, this is the exact right book for you. You can find this review and more at Novel Notions. ...more |
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1
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May 13, 2020
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May 15, 2020
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May 13, 2020
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ebook
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035651143X
| 9780356511436
| 035651143X
| 3.52
| 7,180
| Sep 25, 2018
| Sep 25, 2018
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liked it
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The Sisters of the Winter Wood was incredibly promising. It’s a heavily Jewish book with lovely fantasy overtones. There are shapeshifters and mysteri
The Sisters of the Winter Wood was incredibly promising. It’s a heavily Jewish book with lovely fantasy overtones. There are shapeshifters and mysterious newcomers peddling forbidden fruit and a deeply atmospheric forest, as well as a central sibling relationship and deep religious questions to ponder. It sounded made for me. So made for me that I ignored the fact that it’s YA. I should’ve known better. While I enjoyed the plot and the structure, the usual YA all-consuming romances and the characters’ inner struggles with coming to know and accept themselves were cloyingly overabundant and negatively impacted my reading experience. However, I feel like this is on me, not the book. I should know by now that YA usually doesn’t work for me. I was almost as disappointed by this book as I was by Uprooted, which I think is comparable in setting and atmosphere. “To love means to sacrifice everything that you are.” I love the alternating formats of the chapters. Liba, the more solid and down-to-earth sister, tells her part of the story in lovely prose. Laya, the flightier, more artistic sister, gives her thoughts in ephemeral free verse. This alternating format was one of my favorite elements of the book. My other favorite element was the inclusion of so much Jewish culture and mythology. I love learning new things about cultures outside of my own, and Jewish culture in particular has always fascinated me, as from it stems my Christian faith. The inclusion of Hebrew words and customs was so enlightening, and is honestly almost entirely responsible for third star in my rating, along with the wonderful afterword that explained the real events that inspired this story, and how those events were tied into her personal heritage. I also found the way the author portrayed racial and religious prejudice as simmering just below the surface of even the most benign of settings, waiting for the smallest trigger to be incited into boiling mistrust and persecution, incredibly telling. Because hasn’t that been the way of the world since time immemorial? We’re also so eager to latch onto any reason to look down on and mistreat those who are not mirror images of ourselves. “Jews always come out battered, bruised, but still triumphant. Because we believe in God, in community, in compassion, and in the power of our people to endure.” My least favorite elements of this book go hand in hand. I strongly disliked the author’s handling of romance. It felt forced and trite and never rang true to me. As soon as either sister found a romantic interest, all of the things that made her individual character interesting were completely negated as she was consumed by the relationship. This directly correlates to my other main issue: the sisters themselves. At the very beginning of the novel, I found the sisters interesting. By the time I was a quarter of the way through, I actively disliked them both. Liba was just a ball of fear and self-loathing for much of the book when she was not in the arms of her romantic interest. Laya, on the other hand, was such a free spirit that she seemed incapable of caring for others. Both girls were completely driven by appetite in different ways, and those cravings engulfed all of their other personality traits. Characters I’m sure were supposed to be strong female protagonists ended up coming across as simpering or selfish, respectively. “I get to choose what kind of strong I want to be.” I’ve also come to the conclusion that I have no taste for needless melodrama. When people suffer because they refuse to openly communicate, I have absolutely no sympathy for them. I’m also sick to death of female protagonists who are wracked with such strong self-image issues that they basically hate themselves and think they’re worthless, even when everyone around them thinks they’re wonderful. It’s needy and obnoxious and so overdone. There are a select few authors in my reading experience whose prose can support such flaws in ways that minimize my desire to roll my eyes every other paragraph, but that’s not what was delivered in this particular book. However, this did thankfully improve toward the very end of the book, although the growth felt a bit forced; the author did a good bit of showing instead of telling when it came to character development. “I am brave enough to stand for what I believe in—and I believe in you.” The Sisters of the Winter Wood is a book that didn’t quite manage to deliver on its promises, though that is a very subjective opinion. I will say that the ending redeemed both plot and characters, as people finally talked to each other, but that happened a bit too late for me to develop any love for the story. There are plenty of readers who will (and have certainly already) adore this book. I just regret that I’m not one of them. You can find this review and more at Novel Notions. ...more |
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1
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Apr 06, 2020
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Apr 16, 2020
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Apr 06, 2020
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Hardcover
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Liu, Ken
*
| 148142436X
| 9781481424363
| 148142436X
| 4.36
| 33,724
| Mar 08, 2016
| Oct 04, 2016
|
really liked it
|
I chose to read The Paper Menagerie solely for the title story, which is one of Petrik’s most beloved short stories he’s ever read. Thankfully, Ken Li
I chose to read The Paper Menagerie solely for the title story, which is one of Petrik’s most beloved short stories he’s ever read. Thankfully, Ken Liu proved to be an astonishingly gifted writer. I’ve heard his work referred to as graceful, and I can’t think of a more apt description. The man has a marvelous way with words. You can tell that every single sentence was crafted with care. This collection of stories is unlike anything else I’ve ever read in my life. While I didn’t love every single story, those I did love had a profound effect on me, and I honestly believe that I will still be thinking about them for months, if not years, to come. Below are my (very random) thoughts on each story. I’ve left said thoughts in their raw state. While I wanted to share quotes from the stories themselves, I highlighted far too many to sift through. I highly recommend this collection if you want something that will make you think deeply and treat others with greater kindness. More of Liu’s work is definitely in my future. The Bookmaking Habits of Select Species = 5 stars Insanely thoughtful and original. What each of these alien races and their manner of preserving ideas says about human nature is fascinating. And absolutely delightful. One of my favorites. State Change = 5 stars Soul as external, inanimate object, and how said object defines your personality. Candle, feather, ice cube, etc. But what if you were wrong about what your object was? This was a brilliant story. Flawless. Also, the inclusion of T.S. Eliot made me very happy. My other favorite. The Perfect Match = 3 stars Reads like a more hopeful episode of Black Mirror. Good Hunting = 4 stars Chinese magic being siphoned or somehow depleted by Western influence via iron railroad. Bad feng shui on a national level. Made Westerners seem callous to the point of evil. But the loss of the magic could be restored in a way by this new magic of technology, if one were willing to go through unspeakable pain to make themselves feel whole again. The Literomancer: = 4 stars Like reading a Studio Ghibli movie. Until it became devastatingly sad. It’s amazing how much hidden meaning can be found within a word. Simulacrum = 3 stars This one was just depressing. Whatever way you relive a moment over and over again, the end result is that you miss out on so much in the present. The Regular = 2.5 stars Not a bad little crime story, but forgettable. Paper Menagerie = 5 stars Beautiful and devastating. I love the idea of literally breathing life into art. Also, I appreciate my mom’s love for me more than ever. An Advanced Readers’ Picture Book of Comparative Cognition = 3.5 stars Beautiful beginning. Very atmospheric. I got lost in some of the science, but still lovely. The Waves = 4 stars Almost feels like a continuation of the previous story. Possibly the most sci-fi thing I’ve ever read. Insanely creative. Mono No Aware = 4 stars Another subtle continuation. Subtle is the right word for this story. It’s quietly heroic and as achingly lovely as a haiku. All the Flavors = 3.5 stars Very long. Though it was a sweet and deep and enjoyable story, I had a hard time maintaining focus while reading it. A Brief History of the Trans-Pacific Tunnel = 3 stars Interesting premise for an alternate history but incredibly sad. Could have used a bit more development. The Litigation Master and the Monkey King = 4 stars This started off amusing and took a dark and heartbreaking turn. Anyone can be a hero. The Man Who Ended History: A Documentary = 4.5 stars Profound. Is history actually subjective? The descriptions of what took place in Unit 731 were absolutely appalling. Rarely does anything I read make me feel physically ill, but this story did. The callousness of this torture “for science” is frankly unbelievable, even though I know it actually happened. How can humanity dehumanize other humans to such an extent? Even those discussing such travesties of the past can often find a way to shrug them off or claim that they’re being over exaggerated. It’s infuriating. But the story itself is so, so powerful. You can find this review and more at Novel Notions. ...more |
Notes are private!
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1
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Mar 03, 2020
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Mar 21, 2020
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Mar 03, 2020
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Paperback
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0062200674
| 9780062200679
| 0062200674
| 4.00
| 17,460
| 2019
| Oct 01, 2019
|
really liked it
|
Vary rarely do I review the audio of a book. Though I’m a big audiobook reader/listener, I tend to swap between the physical and audio versions of I’m
Vary rarely do I review the audio of a book. Though I’m a big audiobook reader/listener, I tend to swap between the physical and audio versions of I’m reading and generally just review the actual book itself, not the audio production. There have been a few notable exceptions, most especially Daisy Jones & The Six, but those exceptions are few and far between. Today, I have another exception to add to the list with Joe Hill’s most recent short fiction collection, Full Throttle. And it was such a strong collection! There were only two stories that I really didn’t care for and two that I felt were just okay, as opposed to the nine stories that were either 4, 4.5, or 5 star experiences. In my opinion, short stories are the fictional form most well suited to an audio format. A short story on audio is often the perfect length for a long walk or a traffic jam or chores on a Saturday morning. And there is something about being read to that brings me right back to childhood, even if the stories I listen to as an adult are far removed from those that my mother once read to me. There was only one aspect of this particular collection that drove me crazy; a lack of information on which reader narrated which story. There is of course a list of narrators, but I couldn’t find a breakdown of stories paired with their readers ANYWHERE. Amazon, Audible, AudioFile Magazine, Harper Collins’ website, and even Goodreads reviews got me nowhere. And I read every single review! So I took it upon myself to research and match up the narrators with their stories to the best of my ability. Seriously, this is the most research and legwork I’ve ever put into a review. If you happen to notice any errors in my pairings, please message me and I will correct said mistake posthaste. Below you’ll find micro reviews for each short story. But before I get into the tales themselves, I’d like to say a bit about Hill’s opening. I absolutely adore the forward of this book: Who’s Your Daddy? Getting some background on Hill’s relationship with his famous author parents and how he grew up to be a writer himself. How could he not be compared to the King of modern horror when that King is his dad? And honestly, how both he and his father handled rejection is so inspiring. I love that Hill decided to follow in his father’s footsteps but didn’t want to get there riding said father’s coattails. And now, without further ado, here are my thoughts on the stories in this collection. Throttle (with Stephen King), read by Stephen Lang: 3 stars Not super original, but a story well told. I found it an interesting departure from the relationship Hill described having with his own dad in the forward. There was nothing wrong with this story, but it felt decidedly more King than Hill. While the trappings were different, this is a story I’ve heard before. Dark Carousel, read by Nate Corddry: 4.5 stars I really loved this one. I don’t think a scary story involving a carousel can exist without making me think of Bradbury’s Something Wicked This Way Comes, and I was glad Hill gave him a nod with the mention of The October Country. There was also a quick reference to NOS4A2 that was fun to catch. The story itself was engaging and tense, and I didn’t fully predict the outcome. There were a couple of horrifying moments that I could actually visual, and they totally creeped me out in the best way. This is a story I’ll happily read every October. Wolverton Station, read by Neil Gaiman: 4 stars Honestly, that fourth star is for Gaiman. The man has an exquisite reading voice. The story itself was as tense as the previous story, but had an absurdity to the concept that was almost funny. I love the thought of dapper werewolves, and sports bro werewolves, and other classes of werewolf all sharing a train. By the Silver Water of Lake Champlain, read by Kate Mulgrew: 4.5 stars This little story was sweet and heartbreaking, and it’s easy to see that Hill can write compelling and tangibly real children just as well as his father. I wish I could adopt Gail. She’s insanely smart and creative and has an imagination second to none. I would’ve come to see your find, Gail. I promise. Faun, read by Zachary Quinto: 4.5 stars This gave me serious “The Most Dangerous Game” vibes, but the fantasy edition. It was inspired by Bradbury’s “A Sound of Thunder” but managed to never feel derivative. It also paid homage to fantasy tales like Lewis's The Lion, the Witch and the Wardrobe, but with a very dark twist. In my opinion it was one of the most original and least King-ish of the stories in the collection. Also, don’t hunt what you don’t understand. And don’t be a dick, because sometimes it’s fatal. Late Returns, read by Wil Weaton: 5 stars A time traveling book-mobile that gives those nearing their deaths one last, great read from the future? YES PLEASE. Books are the best thing in the world for bringing people together, and I can’t think of any parting gift from the world as wonderful as a chance to read a perfect-for-me book that won’t be written until long after I’m gone. Also, Hill found a way to namedrop himself and it made me smile. Very poignant, and definitely my favorite. It’s a story I would happily buy a physical copy of and which I would love to find a way to give to my bookwormy friends. All I Care About Is You, read by Ashley Cummings: 4 stars The most sci-fi story of the collection. Iris felt very real, and struck a perfect balance between snotty, selfish teenager and tired, philosophical young adult who has had to grow up before her time. The future Hill crafted for this story is incredibly intriguing, walking a line between a fantasy world and a world so overly saturated in entertainment that it borders on a dystopia. It’s a ferocious life, and Iris is definitely cut out for it. It was sweet and thoughtful, sad and horrible, all in turns. Thumbprint, read by Laysla De Oliveira: 1.5 stars One of my two least favorites of the stories. I can’t put my finger (or thumb) on what it was that I hated so much. Every character is either a horrible person or pitiable. It did nothing for me, except make me doubt that humanity is in any way redeemable. It felt oddly preachy, even though I can’t nail down what exactly was being preached. I just didn’t like it. The Devil on the Staircase, read by George Guidall: 3.5 stars There was something fairy tale-esque about this story that I really enjoyed. It felt like a fable made real. This was the shortest story in the collection and I think it suffered for it. With just a bit more information this could have been at least a 4 star tale, but it ended up feeling a bit rushed. Mums, read by Connor Jessup: 4.5 stars Well, that was absolutely terrifying. By far the scariest story in the collection. There were some images evoked that I’m pretty sure are going to haunt my dreams for a while. It’s amazing to me how significant the mom’s name turned out to be, and I’m still not positive what was real and what was dreamed. I don’t think I’ll ever plant anything on a grave; precut bouquets will just have to do. *shudders* In the Tall Grass (with Stephen King), read by Stephen Lang: 4 stars Very creepy. And scary. While different in plot, the setting brought to mind another classic King short story, "Children of the Corn." Stories like these are why I have no desire to go through corn mazes at Halloween time. No thank you. Pregnant women, steer clear! You Are Released, read by Joe Hill: 1.5 stars My other least favorite. Too realistic to be enjoyable. I read to escape, so I was immediately turned off by the real politics and the plausible danger. I also found it very forgettable; the story is already fading away in my mind. It did nothing for me. Except for the spelling bee girl. She was adorable. Half a star for her. Twittering From the Circus of the Dead (read by no one, as it was included as a PDF): 4 stars I totally understand why this wasn’t recorded as part of the audiobook, but was instead included as a PDF. The tweet format would have lost its power if spoken instead of visually read. The format worked incredibly well for this story. I’m always on the lookout for good circus stories, scary or otherwise, and this was a good one made more interesting through its formatting. Overall, I found this to be an incredibly strong collection. While I think that Full Throttle would be worth purchasing for “Late Returns” alone, there are a host of great stories here. And they’re varied enough that there’s something here for just about everyone. You can find this review and more at Novel Notions. ...more |
Notes are private!
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1
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Oct 24, 2019
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Nov 05, 2019
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Sep 17, 2019
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Hardcover
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0316421987
| 9780316421980
| B07M77XW56
| 4.02
| 146,761
| Sep 10, 2019
| Sep 10, 2019
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it was amazing
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You can find this review and more at Novel Notions. Actual rating: way more than 5 stars. I received a copy of this book from the publisher (Orbit/Redh You can find this review and more at Novel Notions. Actual rating: way more than 5 stars. I received a copy of this book from the publisher (Orbit/Redhook) in exchange for an honest review. All opinions expressed in this review are completely my own. “Listen, not every story is made for telling. Sometimes just by telling a story you’re stealing it, stealing a little of the mystery away from it.” The Ten Thousand Doors of January is quite possibly the most achingly beautiful novel I’ve ever read, and I find it mind-boggling that anything this lovely could possibly be a debut novel. There are a scant handful of novels I’ve experienced in my life (The Name of the Wind, The Resurrection of Joan Ashby, and The Night Circus come to mind) that were breathtaking debuts of this caliber, and they remain my very favorite books I’ve ever had the pleasure of reading. I’m so incredibly happy to add Alix E. Harrow’s novel to that list. “If we address stories as archeological sites, and dust through their layers with meticulous care, we find at some level there is always a doorway. A dividing point between here and there, mundane and magical. It is at the moment when the doors open, when things flow between worlds, that stories happen.” As soon as the synopsis and cover art (isn’t that cover almost painfully pretty?) for this book became public, Ten Thousand Doors immediately catapulted to my most anticipated book of 2019. I preordered it for my birthday in February, even though it’s not scheduled to be released until September. Imagine my delight when, less than a week ago, I returned home from church to find an envelope featuring this book’s stunning artwork waiting for me on my doorstep. I’ve never received a more beautiful ARC, and this is the first time I have ever seen a galley delivered in special packaging such as I saw on my stoop. My husband laughed when I darted out of the car before it was even fully in park, leaving my phone and house key and everything else in the vehicle because I was so insanely excited. I tried desperately to pace myself, trying not to read more than 50 pages or so per day so that the book would last as long as possible. Alas, I was hopelessly incapable of sticking to that pace and found the story drawing to a close far too quickly. “You see, doors are many things: fissures and cracks, ways between, mysteries and borders. But more than anything else, doors are change.” When you have such a high level of excitement going into a book, it’s very hard to temper your expectations and not be disappointed. And yet, I never once felt disappointed in Ten Thousand Doors. From page one, I fell in love with January Scaller. When we first meet January, she is seven years old and, though her father is living, finds herself being raised by Mr. Locke, his benefactor, as her father travels the world, searching for exotic treasures to bring back to his employer. January is wild and sullen and headstrong and oddly colored, an unfortunate circumstance considering the time and place in which she lives. Worst of all, she’s imaginative. Throughout her childhood years, she is herded and tamed into submission by Mr. Locke and militant nursemaids, and sees less and less of her father. But though she has been bent by her benefactor, she has managed to remain unbroken, and finds many opportunities to test and marvel at the strength of her own character. “I escaped outdoors (see how that word slips into even the most mundane of sentences? Sometimes I feel there are doors lurking in the creases of every sentence, with periods for knobs and verbs for hinges).” What I loved the most about January was how alive she seemed. From the very beginning, she had an incredibly strong, distinctive voice, and an open honesty to her character that made her wonderfully believable. She’s far from perfect, and that’s what makes her so engaging. The amount of character development packed into less than 400 pages is astounding. I loved watching this fiery little girl grow into a woman and recapture that spark that had been smothered within her. January has also been blessed with a trio of amazing friends who will do anything in their power to aid her on her quest. I don’t want to describe them and inadvertently take anything away from the reading experiences of others, so I’ll just say that they’re all three brave and loyal and steadfast, but in radically different ways. I’m so impressed that Harrow was able to imbue even her side characters with such heaping amounts of personality and believability. “At this point, you’re thinking that this story isn’t really about Doors, but about those more private, altogether more miraculous doors that can open between two hearts. Perhaps it is in the end—I happen to believe that every story is a love story if you catch it at the right moment, slantwise in the light of dusk—but it wasn’t then.” Something else that I loved about this book was its duality. Though January is our protagonist, we also trek right along with her as she reads through a magical book that she found in an antique trunk. The chapters of said magical book are very different in tone and voice than January’s chapters, and I thoroughly enjoyed this added variance. January’s insatiable need to see how that story ended increased my own desire to continue reading. I felt that the author and purpose of the little book were both a bit obvious, but that they were meant to be so, which ensured that the predictability of that particular information couldn’t be in any way disappointing. “If you are wondering why other worlds seem so brimful of magic compared to your own dreary Earth, consider how magical this world seems from another perspective.” Between the magical book and the otherworldly Doors mentioned in the title, I was strongly reminded of two books that I adore: Inkheart and Every Heart a Doorway. However, as much as I dearly love the two aforementioned titles, The Ten Thousand Doors of January surpassed them both in my eyes by intermingling the things I love so much about both. As with Inkheart, Ten Thousand Doors makes much of not only books but the words with which they’re crafted. And, as with Every Heart a Doorway, there are magical portals to a multitude of realms, hidden behind and beneath the mundane, and the search for these Doors is an all-consuming quest for certain characters involved. I won’t talk more about January’s Doors, as they are the backbone of her story and readers should learn about these portals as they read, but I love the entire idea of them and desperately wish I could find one of my own, and found them even more enticing than those in McGuire’s Every Heart a Doorway. “Worlds are too complex, too beautifully fractured to be named.” Though I loved January and her friends, and I rooted for them as they faced down their foes, that was not my favorite element of this novel. And though the plot was everything I could hope for and more, keeping me enthralled and remaining at the forefront of my mind far after I had closed its pages, that was not my favorite aspect, either. The thing I loved most about this book was the absolutely exquisite prose. Harrow is more than an author; she is a Wordsmith, a sorceress wielding a pen in place of a wand. Her writing is effortlessly stunning and unconsciously literary. I’ve read a lot of literary fiction, and fantasy, and literary fiction trying to also be fantasy. I have found very few novels that managed to bridge the gap from literary fiction to fantasy in a compelling and convincing way, though I have found many fantasy authors who, in my opinion, can hold their own with any literary author. The Ten Thousand Doors of January is one of a mere handful of books that I’ve come across that could sit comfortably in either the literary or fantasy genre, and I think it beautifully combines both. “Doors, he told her, are change, and change is a dangerous necessity. Doors are revolutions and upheavals, uncertainties and mysteries, axis points around which entire worlds can be turned. They are the beginnings and ending of every true story, the passages between that lead to adventures and madness and—here he smiled—even love. Without doors the world’s would grow stagnant, calcified, storyless.” Not only does Harrow have a gorgeous way with words, but she appreciates the building blocks of language in a way that I’ve rarely if ever seen in fiction. Something she did that I felt was incredibly unique was drawing attention to letters themselves. When a word is important, you capitalize it. And when you capitalize a word, that first letter suddenly becomes a representation of that word. At least, that is what Harrow points out through the eyes and mind of January. For example, when you capitalize the first letter of Villain, doesn’t that V speak of daggers and fangs? That’s what January thinks. When you read this book, which I desperately hope you will, watch for explanations of words like Door and Threshold, Companion and Home. They were such beautiful ideas that my heart kept them, and I know they will come back to me every time I come across these words. Worlds were never meant to be prisons, locked and suffocating and safe. Worlds were supposed to be great rambling houses with all the windows thrown open and the wind and summer rain rushing through them, with magic passages in their closets and secret treasure chests in their attics.” This is among the longest reviews I’ve ever written, and I still feel that I haven’t said enough. Or perhaps I’ve said too much. In either case, I hope I was able to convey how much I adore this book, and how deeply it touched me. For the first time in my adult life, I’m honestly contemplating rereading a book immediately, or at least within the same year. Maybe I’ll hold out until release day, and experience it again when I receive my preordered copy. I haven’t read a book twice in one year since I was in middle school. I can already tell that January is going to be one of my dearest friends, and that I’ll be revisiting her often. The Ten Thousand Doors of January is a marvel, and I can’t wait for the world to read it. The quotations in the review above were taken from an advance reading copy and are subject to change upon the book's publication. ...more |
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May 23, 2019
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May 26, 2019
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May 23, 2019
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ebook
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my rating |
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3.78
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it was amazing
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Dec 15, 2023
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Dec 07, 2023
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3.41
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it was amazing
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Jan 20, 2024
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May 18, 2023
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3.71
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liked it
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May 29, 2023
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May 18, 2023
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3.61
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liked it
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May 23, 2024
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Feb 23, 2023
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4.07
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it was amazing
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Feb 18, 2023
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Jan 20, 2023
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3.88
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liked it
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Jan 17, 2023
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Jan 17, 2023
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3.38
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really liked it
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Aug 10, 2023
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Dec 17, 2022
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3.63
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liked it
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Jun 09, 2022
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May 30, 2022
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4.05
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it was amazing
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Dec 20, 2021
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Dec 15, 2021
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4.00
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really liked it
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Dec 29, 2020
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Dec 26, 2020
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3.45
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liked it
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Dec 10, 2020
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Dec 07, 2020
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3.99
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it was amazing
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Oct 30, 2020
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Oct 27, 2020
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3.79
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liked it
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Oct 14, 2020
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Oct 08, 2020
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4.17
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it was amazing
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Oct 02, 2020
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Oct 01, 2020
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3.88
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it was amazing
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Jun 30, 2020
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Jun 26, 2020
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3.96
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it was amazing
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May 15, 2020
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May 13, 2020
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3.52
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liked it
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Apr 16, 2020
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Apr 06, 2020
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Liu, Ken
*
| 4.36
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really liked it
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Mar 21, 2020
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Mar 03, 2020
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4.00
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really liked it
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Nov 05, 2019
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Sep 17, 2019
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4.02
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it was amazing
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May 26, 2019
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May 23, 2019
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