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• 17:33, 18 January 2022 B Bandyopadhyay talk contribs created page Draft:Raag : Shyam Kalyan (←Created page with '{{subst:AfC submission/draftnew}}<!-- Important, do not remove this line before article has been created. --> = Shyam Kalyan Raag Description = Shyam kalyan is a popular rag of the Kalyan family. Thaat : Kalyan Time: Early evening Vadi/Samvadi : R, P Jati : Audav-Sampurna Vakra Mood : Bhakti (Devotion), Shant (Serene, Peaceful), Shringar (Romantic) Tone material''':''' S R G m M P D N {| class="wikitable" !Thaat !Kalyan |- |Vaadi/Samvaadi |R/P |- |Pr...') Tag: Visual edit
• 17:24, 17 January 2022 B Bandyopadhyay talk contribs created page Draft:Maru bihag (←Created page with '{{subst:AfC submission/draftnew}}<!-- Important, do not remove this line before article has been created. --> '''Raga Maru Bihag''' is one of the modern raga in the Hindustani Classical Music. It developed from raga Bihag. Maru Bihag is often referred as a variant of raga Bihag which uses only the Teevra Madhyam rather than using both the Madhyams i.e. Shuddha & Teevra in raga Bihag. But one of the phrase may contain Shuddha Madhyam, Sa Ma (Shuddha...') Tag: Visual edit
• 17:08, 17 January 2022 B Bandyopadhyay talk contribs created page User:B Bandyopadhyay/sandbox (←Created page with 'This is a modern rag and can be considered as a variety of rag Bihag. Tone material: S R G m M P D N The sharp Ma, which is dominant in this rag, is emphasised in ascent as well as in descent. On the other hand, the natural Ma is used sparingly in the ascending manner, only as in S /m G. Ga and Ni are important notes while Pa is a resting note. Some characteristic phrases are: S- GMP M P- M G – RS R S NS The composition presented here includes natura...')
• 16:54, 17 January 2022 User account B Bandyopadhyay talk contribs was created