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User:Gobonobo

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... what would Diderot do?

Hi! I'm gobonobo. I've been a Wikipedia editor since before hashtags. I survived 100 wikidays, have written around 1000 articles, and have made over 100,000 edits to the English Wikipedia and Wikidata. I patrol recent changes, review draft articles, revert vandalism, and monitor social media for errors that have slipped through the cracks. I sometimes contribute to the did you know... section on the main page and have uploaded oodles of images both here and on Commons.

As an editor, I focus on a wide variety of content and try to address systemic bias, especially in regards to gender, racial and geographic biases. I am a member of several WikiProjects, support GLAM initiatives, and have volunteered with Art+Feminism and participated in Black Lunch Table events. I've organized edit-a-thons and led editing workshops at the Loft, Mia, the American Craft Council, St. Kate's, Hamline, and the U of M.

About me

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I hail from Minnesota where I learned how to be nice and ride tall bikes. While my username refers to the most enlightened of the great apes, I am actually a night owl who enjoys rabbit holes. I use Linux and support the free and open-source software movement. I have a background in the cooperative movement and consensus decision-making. I'm a C-SPAN junkie and enjoy listening to Wikipedia, time-travel romance, and long bicycle rides where I can snap photos for Wikishootme.

I made my first edit to Wikipedia in 2006 and my early focus centered on different types of cooperatives. Early on I was an online ambassador, working with university classes (before Wiki Ed) and worked briefly with the volunteer response team. I later became involved in efforts to address the gender gap. I no longer maintain my gender gap red list, as the Women in Red lists are far more comprehensive. I was privileged to be a part of the group that organized an edit-a-thon at the Minneapolis Central Library where the Guerrilla Girls were guests of honor and to be among the Wikimedians who convinced the Minnesota Historical Society to license their MNopedia content as CC BY-SA. I supported the global blackout of this site in opposition to SOPA, have been described as a "Wikipedia Angel" and was the first editor to note the death of Kim Jong Il.

Barnstars

Precious The Modest Barnstar The Anti-Vandalism Barnstar

Did you know... contributions
Did you know...

Blanche Lazzell circa 1908

Hannah Kempfer (circa 1922)

Annie Lowrie Alexander

Loretta Lynn

Sara Bard Field

Sussman in 2013

Lab mouse of strain C57BL/6

detail of Magna Carta (An Embroidery)

Self-portrait of Kendall
Self-portrait of Kendall
Grip, Dickens's raven
Grip, Dickens's raven
Blotter art of the Eye of Horus
Blotter art of the Eye of Horus
  • ... that you've probably eaten blotter art (examples pictured) if you've ever taken LSD?
Yokcushlu
Yokcushlu
Frédéric Chopin
Frédéric Chopin
  • ... that Chopin's heart (composer pictured) was smuggled into Poland by his sister?
A teleseme
A teleseme
  • ... that 1890s hotel guests could use a teleseme (pictured) to order cocktails and manservants?
Spoonful and jar of mad honey
Spoonful and jar of mad honey
Galileo's middle finger
Galileo's middle finger



























uʍopǝpᴉsdn ʇnq 'ʎɐp ǝɥʇ ɟo ǝɹnʇɔᴉd s,ʍoɹɹoɯoʇ
Iolanthe


Iolanthe is a comic opera with music by Arthur Sullivan and a libretto by W. S. Gilbert. First performed in 1882 as the seventh Gilbert and Sullivan operatic collaboration, it tells the story of Iolanthe, a fairy banished from fairyland because she married a mortal. Her son Strephon, half a fairy, loves Phyllis, whom all the members of the House of Peers wish to marry. Phyllis sees Strephon embracing Iolanthe (as fairies never age, she appears to be seventeen) and assumes that he is unfaithful, not realizing that Iolanthe is his mother, setting off a climactic confrontation between the peers and the fairies. The opera satirises many aspects of British government, law and society. Iolanthe was the first new theatre production in the world to be illuminated entirely by electric lights. It premiered at the Savoy Theatre and ran there for 398 performances, with a simultaneous production in New York. It is still played throughout the English-speaking world and beyond. This poster by H. M. Brock was produced for an early-20th-century tour production of Iolanthe by the D'Oyly Carte Opera Company.