Death's Hand in Mine

Lilia Calderu is falling through a black void.

Agatha Harkness and Billy Maximoff continue on the Witches' Road. Unable to read her mind, Billy questions Agatha about the death of Wanda Maximoff, and grows suspicious about whether Agatha has ever been to the Road like she claims to have.

Upon coming across and entering a castle, the two are garbed as the Wicked Witch of the West and Maleficent, respectively, and are presented with the next trial: a tarot reading table. Billy attempts to read for Agatha, but each time he draws the wrong card, a sword falls from the ceiling. Agatha seizes the deck and draws cards at random, placing them on the table while allowing the swords to fall, convinced the supply will eventually run out. To their shock, the ceiling starts to lower instead.

Lilia and Jennifer Kale navigate through a tunnel beneath the Road, following a path that Jen insists Lilia suggested. Despite Lilia's lack of memory about it, Jen confidently recounts all that she claims to have learned from her minutes ago. As they converse, Lilia's mind shifts through various points in time, one of them being her first childhood lesson in divination with her maestra. It is revealed that Lilia has been experiencing her life out of chronological order, explaining her memory lapses and precognitive abilities. During her childhood, she lost her first coven to a fever despite having foreseen it, eventually losing confidence in her powers and living a secluded life ever since. Back in the present, Lilia explains to Jen her nonlinear perception of time and that it is getting more intense, possibly due to her being near the end.

Lilia flashes forward to the castle with Billy, Agatha, and Jen—dressed as Glinda and the hag version of the Evil Queen, respectively. She admits that she was the one who cast the sigil on Billy to give him time to discover his identity. As she starts the tarot reading for Billy who wants to know whether he is William Kaplan or Billy Maximoff, the swords keep falling down around them. During flashes to the divination lesson, her maestra encourages Lilia to give in and believe the purpose of her abilities, and asks what Lilia intends to do with her remaining time.

Finding herself at the beginning of their journey in the tunnels with Jen, Lilia tells her all the information Jen would—chronologically later—claim to know from her. They evade the Salem Seven and, determined to continue through the tunnel, Lilia asks Jen to remain by her side. In a flash of insight, Lilia realizes the nature of the trial and shifts back to the castle, understanding that she needs to read the cards for herself. During the reading, another shift through time reveals that Rio Vidal is the personification of Death, who foretells that her time is coming.

Lilia places the cards in their proper order, each card having ties to the coven members and their journey of the Road. With the reading complete, Lilia passes the trial, and an iron maiden opens as an exit. Prompting everyone to flee through it, Lilia passes a warning to Agatha, returns Billy's spellbook she had found in the tunnels, and encourages Jen to go ahead, shutting the iron maiden and staying behind despite Jen's pleas. As the Salem Seven approach, Lilia inverts the Tower card from her reading, turning the room upside-down and impaling the Seven on the swords in the ceiling. While holding on the reading table at first, she eventually lets go and falls as well.

In the last scene, a young Lilia gleefully joins her maestra for her first lesson in divination.

In May 2021, Jac Schaeffer, the head writer of WandaVision, signed a three-year overall television deal with Marvel Studios and 20th Television to create new projects for their Disney+ lineup.^[1] In pitches for several different projects focused on various characters, Schaeffer consistently suggested including WandaVision character Agatha Harkness, a powerful witch from Marvel Comics, as part of those series.^[2] This led to her and Marvel Studios president Kevin Feige pursuing a series centered on that character instead.^[2] By October 2021, a "dark comedy" spin-off from WandaVision centered on Kathryn Hahn as Agatha was in early development for Disney+ from Marvel Studios,^[3] with Schaeffer returning as head writer and executive producer.^[3][4]

During a Disney+ Day event in November 2021, the series was officially announced,^[4] with Schaeffer revealed to be directing episodes of the series a year later.^[5] By October 2023, Marvel Studios was changing its approach to television, hiring more traditional showrunners instead of head writers.^[6] Schaeffer was being credited as the series' showrunner by July 2024.^[7] Marvel Studios' Feige, Louis D'Esposito, Winderbaum, and Mary Livanos served as executive producers.^[7] Released under Marvel Studios' Marvel Television label,^[8] Agatha All Along was later announced to be second in a trilogy of series that includes WandaVision and Vision Quest (2026).^[9]

According to Schaeffer, it was an early idea to create an episode of Agatha All Along which would be told non-linearly, drawing inspiration from various films and television series such as Memento (2000), Lost (2004–2010), Arrival (2016), and Everything Everywhere All at Once (2022).^[10] Recognizing that its subject matter would make the episode difficult to write, she chose two writers for the episode, including WandaVision screenwriter Cameron Squires and writer's assistant Gia King, whom she praised as a "gangbusters team."^[10] With Lilia Calderu, the episode's central character, envisioned as a fortune teller capable of slipping in and out of different points within her own lifetime,^[11] Squires and King were tasked with sprinkling bread crumbs in earlier episodes aside from outlining "Death's Hand in Mine."^[11] Schaeffer would call these seemingly blurted out non sequiturs "Lilia's bops."^[11] They pair wrote pieces separately along a linear timeline, which were subsequently combined and expanded upon in the writers' room.^[11]

The episode stars Kathryn Hahn as Agatha Harkness, Joe Locke as Billy Maximoff, Patti LuPone as Lilia Calderu, Sasheer Zamata as Jennifer Kale, Aubrey Plaza as Rio Vidal, and Ali Ahn as Alice Wu-Gulliver.^[12] Among all main cast members, LuPone was the last to be cast in December 2022.^[13] Miriam Margolyes had previously turned down her role because she did not want to film in Georgia.^[14] Chloe Camp appears in a supporting role as a younger version of Lilia Calderu, while Laura Boccaletti portrays Lilia's Maestra in several flashback sequences.^[12] The Salem Seven are played by actresses Okwui Okpokwasili, Chau Naumova, Bethany Curry, Athena Perample, Alicia Vela-Bailey, Britta Grant, and Marina Mazepa.^[12]

While Agatha All Along creator and showrunner Jac Schaeffer was always set to helm "Seekest Thou the Road" and "Circle Sewn with Fate / Unlock Thy Hidden Gate," the first two episodes of the series,^[11] the show was already well into pre-production, when a scheduling issue opened up the director's chair for "Death's Hand in Mine."^[11] With a script that held deep personal significance for her, Schaeffer—initially intending to focus solely on the show's proper table-setting—ultimately chose to take on the directorial role.^[10] Schaeffer, who called "Death's Hand in Mine" a "nearly impossible episode to put together,"^[10] later noted that associate producer Ishi Metkar served as her "second brain" on set.^[10] Metkar was responsible for documenting where all the transitions would occur and became instrumental in filming the flashback scenes used in the episode.^[10]

LuPone asked for a script in correct order so she could understand what she was doing while shooting her non-linear scenes in linear order.^[11] Filming Lilia's bops, where the character delivers fragments of a sentence to be connected later, required Schaeffer to step in to direct just the bop moment she needed for "Death's Hand in Mine" during the shooting of earlier episodes,^[11] necessitating the crew to pause the setup to place a light behind LuPone and adjust a specific lens.^[11] Lilia's fall from the tower, depicted in two distinct scenes at the beginning and close to the ending of the episode, were shot back to back and in slow motion, with LuPone hanging on wires.^[10] They were one of the rare blue screen shots that the crew used in the show.^[10] The swords that hang from the ceiling during the tarot trial were real, but they were also suspended by wires.^[10] Schaeffer and her team developed a "sword map" and had to decide where every sword would fall down before the actors got into the space for rehearsal.^[10]

On October 25, 2024, Disney revealed that "Death's Hand in Mine" drove 4.2 million views globally after just one day of streaming, up 35% from the performance of the miniseries' premiere episode "Seekest Thou the Road."^[15]

The review aggregator website Rotten Tomatoes reported a 100% approval rating based on eleven reviews. The site's critical consensus reads, "Agatha All Along finds its magical witching hour in a spellbinding episode that casts Patti LuPone as its emotionally striking linchpin."^[16]

MSN critic Allyson Johnson called the episode "not just the best episode of the series to date but one of the best episodes of Marvel's television slate, period. Bridging past, present, and future together to reckon with the inevitability of time, "Death's Hand In Mine" is lucky enough to grant Patti LuPone the stage." While Johnson was critical with "some design and prop elements" used in the episode, she noted that "there's an abundance of confidence in the writing and the flow of time that makes for a startlingly emotional episode. We care about Lilia and her love for being a witch. We care about the idea of her being alone for so long. Even as we merely piece together the remnants of her stories, they form a complete and complicated picture."^[17] Writing for Forbes, Erik Kain remarked that Agatha All Along "just went from good to great in episode seven," calling it "best episode of the bunch." He felt that "Jac Schaeffer, who also directed this episode, has done something really remarkable, tying up a lot of loose ends and weird moments from earlier in the series in a tremendously satisfying way as we enter the final act" of the series.^[18]

IGN's Eric Goldman rated the episode 8 out of 10 and called it a "fitting send off for Lilia, who got a great spotlight here that allowed Patti LuPone to shine." He felt that "Death's Hand in Mine" did a "much better job than the fourth [episode "If I Can't Reach You / Let My Song Teach You"] did with Alice, during her trial, of investing us in Lilia on a deeper level. It managed to deftly feel both like a standalone anthology-type episode all about her, while also giving us a major reveal on another character."^[19] Jen Lennon, writing for The A.V. Club, found that Agatha All Along was "finally striking the right balance" with "Death's Hand in Mine." She remarked that "the nonlinear structure cleverly jumps back and forth between the present and the past—sometimes centuries ago, sometimes just a few moments ago—to give Lilia the best sendoff we've seen so far on this show."^[20] The Daily Beast's Kevin Fallon found that the episode was "superb" and described it as "a tour de force for Patti LuPone," calling her portrayal the "most impressive" and "best performance we'd get in a MCU television series."^[21] Alan Sepinwall, writing for Rolling Stone found that "Death's Hand in Mine" was "both a terrific showcase for the great star of stage and screen and an excellent example of using sci-fi/fantasy to tell a nonlinear story."^[22]

Vulture's Caroline Framke called the episode an "incredibly ambitious chapter [that] manages to both incorporate that and unravel a completely different but no less personal story spanning centuries of fear and hurt." She further noted: "Getting to finally see both LuPone and Lilia in their elements is a thrill that makes the episode's final twist of the knife even more effective. LuPone grabs the opportunity to highlight Lilia's with both hands here [...] and she never so much as sings a note—an unexpected move from an otherwise very musical show, but one that pays off, because her acting is just as nuanced and bold as her voice."^[23] Valerie Anne from Autostraddle remarked that "the way this episode revealed what all of Lilia's outbursts meant, and also the shots of the witches from previous episodes in what would be the positions for their tarot card, and Patti Lupone’s performance—perfect storytelling, stunning acting, beautiful visuals."^[24] Writing for GamesRadar+, Amy West felt that "Death's Hand in Mine" was not "just stunning from a narrative perspective, but visually too. All the slow-motion, high-contrasted light, and ornate sets adds to all the drama, and ramps up the emotional stakes. Heartbreaking and heartwarming in equal measure, "Death's Hand in Mine" is one of the best episodes of the WandaVision spin-off yet."^[25]

• "Death's Hand in Mine" at IMDb