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I rock woman/woman beats drum installation

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PDC '14: Proceedings of the 13th Participatory Design Conference: Short Papers, Industry Cases, Workshop Descriptions, Doctoral Consortium papers, and Keynote abstracts - Volume 2

Pages 151 - 152

https://doi.org/10.1145/2662155.2662215

Published: 06 October 2014 Publication History

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Abstract

We propose an art installation that brings together different mediums, an installation that focuses art as a necessary and vital point for social change. The installation will bring together live action performances along with filmed images, as well as involving audience interaction. Ultimately, it will be tackling the issue of gender based violence, using art in a cohesive and illuminating manner. A key element in our session is the use of space as a medium of performance in a manner that does not cause division between the art piece and its audience.

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Ndjibu RGoagoses NWinschiers-Theophilus HPeters ANamhunya F(2018)A Cultured Interactive Installation to Probe Gender-Based Violence in Namibia: The Tales of Nali Technology HutDigitisation of Culture: Namibian and International Perspectives10.1007/978-981-10-7697-8_15(247-268)Online publication date: 10-May-2018
https://doi.org/10.1007/978-981-10-7697-8_15
Fernando KFernandu TKapembe SIsay KHoffeni J(2018)A Contemporary Expression of the Namibian San Communities’ Past and Present Sufferings Staged as an Interactive Digital Life PerformanceDigitisation of Culture: Namibian and International Perspectives10.1007/978-981-10-7697-8_13(205-221)Online publication date: 10-May-2018
https://doi.org/10.1007/978-981-10-7697-8_13

Index Terms

I rock woman/woman beats drum installation
1. Human-centered computing

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PDC '14: Proceedings of the 13th Participatory Design Conference: Short Papers, Industry Cases, Workshop Descriptions, Doctoral Consortium papers, and Keynote abstracts - Volume 2

October 2014

278 pages

ISBN:9781450332149

DOI:10.1145/2662155

General Chairs:
Heike Winschiers-Theophilus
Windhoek, Polytechnic of Namibia, Namibia
,
Vincenzo D'Andrea
University of Trento, Italy
,
Program Chair:
Ole Sejer Iversen
Aarhus University, Denmark

Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 06 October 2014

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PDC '14

PDC '14: Participatory Design Conference

October 6 - 10, 2014

Windhoek, Namibia

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Overall Acceptance Rate 49 of 289 submissions, 17%

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Ndjibu RGoagoses NWinschiers-Theophilus HPeters ANamhunya F(2018)A Cultured Interactive Installation to Probe Gender-Based Violence in Namibia: The Tales of Nali Technology HutDigitisation of Culture: Namibian and International Perspectives10.1007/978-981-10-7697-8_15(247-268)Online publication date: 10-May-2018
https://doi.org/10.1007/978-981-10-7697-8_15
Fernando KFernandu TKapembe SIsay KHoffeni J(2018)A Contemporary Expression of the Namibian San Communities’ Past and Present Sufferings Staged as an Interactive Digital Life PerformanceDigitisation of Culture: Namibian and International Perspectives10.1007/978-981-10-7697-8_13(205-221)Online publication date: 10-May-2018
https://doi.org/10.1007/978-981-10-7697-8_13

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HoloARt: Painting with Holograms in Mixed Reality

The Art.CHI Gallery: An Embodied Iterative Curation Experience

Technology education for woman by d.i.y. technology in closing gender gap