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Tina Rath

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Tina Rath

Goodreads Author


Born
in London, The United Kingdom
Website

Twitter

Genre

Influences
Ronald Chetwynd-Hayes, Joan Aiken, Diana Wynne Jones - and everyone I ...more

Member Since
May 2010


I sold my first story, to Catholic Fireside in 1964 and I have been writing and to a certain extent selling dark fantasy stories every since. (I also have some novels on the stocks).
My interest in dark fantasy possibly led me to write my MA thesis on The Vampire in the Theatre and my doctoral thesis (for London University) on The Vampire in Popular Fiction.
I currently work as an actress, model and Queen Victoria look-alike.

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Tina Rath Hi - no, neither was published and as it was quite a time ago, I am sure they would be out of date now. Mercifully I missed 'Twilight'. I think I woul…moreHi - no, neither was published and as it was quite a time ago, I am sure they would be out of date now. Mercifully I missed 'Twilight'. I think I would have gone quietly mad if I'd had to read the whole series *and* discuss it.
My fiction is out there, though.(less)
Tina Rath Books I read over the summer are mostly Gothic. They included
The Binding by Bridget Collins
The Confessions of Frannie Langton by Sara Collins
Follow Me…more
Books I read over the summer are mostly Gothic. They included
The Binding by Bridget Collins
The Confessions of Frannie Langton by Sara Collins
Follow Me to Ground by Sue Rainsford
Other Words for Smoke by Sarah Maria Griffin
The Doll Factory by Elizabeth Macneal
The Familiars by Stacey Halls
and my current favourites
The Heavens by Sandra Newman
and Night Tiger by Yangsze Choo
I am currently reading The Twisted Tree by Rachel Burge
and hoping to read:
Things in Jars by Jess Kidd
Platform Seven by Louise Doughty
Trolls by Stefan Spjut
Superior Spectre by Angela Meyer
Gingerbread by Helen Oyeyemi
Water Shall Refuse Them by Lucie McKnight Hardie
The Glass Woman by Caroline Lea
In the Night Wood by Dale Bailey
My all time favourite for this year was
Minor Mage by T Kingfisher which takes the trope of the incompetent magician (Rincewind, Schmendrick) and makes it new - of course Oliver's incompetent - he's only twelve and his teacher was so old that he had taken to wearing his underwear on his head...and his familiar is an aardvaark. But his master is dead, and the villagers have to send a boy to do a man's job. He copes. Well... not always...but he's brave and he tries, even if he really really wants his mother...it's a lovely book which I would recommend to anyone. And everyone.


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Average rating: 3.73 · 2,645 ratings · 272 reviews · 36 distinct works
Dracula

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4.02 avg rating — 1,313,679 ratings — published 1897 — 11268 editions
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Vampires: The Recent Undead

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3.60 avg rating — 940 ratings — published 2011 — 7 editions
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The Mammoth Book of Vampires

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3.77 avg rating — 522 ratings — published 1992 — 17 editions
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Halloween

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3.78 avg rating — 431 ratings — published 2009 — 2 editions
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The Mammoth Book of Vampire...

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3.62 avg rating — 447 ratings — published 2001 — 17 editions
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A Chimaera in my Wardrobe

4.43 avg rating — 14 ratings — published 2013 — 4 editions
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Talking to Strangers, and O...

4.38 avg rating — 8 ratings2 editions
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The Adventures of Mr Polkin...

4.67 avg rating — 3 ratings2 editions
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Amphiboly

0.00 avg rating — 0 ratings
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Mischief in the Wood

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C.S. Lewis
“In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.”
C.S. Lewis, The Weight of Glory

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