Ralph Rosenblum
When the Shooting Stops… the Cutting Begins
by
15 editions
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published
1979
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Windows: More Than Meets the Eye
by
2 editions
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published
2015
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“I didn’t sit down with Marshall Brickman and say, ‘We’re going to write a picture about a relationship.’ I mean the whole concept of the picture changed as we were cutting it. It was originally a picture about me, exclusively, not about a relationship. It was about me, my life, my thoughts, my ideas, my background, and the relationship was one major part of it. But sometimes it’s hard to foresee at the outset what’s going to be the most interesting drift. The guesses we started out with, many of them were wrong. But we wound up with the right guesses.”
― When The Shooting Stops ... The Cutting Begins: A Film Editor's Story
― When The Shooting Stops ... The Cutting Begins: A Film Editor's Story
“Yorker—it was the surrealistic and abstract adventures of a neurotic Jewish comedian who was reliving his highly flawed life and in the process satirizing much of our culture. Diane Keaton makes a brief appearance after Woody’s reference to her in the opening monologue and disappears for ten or fifteen minutes thereafter.”
― When The Shooting Stops ... The Cutting Begins: A Film Editor's Story
― When The Shooting Stops ... The Cutting Begins: A Film Editor's Story
“Douglas Fairbanks described viewing Potemkin as “the most intense and profoundest experience of my life.” While Charlie Chaplin proclaimed the picture “the best film in the world.” Future conclaves of film historians would reaffirm Chaplin’s rating. The power of the film is so great and the sense of the moment in history it portrayed so real that sailors who had served on the real Potemkin “recalled” fictitious incidents that Eisenstein had inserted in the film for emotional effect. During their 1933 court martial, mutineers from the Dutch battleship De Zeven Provincien claimed to have been”
― When The Shooting Stops ... The Cutting Begins: A Film Editor's Story
― When The Shooting Stops ... The Cutting Begins: A Film Editor's Story
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