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James Newland (22 August 1881 – 19 March 1949) was an Australian officer in the First World War. He received the Victoria Cross for successfully leading a company in several assaults on German positions and repulsing counterattacks in April 1917. Newland joined the Australian military in 1899 and saw active service during the Second Boer War. After completing several years' service in the artillery, he transferred to the militia in 1907. He became a police officer in Tasmania before re-joining the permanent forces in 1910. He was in the first wave of Australian Imperial Force soldiers to land at Gallipoli. In the days following the landing, he was wounded and evacuated to Egypt, where he was commissioned as a second lieutenant. Transferring to the Western Front in 1916, Newland was mentioned in despatches for his leadership while commanding a company during an attack at Mouquet Farm. He was wounded twice more during the war; medically discharged in March 1918, he returned to service with the permanent army. He retired as a lieutenant colonel in 1941. (Full article...)
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Bachtiar Effendi
Twenty-nine people are recorded as having directed fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Following a three-year Japanese occupation during World War II, Indonesia proclaimed its independence in 1945, an action which was not well-received by the Dutch. Thirteen directors active in the Indies continued to direct films after 1950, including Usmar Ismail: his 1950 film Darah dan Doa (The Long March) is generally considered the first truly Indonesian film. The colony's first directors, Heuveldorp and G. Kruger, were of European or mixed descent. They were followed by ethnic Chinese soon after, when Nelson Wong made his debut in 1928 with Lily van Java. Ethnic Chinese directors dominated the colony's cinema for the remainder of its existence. The first native director, Bachtiar Effendi (pictured), made his debut in 1932 with the talkie Njai Dasima. The directors active in the Indies came from various backgrounds. (Full list...)
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