Antlers (2021 film)

Antlers
Theatrical release poster
Directed by	Scott Cooper
Screenplay by	C. Henry Chaisson Nick Antosca Scott Cooper
Based on	"The Quiet Boy" by Nick Antosca
Produced by	Guillermo del Toro David S. Goyer J. Miles Dale
Starring	Keri Russell Jesse Plemons Jeremy T. Thomas Graham Greene Scott Haze Rory Cochrane Amy Madigan
Cinematography	Florian Hoffmeister
Edited by	Dylan Tichenor
Music by	Javier Navarrete
Production companies	TSG Entertainment Phantom Four Films Double Dare You
Distributed by	Searchlight Pictures
Release dates	October 11, 2021 (2021-10-11) (Beyond Fest) October 29, 2021 (2021-10-29) (United States)
Running time	99 minutes
Countries	United States Mexico Canada
Language	English
Box office	$18.9 million

Antlers is a 2021 supernatural horror film directed and co-written by Scott Cooper, and starring Keri Russell, Jesse Plemons, Jeremy T. Thomas, Graham Greene, Scott Haze, Rory Cochrane, and Amy Madigan. The screenplay was adapted from Nick Antosca's short story "The Quiet Boy". The film follows a school teacher who suspects one of her students is suffering from personal problems in his home life, not knowing that he is harboring an evil demon in his house.

The project was announced in July 2018 with Cooper attached to direct, and the cast joining the next month. Filming took place in British Columbia in October and November 2018.

Antlers premiered at Beyond Fest on October 11, 2021, and was theatrically released in the United States on October 29, 2021, by Searchlight Pictures, after being delayed twice from an April 2020 release date due to the COVID-19 pandemic. The film received mixed reviews from critics, who praised the cinematography, acting and the horror elements, but criticized the screenplay.

In the small town of Cispus Falls in central Oregon, Frank Weaver runs a meth lab out of an inactive mine. While his seven-year-old son Aiden waits outside in his truck, Frank and an accomplice are attacked by an unseen creature.

Three weeks later, twelve-year-old Lucas Weaver, Frank's eldest son and Aiden's older brother, spends his time roaming the town, collecting roadkill and killing small animals before taking them home. Lucas's teacher, Julia Meadows, is alarmed by his strange behavior and frightening drawings, and attempts to bond with the troubled boy. She begins to suspect that Lucas is being abused and becomes determined to help him, spurred by her own experience of childhood abuse at the hands of her mentally ill alcoholic father. Since her father's recent suicide, she returned to Cispus Falls to be with her brother Paul, who is the local sheriff, and whom she feels guilty about abandoning when she was younger. Julia visits Lucas' rundown home and hears strange sounds.

A flashback shows Frank survived the attack, and set up a locked room in the attic after returning home with Aiden, who was also attacked, demanding that Lucas should keep them locked inside no matter what. Lucas is feeding his sickly, and now-ravenously feral father and brother with the animal carcasses he retrieves.

Half of the remains of Frank's accomplice are found in the woods by former sheriff Warren Stokes. Paul and Warren later discover the other part of Frank's accomplice in the mine along with a part of an antler. Meanwhile, Julia pressures the school principal Ellen into paying Frank a visit. Ellen discovers the room where Frank and Aiden are locked up, which she unlocks and enters. Frank kills Ellen before antlers burst out of his body. Frank, now transformed into a savage antlered creature, kills Lucas' school bully Clint Owens when Lucas is harassed by the boy.

Ellen is reported missing and Julia visits the Weaver house, where she finds Ellen's car. The police arrive and discover Ellen's body along with Frank's, which is now a charred husk. Aiden is nowhere to be found. When Lucas returns home, he is taken to the hospital, where Julia and Paul are told he is severely malnourished, dehydrated, and shows physical signs of having been abused for some time. Julia decides to let Lucas stay with her.

The next day, while Lucas recovers in the hospital, Julia and Paul pay Warren a visit and show him Lucas' drawings. Warren identifies the figure as the wendigo, a legendary Algonquin demon that appears as a ravenous, cannibalistic deer-like monster that passes from person to person. It can only be killed when it is weakest: as it is feeding and to extinguish its beating heart. Clint's body is discovered that night. Lucas is discharged and learns that Frank is dead. He tells Julia that Frank is coming for him, to take him down to the mine to be with Aiden.

The transformed Frank uses Aiden to lure Paul's deputy sheriff Dan out and kill him. Julia and Lucas hide while Paul is badly wounded. Lucas escapes to the mine and Julia and Paul follow, armed with a pistol. Inside, Julia discovers Lucas and Aiden, and sees that Frank has indeed become a demon, currently feasting on a dead black bear. After a fight, she kills the wendigo-possessed Frank with Lucas' help. The wendigo spirit passes into Aiden and Julia stabs Aiden to death, seemingly ending the curse.

Sometime later, Paul and Julia discuss keeping Lucas with them for a while despite concerns he may become possessed as well. As Julia and Lucas leave, Paul begins to cough up a black bile, as Frank did when he was first possessed by the demon.

In addition, Sawyer Jones portrays Aiden Weaver and Dorian Kingi portrays the wendigo.

In July 2018, it was announced that Guillermo del Toro would produce Antlers.^[1] The screenplay was adapted from Nick Antosca's short story "The Quiet Boy", which was not published until January 2019, in Guernica magazine.^[2]

The initial announcement included Scott Cooper as director, with Keri Russell in negotiations to star, and filming set to begin in Vancouver, British Columbia, by the fourth quarter of 2018.^[1] In August 2018, Jesse Plemons joined the cast.^[3] In October 2018, Jeremy T. Thomas, Graham Greene, Amy Madigan, Scott Haze, and Rory Cochrane joined the cast.^[4][5]

In August 2018, it was confirmed that principal photography would begin on October 1, 2018, and finish on November 30, 2018.^[6][7] Exterior scenes were filmed in November 2018 in the town of Hope, British Columbia, 100 kilometres (62 mi) inland of the Greater Vancouver region, standing in for the Oregon town of the film, with other scenes filmed in Greater Vancouver's Port Moody, Langley, Squamish and Alouette Lake.^[8]

The Canada–US–Mexico co-production^[8][9] premiered at Beyond Fest in Los Angeles on October 11, 2021.^[10] It was theatrically released in the United States on October 29, 2021.^[11]

The film was originally scheduled to be released on April 17, 2020,^[12] but was removed from the release calendar due to the COVID-19 pandemic.^[13] It was rescheduled to February 19, 2021, before being removed from the release calendar again.^[14][15]

Antlers was released on digital download on December 21, 2021. This was followed by a Blu-ray and DVD release on January 4, 2022, by Walt Disney Studios Home Entertainment.^[16]

Antlers grossed $10.6 million in the United States and Canada, and $8.2 million in other territories, for a worldwide total of $18.9 million.^[17][18]

In the United States and Canada, Antlers was released in 2,800 theaters for its opening weekend, alongside the wide release of Last Night in Soho and wide expansion of The French Dispatch.^[19] It debuted with a domestic weekend total of $4.3 million, finishing sixth at the box office.^[18] In its second weekend, the film dropped 54% to $2 million; it remained in the top ten for its first three weeks.^[18]

On the review aggregator website Rotten Tomatoes, 60% of 178 critics' reviews are positive, with an average rating of 6/10. The website's critics consensus reads: "It struggles to find a successful balance between its genre and allegorical elements, but Antlers is sharp enough to recommend as a richly atmospheric creature feature."^[20] On Metacritic, the film has a weighted average score of 57 out of 100 based on 33 critical reviews, indicating "mixed or average reviews".^[21]

Todd Gilchrist of TheWrap gave the film a mostly positive review, calling it "a handsome, meticulous, yet overly serious entry in a horror sub-genre explored too infrequently; Guillermo del Toro was right to choose Cooper, but what the film needs is more of del Toro's own exuberance to truly bring it to life."^[22] Linda Marric of The Jewish Chronicle gave the film a score of 3/5 stars, writing: "Antlers is both dark in tone and aesthetically stunning to look at. Cooper does a fantastic job in creating a suitably dark and disturbing atmosphere to go with the film's decidedly dark body horror narrative", but added that it "eventually leans a little too heavily on jarringly obvious allegories about drug addiction and child abuse, losing all the things it had built on in the process".^[23] Jake Wilson of The Age gave the film 3/5 stars, describing it as "murky but interesting" and writing that it "is a lot less goofy than you'd expect from a horror movie called Antlers, certainly less goofy than it would have been if its producer Guillermo del Toro had directed it himself".^[24] John DeFore of The Hollywood Reporter wrote that the film was "thoroughly successful both as icky art house horror and as an allegory of generational trauma" and praised Jeremy T. Thomas' performance.^[25] Brian Lowry of CNN wrote: "The net effect isn't necessarily bad assuming that expectations are modest, and there's something to be said for a more understated, small-scale approach to horror that doesn't confuse body count with scares."^[26]

Eric Eisenberg of CinemaBlend gave the film a 2.5/5 star rating, saying in a mixed review: "Given its promise and everything it does right, Antlers winds up being a frustrating experience."^[27] Meagan Navarro, writing for Bloody Disgusting, also gave the film 2.5/5 stars and said that Cooper takes it too seriously, putting the emotional trauma at the forefront and saving the horror for the finale. She labelled the film a "monologue".^[28] Kevin Maher of The Times gave the film 2/5 stars, writing: "A sterling performance from Keri Russell is wasted on this po-faced yet inherently silly horror film about a mutant killer humanoid stag monster."^[29] Benjamin Lee of The Guardian also gave the film 2/5 stars, writing: "There's probably a semi-decent creature feature here and maybe, with a hefty amount of redrafting, a semi-decent human drama but as it stands it fails at both, a satisfying, coherent film buried underneath copious amounts of animal guts."^[30] Clarisse Loughrey of The Independent gave the film 2/5 stars, writing: "There are measured performances here by both Russell and Plemons, two unfailingly talented actors, and a host of well-crafted practical effects... But all the trickery in the world can't conceal how inauthentic Antlers feels at heart."^[31] Barry Hertz of The Globe and Mail wrote: "Antlers is a gross film... But the film's eeeeeghghgh quality isn't limited to its on-screen viscera – Antler's gross-ness extends to its screenplay's slop-bucket collection of overused but underdeveloped themes, and a visual style that cough-gurgles poverty-porn fetishism."^[32] Anna Bogutskaya said on BBC Radio 5 Live: "It's really egregious, I think, how it just pulls out First Nations mythologies, like the mythology of the Wendigo, and the only First Nations actor that they cast in the film, Graham Greene, basically just delivers a bunch of spooky exposition and then disappears."^[33]

• Official website
• Antlers at IMDb 
• Antlers at AllMovie