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Diego Semerene

Film Critic

United States

It’s Not Me (2024)

Publish Date: July 5, 2024
"Refreshingly, 'It’s Not Me' has no interest in answering its own questions, knowing that real cinema, the kind that Carax associates with the divine, is an intimate co-authorship between maker and viewer"

Slant
20,000 Species of Bees (2023)

Publish Date: June 9, 2024
"The film blooms in moments where, instead of literally addressing Coco's gender trouble, we’re simply allowed to inhabit it (...) Rating: **1/2 (out of 4)"

Slant
High & Low - John Galliano (2023)

Publish Date: March 2, 2024
"The film shamelessly announces from the very start that it's an attempt at atonement for disgraced designer John Galliano (...) Rating: * (out of 4)"

Slant
Dying (2024)

Publish Date: February 25, 2024
"The film immerses us in the depths of the human experience without varnish or sentimentalism (...) Rating: ***1/2 (out of 4)"

Slant
Another End (2024)

Publish Date: February 21, 2024
"Despite its initially familiar trajectory, it disarmingly and purposefully sweeps us away on a wave of apathy not unlike that which plagues Sal, challenging our sense of who we fundamentally are as humans (...) Rating: **1/2 (out of 4)"

Slant
Langue Étrangère (2024)

Publish Date: February 19, 2024
"Tender and surprisingly funny (...) Rating: ***1/2 (out of 4)"

Slant
About Dry Grasses (2023)

Publish Date: September 6, 2023
"Nuri Bilge Ceylan’s absorbing portrait of estrangement (...) Rating: ***1/2 (out of 4)"

Slant
The Eternal Memory (2023)

Publish Date: August 6, 2023
"A moving reflection on personal and historical consciousness (...) Rating: *** (out of 4)"

Slant
Kokomo City (2023)

Publish Date: July 22, 2023
"Its attempt to provide a basic understanding of the relationship between trans women and the men who desire them is admirable (...) But the documentary only gestures toward an exploration (...) Rating: **1/2 (out of 4)"

Slant
The Stroll (2023)

Publish Date: June 20, 2023
"[It] is overtly broad, detached, and full of ready-made empowerment rhetoric (...) Rating: *1/2 (out of 4)"

Slant
Other People's Children (2022)

Publish Date: April 15, 2023
"Though Zlotowski seems to want to hold on to an accessible aesthetic, the film is saved from becoming overtly topical or unidimensional through the moments when it veers away from predictable visual language (...) Rating: *** (out of 4)"

Slant
Joyland (2022)

Publish Date: March 31, 2023
"['Joyland']'s dignity is in its commitment to realism (...) Rating: **** (out of 4)"

Slant
Our Body (2023)

Publish Date: March 4, 2023
"Few films are likely to elicit such a strong physiological response in the viewer as the wonderful, and overwhelming documentary (...) Rating: **** (out of 4)"

Slant
The Plough (2023)

Publish Date: February 25, 2023
"It shows us once again that failing at monogamy in France is no tragedy (...) The film doesn’t go much beyond the rehashing of that cliché (...) Rating: ** (out of 4)"

Slant
Disco Boy (2023)

Publish Date: February 22, 2023
"Vibrant depiction of a struggle for identity (...) Rating: ***1/2 (out of 4)"

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Femme (2023)

Publish Date: February 18, 2023
"'Femme' fascinatingly taps into the radical possibilities of the sartorial as narrative device, exploring the tabooed nuances of queer subjectivity and muddying the lines between gay and trans (...) Rating: ***1/2 (out of 4)"

Slant
Blue Jean (2022)

Publish Date: February 2, 2023
"'Blue Jean' is most remarkable when it simply observes its main character as she exists in her unmanageable world"

Slant
The Blue Caftan (2022)

Publish Date: January 31, 2023
"A delicately radical tapestry of an interpersonal relationship (...) Rating: ***1/2 (out of 4)"

Slant
Close (2022)

Publish Date: January 14, 2023
"The film reminds us that any coming of age is a risky business where finitude and mourning are the only guarantees (...) Rating: ***1/2 (out of 4)"

Slant
Salvatore: Shoemaker of Dreams (2020)

Publish Date: October 30, 2022
"The focus on Ferragamo’s craft is exciting, but the narrative’s tendency to embody the opposite of the designer’s innovativeness feels lazy and contradictory (...) Rating: ** (out of 4)"

Slant

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