Form Quotes
Quotes tagged as "form"
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“Form is emptiness, emptiness is form" states the Heart Sutra, one of the best known ancient Buddhist texts. The essence of all things is emptiness.”
― The Power of Now: A Guide to Spiritual Enlightenment
― The Power of Now: A Guide to Spiritual Enlightenment
“You are not limited to this body, to this mind, or to this reality—you are a limitless ocean of Consciousness, imbued with infinite potential. You are existence itself.”
― The Answer Is YOU: A Guide to Mental, Emotional, and Spiritual Freedom
― The Answer Is YOU: A Guide to Mental, Emotional, and Spiritual Freedom
“One of the strangest things is the act of creation.
You are faced with a blank slate—a page, a canvas, a block of stone or wood, a silent musical instrument.
You then look inside yourself. You pull and tug and squeeze and fish around for slippery raw shapeless things that swim like fish made of cloud vapor and fill you with living clamor. You latch onto something. And you bring it forth out of your head like Zeus giving birth to Athena.
And as it comes out, it takes shape and tangible form.
It drips on the canvas, and slides through your pen, it springs forth and resonates into the musical strings, and slips along the edge of the sculptor’s tool onto the surface of the wood or marble.
You have given it cohesion. You have brought forth something ordered and beautiful out of nothing.
You have glimpsed the divine.”
― The Perpetual Calendar of Inspiration
You are faced with a blank slate—a page, a canvas, a block of stone or wood, a silent musical instrument.
You then look inside yourself. You pull and tug and squeeze and fish around for slippery raw shapeless things that swim like fish made of cloud vapor and fill you with living clamor. You latch onto something. And you bring it forth out of your head like Zeus giving birth to Athena.
And as it comes out, it takes shape and tangible form.
It drips on the canvas, and slides through your pen, it springs forth and resonates into the musical strings, and slips along the edge of the sculptor’s tool onto the surface of the wood or marble.
You have given it cohesion. You have brought forth something ordered and beautiful out of nothing.
You have glimpsed the divine.”
― The Perpetual Calendar of Inspiration
“Now take a human body. Why wouldn't you like to see a human body with a curling tail with a crest of ostrich feathers at the end? And with ears shaped like acanthus leaves? It would be ornamental, you know, instead of the stark, bare ugliness we have now. Well, why don't you like the idea? Because it would be useless and pointless. Because the beauty of the human body is that is hasn't a single muscle which doesn't serve its purpose; that there's not a line wasted; that every detail of it fits one idea, the idea of a man and the life of a man.”
― The Fountainhead
― The Fountainhead
“Disciples and devotees…what are most of them doing? Worshipping the teapot instead of drinking the tea!”
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“There is no creation without tradition; the 'new' is an inflection on a preceding form; novelty is always a variation on the past.”
― Myself with Others: Selected Essays
― Myself with Others: Selected Essays
“If there is one thing in mathematics that fascinates me more than anything else (and doubtless always has), it is neither ‘number’ nor ‘size,’ but always form.”
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“Toutes les opinions ne se valent pas, et il ne faut pas confondre l'éloquence d'une parole avec la justesse d'une pensée.”
― In Defence of the Enlightenment
― In Defence of the Enlightenment
“Death is not in the nature of things; it is the nature of things. But what dies is the form. The matter is immortal.”
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“The palace started as a single vaulted room and grew in proportion to my despair. It began as an exercise to keep my mind from its melancholy, then it became a dream and a necessity. . . . I built a temple in my head. . . . Its hallways were as lofty as a cathedral, and the arch of each window as supple as a bow. Its corridors were the passages of my own brain.”
― The Palace
― The Palace
“The first fact of the world is that it repeats itself. I had been taught to believe that the freshness of children lay in their capacity for wonder at the vividness and strangeness of the particular, but what is fresh in them is that they still experience the power of repetition, from which our first sense of the power of mastery comes. Though predictable is an ugly little world in daily life, in our first experience of it we are clued to the hope of a shapeliness in things. To see that power working on adults, you have to catch them out: the look of foolish happiness on the faces of people who have just sat down to dinner is their knowledge that dinner will be served. Probably, that is the psychological basis for the power and the necessity of artistic form...Maybe our first experience of form is the experience of our own formation...And I am not thinking mainly of poems about form; I’m thinking of the form of a poem, the shape of its understanding. The presence of that shaping constitutes the presence of poetry.”
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“The soul is the form of the body, but not as the shape of a statue is formatio et terminatio materiae, for form does not exist apart from material. There is no whiteness without a white object. But the soul is not a form in this simple sense, and in particular, is not the shape of the material it informs. Therefore, the shape of a being does not affect the being's soul, for then something lower would inform something higher, which is impossible.”
― Eifelheim
― Eifelheim
“What did one see if one looked in any depth into the world of this writer's fiction? Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion ---”
― Death in Venice and Other Tales
― Death in Venice and Other Tales
“Man, as a form, bears within him the eternal principle of being, and by economic movement along his endless path his form is also transformed, just as everything that lives in nature was transformed in him.”
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“If you ask today what art is, what its function is, what the meaning of art is and why one should create art, the answer given oftentimes by Western philosophers of art and those who special- ize in modern aesthetics is ‘‘art for art’s sake.’’ The modern response is that you just create art for the sake of art; but this was never the answer of traditional civilizations where one created art for both the sake of attainment of inner perfection and for human need in the deepest sense—because the needs of man are not only physical, they are also spiritual. We are as much in need of beauty as of the air that we breathe.”
― در جستوجوی امر قدسي
― در جستوجوی امر قدسي
“A little girl's fantasies are one thing, and literature is another; just as numbers require rules to give them human meaning, words, too, demand a form to turn them into literature.”
― Why This World: A Biography of Clarice Lispector
― Why This World: A Biography of Clarice Lispector
“Every form is an image. Every image is a name. Every name is an attribute, every attribute a verb. Every verb forms the sentence to be read on Judgement Day, from the very Qur’aanulQariim that is found within the breastplate of all that is ‘created’ in the form of humankind. Every object be it animated or non-animated is an image!!”
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“4. Radicalism of forms. If a new model once created meets with much success on account of its greater efficiency than its predecessor, it lends certain neighbouring forms a formal radicalism, which attempts to borrow from the appearance of the new form: for example, bronze tools that had reached the furthest development of their utility had a disastrous influence on stone tools, warping them toward an elegance that could only be attained in bronze. Today aviation has imposed its aerodynamic forms even on baby strollers and irons. This radicalism of forms is a result of the fact that people become bored when they do not find some unexpected element in the familiar. This radicalism might seem illogical, as the advocates of standardization believe, but we must not forget that discovery is only made possible by this need of humanity.”
― The Situationists and the City: A Reader
― The Situationists and the City: A Reader
“The world is surprising. It had undiscovered stores. It is not yet wholly given. There will be new gestures, new questions, new forms of life. The capacity to welcome them, to make room for them (to accommodate without crushing them), to learn from and be transformed by them depends on the provision of this “quiet yet live holding”---in this form. Then in all its further expected and unexpected, tested, and as yet unimagined forms.”
― The Long Form
― The Long Form
“A building is only good, thought Kahn, if its ruins will be any good. He was discouraged by those who thought about buildings in terms of functionality. A building is a spirit, he said. It is made out of man.”
― Spent Light
― Spent Light
“Once you realize and accept that all structures (forms) are unstable, even the seemingly solid material ones, peace arises within you. This is because the recognition of the impermanence of all forms awakens you to the dimension of the formless within yourself, that which is beyond death. Jesus called it "eternal life.”
― A New Earth: Awakening to Your Life's Purpose
― A New Earth: Awakening to Your Life's Purpose
“Mr Police Officer, you do not know me and as a police corruption researcher I will be filing a police complaint about you if I see any form of police misconduct from you.”
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“Contour and profile ['modinature'] are the touchstone of the architect.
Here he reveals himself as artist or mere engineer.
Contour is free of all restraint.”
― Towards a New Architecture
Here he reveals himself as artist or mere engineer.
Contour is free of all restraint.”
― Towards a New Architecture
“Design is born out of research, out of a positive approach. The ideas must contain life, and be energized with living.”
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“The key to being a good poet is to be able to take an idea, add your perspective and emotions, transform these into words, and masterfully scribe the words in a form that we call poetry.”
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“The autonomy of form affects all aspects of life dominated by capital. Knowledge is valid only if it is formalized, if it is emptied of content. Absolute knowledge is tautology realized; it is dead form deployed over all knowledge. Science is its systemization; epistemology is its redundancy.”
― This World We Must Leave and Other Essays
― This World We Must Leave and Other Essays
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