Regie:
Terry GilliamScenario:
Pat RushinCamera:
Nicola PecoriniMuziek:
George FentonActeurs:
Christoph Waltz, Mélanie Thierry, Lucas Hedges, Matt Damon, Tilda Swinton, David Thewlis, Peter Stormare, Ben Whishaw, Sanjeev Bhaskar, Dana Rogoz (meer)Samenvattingen(1)
Qohen, an extraordinary but socially awkward computer genius is tasked to prove the Zero Theorem: the reason for human existence or lack thereof. However, the Management will do anything to steer him away from this project, including designing a life he can fall in love with. (MUBI)
Recensie (4)
Terry Gilliam this time about the meaning of life in Matrix style. I think I identified all the storylines that I thought would disturb me and they really do, I laughed over the jabs at our society and I sighed over how sterile our lives are and our loss of privacy. It was just missing the usual Gilliam’s sting in the tail. Despite great acting work (Waltz didn’t disappoint me and the young Lucas Hedges is talented) the Zero Theorem just seems rather lifeless. Why am I alive?
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I have a problem with the main plot, where the protagonist has his base somewhere in the middle of a pseudo-church, where he plays Tetris and calls it an activity suitable for the situation. On the other hand, I immediately understood that this is classic Terry Gilliam. Psychedelic as hell, totally abstract and at times wannabe philosophical – and I must say I didn’t find much logic in the whole thing. The result was that after almost two hours I was pretty pissed about having wasted my time on a movie that I’d been pretty much looking forward to. But with Gillian, you have to expect the unexpected, including a failure that some people won’t like. I didn’t like this one.
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Gilliam’s Theorem must equal 5*. But, in its current state, Gilliam’s Theorem equals 3.42782*. To achieve the missing 1.57218*, it would need less exhibitionism from the filmmaker during the gratuitous Orwell-style prolog and greater focus on “the story I want to tell and what to hold up the critically aware mirror to"; as it is, it touches on various problems of the present and also some of the most fundamental questions about space and everything, but there is far too little of it.
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Terry Gilliam is plagiarizing himself. It's as if he tried to film Brazil for the new millennium. That society is very similar, there's also Big Brother watching you, and the whole thing is similarly weird. It's a crazy satire, but this time I didn't feel like the idea overshadowed the execution. It's a shame because the actors deliver incredible performances.
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