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Bill  Carter

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Bill Carter


Born
in Brooklyn, NY, The United States
August 31, 1949


Librarian Note: There is more than one author in the Goodreads database with this name.

William J. Carter joined The New York Times as a national media reporter in 1989. In addition to his work for the newspaper, Mr. Carter has written numerous articles for The New York Times Magazine, including four cover stories.

Mr. Carter has covered the television industry for over 25 years. From 1975 until 1989, he was a television critic for The Baltimore Sun, writing four to six columns, reports and features per week, as well as a weekly television sports column. From 1973 to 1975, Mr. Carter was assistant foreign editor at The Sun, substituting at times as foreign editor, national editor and news editor.

Mr. Carter's articles have also appeared in TV
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Average rating: 4.08 · 8,506 ratings · 684 reviews · 5 distinct worksSimilar authors
The War for Late Night: Whe...

4.05 avg rating — 5,416 ratings — published 2010 — 13 editions
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The Late Shift: Letterman, ...

4.17 avg rating — 2,405 ratings — published 1994 — 3 editions
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Desperate Networks

4.03 avg rating — 704 ratings — published 2006 — 13 editions
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Monday Night Mayhem: The In...

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3.79 avg rating — 63 ratings — published 1988 — 4 editions
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By Bill Carter - The Late S...

it was amazing 5.00 avg rating — 1 rating
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More books by Bill Carter…
Quotes by Bill Carter  (?)
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“The one thought Conan had on the spot about the half hour at 11:35 was that it would likely exacerbate the problem he already had with Leno. 'So at least now, Jay does his show, but there's the break of the news, and that's kind of the reset button,' Conan said to Gaspin and Graboff. 'At 11:35 Jay's going to come out and do twenty jokes. And then what's he going to do?'

When they replied that it seemed likely he would have only one guest, Conan said, 'OK. And then I come out and do what?'

The NBC guys didn't really have an answer for that other than what Conan had already been doing: his own monologue. That this now seemed like a late-night pileup - three shows with monologues lined up end to end - was the implication no one had really addressed.

Finally Conan did have something he really wanted to say, something that had almost burned a hole in his chest. 'What does Jay have on you?' Conan asked, his voice still low, his tone still even. 'What does this guy have on you people? What the hell is it about Jay?”
Bill Carter, The War for Late Night: When Leno Went Early and Television Went Crazy

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