Theodore Roszak (May 1, 1907 – September 2, 1981) was a Polish-American sculptor and painter. He was born in Posen, Prussia (German Empire), now Poznań, Poland, as a son of Polish parents, and emigrated to the United States at the age of two.[2] From 1925 to 1926 he studied at the School of the Art Institute of Chicago, In 1930 he won the Logan Medal of the Arts, then moved to New York City to take classes at the National Academy of Design with George Luks and at Columbia University, where he studied logic and philosophy.
Theodore Roszak | |
|---|---|
 Invocation I, steel of 1947, at the Hirshhorn Museum and Sculpture Garden | |
| Born | 1 May 1907 |
| Died | 2 September 1981 (aged 74) |
| Nationality | American |
| Education | School of the Art Institute of Chicago[2] National Academy of Design[2] Columbia University |
| Known for | Painting, Sculpture |
Roszak established a studio in New York City in 1932 and worked as an artist for the Works Progress Administration during the depression before going back to Chicago to teach at the Art Institute. He taught at Sarah Lawrence College throughout the 1940s and 1950s and at Columbia University from 1970 to 1973. He was a participating artist at the documenta II in Kassel 1959 and at the Venice Biennale in 1960.[3] Roszak's sculpture, at first closer to Constructivism and displaying an industrial aesthetic, changed after around 1946 to a more expressionistic style.
Roszak was affiliated [how?] with the Skowhegan School of Painting and Sculpture, the National Institute of Arts and Letters, the American Academy in Rome, and the National Academy of Design. He served on the U.S. Commission of Fine Arts from 1963 to 1969.[4] He received the Logan Medal of the Arts (1930), a Tiffany Foundation Fellowship (1931), and the Eisendrath Award of the Art Institute of Chicago (1934). Roszak was also an accomplished violinist, and liked to use musical references in his artworks. Roszak died in New York City, where he lived.
Roszak sculpted the 35-foot (11 m) gilded aluminum eagle on the pediment of the former US Embassy in Grosvenor Square, London.[5]
References
edit- ^ "Theodore Roszak (1907 — 1981)". Michael Rosenfeld Gallery. Archived from the original on 26 November 2010. Retrieved 1 May 2010.
- ^ a b c "Girl at the Piano: Recording Sound". Indianapolis Museum of Art. Retrieved 1 May 2010.
- ^ Baltimore Museum of Art, Philip Guston, Hans Hofmann, Franz Kline, and Theodore Roszak. Quattro artisti americani: Guston, Hofmann, Kline, Roszak : XXX Biennale, Venezia 1960, Stati Uniti d'America : mostra a cura del Baltimore Museum of Art, in collaborazione con The International Council of The Museum of Modern Art, New York. Washington, D.C.: Printed for the Baltimore Museum of Art by the H.K. Press, 1960.
- ^ Thomas E. Luebke, ed., Civic Art: A Centennial History of the U.S. Commission of Fine Arts (Washington, D.C.: U.S. Commission of Fine Arts, 2013): Appendix B, p. 554.
- ^ "The American Embassy London Chancery Building". US Embassy and Consulates in the United Kingdom. 30 January 2015. Retrieved 21 January 2017.
Further reading
edit- Dreishpoon, Douglas (1989). Theodore Roszak: paintings and drawings from the thirties. Hirschl & Adler Galleries. ISBN 0-915057-25-5.
- Dreishpoon, Douglas (1992). Theodore Roszak: Constructivist works, 1931-1947 : paintings, constructions, drawings, photograms. Hirschl & Adler Galleries. ISBN 0-915057-44-1.
External links
edit- Biography by Douglas Dreishpoon, Chief Curator, Albright-Knox Art Gallery
- Theodore Roszak papers at the Getty Research Institute