This article needs additional citations for verification. (September 2024) |
Ike Abrams Quebec (August 17, 1918 – January 16, 1963) was an American jazz tenor saxophonist.[1] He began his career in the big band era of the 1940s, then fell from prominence for a time until launching a comeback in the years before his death.[2]
Ike Quebec | |
---|---|
Background information | |
Born | Newark, New Jersey, United States | August 17, 1918
Died | January 16, 1963 New York City, United States | (aged 44)
Genres | Swing, hard bop, soul jazz |
Instrument(s) | Tenor saxophone, piano |
Years active | 1940–1962 |
Labels | Blue Note |
Critic Alex Henderson wrote, "Though he was never an innovator, Quebec had a big, breathy sound that was distinctive and easily recognizable, and he was quite consistent when it came to down-home blues, sexy ballads, and up-tempo aggression."[3]
Biography
editQuebec was born in Newark, New Jersey, United States.[1] An accomplished dancer and pianist, he switched to tenor sax as his primary instrument in his early twenties, and quickly earned a reputation as a promising player.[4] His performance career started in 1940, with the Barons of Rhythm.[5] Not to be confused with the Count Basie Orchestra band of the same name, the Barons disbanded in 1941 when the USA entered the war and were never recorded.[4]
Quebec later recorded or performed with Frankie Newton, Hot Lips Page, Roy Eldridge,[6] Trummy Young, Ella Fitzgerald, Benny Carter and Coleman Hawkins.[1] Between 1944 and 1951, he worked intermittently with Cab Calloway.[1] He began to record for the Blue Note label in the mid-1940s, becoming the label's biggest jukebox star during this time,[7] picking up national hits with 'Blue Harlem' and 'If I Had You'.[8] During this time Quebec also served as a talent scout for Blue Note, helping to bring Dexter Gordon, Thelonious Monk and Bud Powell to wider attention.[9]
Due in part to struggles with heroin addiction, for which he served two short sentences at Rikers Island Prison,[4] Quebec recorded only sporadically during the 1950s.[10] However, he still performed regularly[1] and remained abreast of new developments in jazz, with his later playing incorporating elements of hard bop,[11] bossa nova,[12] and soul jazz.[13]
In 1959 Quebec mounted a comeback with a series of albums on the Blue Note label.[4][14] Blue Note executive Alfred Lion was always fond of Quebec's music, but was unsure how audiences would respond to the saxophonist after a decade of low visibility. In the mid-to-late 1950s, Blue Note therefore issued a series of Quebec singles for the juke box market;[15] audiences responded well, leading to a number of warmly-received albums.[4] Quebec occasionally recorded on piano, as on his 1961 Blue & Sentimental album, where he alternated between tenor and piano, playing the latter behind Grant Green's guitar solos.[11]
Quebec's comeback was short-lived. He died penniless in January 1963,[16] at the age of 44, from lung cancer.[1] Quebec's legacy was later commemorated by Blue Note, which gifted a commemorative tombstone to Woodland Cemetery (Newark, New Jersey) for Quebec's grave in 1992.[16]
Family
editQuebec's cousin Danny Quebec West was an alto saxophonist who, at the age of 17, recorded with Thelonious Monk on his first session for Blue Note in 1947.[17]
Discography
editAs leader
edit- Ike Quebec Tenor Sax (Blue Note, 1945)
- From Hackensack to Englewood Cliffs (Blue Note, 1959 [rel. 2000])
- The Complete Blue Note 45 Sessions (Blue Note, 1959–1962 [rel. 2005]) 2-CD set; originally released on Mosaic Records in 1988; also contains 8 of the 10 tracks on From Hackensack to Englewood Cliffs.
- Heavy Soul (Blue Note 84093, 1961 [rel. 1962])
- It Might as Well Be Spring (Blue Note 84105, 1961 [rel. 1964])
- Blue & Sentimental (Blue Note 84098, 1961 [rel. 1963])
- Easy Living (Blue Note 84103 (LP), 1962; 46846 (CD), 1987) the CD issue contains all 5 "sextet" tracks that were first released on Congo Lament.
- Soul Samba (Blue Note 84114, 1962 [rel. 1963])
- With a Song in My Heart (Blue Note LT-1052 (LP), 1962 [rel. 1980]) collects 9 tracks that later appeared on The Complete Blue Note 45 Sessions.
- Congo Lament (Blue Note LT-1089 (LP), 1962 [rel. 1981]) sextet recordings with Bennie Green, Stanley Turrentine.
- The Art of Ike Quebec (Blue Note 99178 (CD), 1992) compilation
- Ballads (Blue Note 56690 (CD), 1997) compilation of 9 tracks from Easy Living, Born To Be Blue (Grant Green album), Heavy Soul, It Might As Well Be Spring, The Complete Blue Note 45 Sessions, With A Song In My Heart.
As sideman
editwith Cab Calloway And His Orchestra
- Live At The New Cafe Zanzibar 1944 (Magnetic Records)
with Sonny Clark
- Leapin' and Lopin' (Blue Note, 1961) - on one track only
with Grant Green
- Born to Be Blue (Blue Note, 1962 [rel. 1985])
- The Latin Bit (Blue Note, 1962) - on two CD bonus tracks
with Dodo Greene
- My Hour of Need (Blue Note, 1962 [rel. 1963])
With Jimmy Smith
- Open House (Blue Note, 1960)
- Plain Talk (Blue Note, 1960)
References
edit- ^ a b c d e f Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 986. ISBN 1-85227-745-9.
- ^ May, Chris (2008). "Ike Quebec: Blue & Sentimental". AllAboutJazz. No. April 12. All About Jazz & Jazz Near You. Retrieved 12 September 2024.
- ^ "Ike Quebec | Biography & History". AllMusic. Retrieved October 3, 2019.
- ^ a b c d e Jack, Gordon (2021). "Ike Quebec: saying it with sound". Jazz Journal. No. 06 February. Jazz Journal. Retrieved 19 September 2024.
- ^ Bowden, Marshall (2019). "Ike Quebec : The Forgotten Tenor". New Directions in Music. No. 31 January. Blogus. Retrieved 19 September 2024.
- ^ "Tom Archia Discography". Campber.people.clemson.edu. Retrieved October 3, 2019.
- ^ May, Chris (2006). "Ike Quebec: It Might As Well Be Spring". AllAboutJazz. No. September 1. All About Jazz & Jazz Near You. Retrieved 12 September 2024.
- ^ "Sidemen Deaths Hit Jazz World". Billboard. No. 7 (February 16). P-MRC. 1963. Retrieved 17 September 2024.
- ^ White, John (2019). "Ike Quebec: Four Classic Albums". Jazz Journal. No. 13 March. Jazz Journal. Retrieved 12 September 2024.
- ^ Porter, Lewis (1986). "The Complete Blue Note Forties Ike Quebec and John Hardee". The Black Perspective in Music. 14 (3): 319–321. doi:10.2307/1215078. Retrieved 12 September 2024.
- ^ a b Jazz, All About (2008-04-12). "Ike Quebec: Blue & Sentimental album review @ All About Jazz". All About Jazz. Retrieved 2023-12-31.
- ^ May, Chris (2007). "Ike Quebec: Bossa Nova Soul Samba". AllAboutJazz. No. October 4. All About Jazz & Jazz Near You. Retrieved 17 September 2024.
- ^ May, Chris (2005). "Ike Quebec: The Complete Blue Note 45 Sessions". AllAboutJazz. No. October 19. All About Jazz & Jazz Near You. Retrieved 19 September 2024.
- ^ Nadal, James. "Ike Quebec". AllAboutJazz. All About Jazz & Jazz Near You. Retrieved 24 September 2024.
- ^ "Ike Quebec began his comeback somewhat cautiously". JazzBluesNews. No. August 17. 2018. Retrieved 24 September 2024.
- ^ a b Levenson, Jeff (1992). "Jazz Blue Notes". Billboard. No. January 11. P-MRC. Retrieved 19 September 2024.
- ^ Kelley, Robin D. G. (2010). Thelonious Monk: the Life and Times of an American Original. London: JR Books. p. 126. ISBN 978-1439190463.