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Sybil Eaton

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Sybil Eaton
Born(1897-02-17)17 February 1897
Stamford, Lincolnshire
Died6 September 1989(1989-09-06) (aged 92)
London
Occupation(s)Violinist and teacher
EmployerCouncil for the Encouragement of Music and the Arts (The Music Travellers)

Sybil Eaton (17 February 1897[1] – 6 September 1989)[2] was a British violinist and violin teacher.[3] Eaton was a performer and coordinator for the Music Travellers, a wartime initiative created by the Council for the Encouragement of Music and the Arts.[3][4]

Life

[edit]

Sybil Evelyn Eaton was born in Stamford, Lincolnshire on 17 February 1897.[5][2] She was related to Elizabeth Browning on her father's side.[6] She began learning piano aged six, and the violin aged eight.[6] In May, 1914, she attended Leopold Auer's summer school at Loschwitz, and though prevented from continuing to study under him, at home in England she spent six years learning from Editha Knocker.[6] Eaton performed to acclaim in 1917, when she gave three recitals.[6] Soon after, she appeared at the Promenade Concerts and the Royal Albert Hall.[6] The Annual Register of 1917 wrote that "the arrival of two violinists so capable as Sybil Eaton and Tessie Thomas should assuredly be recorded".[7]

Between 1920 and 1923, ill health caused Eaton to retire from public work.[6]

Eaton also formed a string quartet, which gave fortnightly recitals for schools at the BBC.[6]

A 1982 profile of Eaton in The Strad wrote that there could be "few musicians in this country so universally loved by professionals and amateurs alike as Sybil Eaton".[8] Charles Villiers Stanford, Herbert Howells, Armstrong Gibbs, Pamela Hind O'Malley,[9] and Gerald Finzi all composed pieces for her.[6][10][11]

Wartime and The Music Travellers

[edit]

Eaton was involved in the Rural Music School movement founded by Mary Ibberson in 1929, including with the Wiltshire Rural Music School[12][13] During World War II, the movement helped to inspire the introduction by the Council for the Encouragement of Music and the Arts of the "Music Travellers" - intended to raise morale among the British population.[14][15] Under the auspices of the Rural Music Schools, the Music Travellers were led by Eaton.[14] Concerts were arranged in teacher training colleges, and visits by the London Philharmonic and London Symphony Orchestras to smaller towns and industrial areas were organised.[14] A start was made in sending soloists or small groups of instrumentalists to factory canteens.[14]

The Music Travellers were described as being "remarkably successful in... efforts to make music and to help music to be made".[14] During the first six months of 1940, The Music Travellers started 37 new orchestral groups and 244 new choral groups, as well as helping to organize 254 concerts and festivals, attended by over 40,000 people.[14]

The Music Travellers were cut significantly in 1943, and disbanded the following year, when they were replaced by regional officers.[4][16] Eaton wrote of her disappointment at the end of the project:

The cut in money for direct concerts is a shattering blow... Now, having created the demand, mobilised the enthusiasts and built up audiences, the cut has come, without warning... It will strain all our loyalty to CEMA to explain the sudden change without causing bitter resentment, and it will take all our courage to go on, refusing people we have taught to ask, breaking promises wholesale, with our dream of taking music to our whole region shattered.[16]

In 1945, a concert was held in Eaton's honour, featuring the Menges String Quartet and Margaret Ritchie.[17] Ralph Vaughan Williams and Steuart Wilson spoke in praise of Eaton's work for music during the war.[17]

Death and legacy

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In his 1982 autobiography, composer Christopher le Fleming wrote:

For us in Wiltshire, as for so many elsewhere, Sybil Eaton will long be remembered with affection and admiration. The combination of brilliant and eloquent playing, allied to charm of manner, provided the essential vitamins needed to encourage the often difficult task of getting small isolated instrumental groups ‘off the ground.’ Sybil would offer two or three days and, in exchange for transport and hospitality, play to school and village audiences.[18]

Sybil Eaton died on 6 September 1989.[2] A memorial service was held at the Savoy Chapel was held in October.[19] A collection of her papers were donated to the Dartington Hall Archive, and are held by the Devon Heritage Centre.[20][21]

References

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  1. ^ "1939 Register". www.findmypast.co.uk. 1939. Retrieved 2023-12-04.
  2. ^ a b c "England & Wales Government Probate Death Index 1858-2019". www.findmypast.co.uk. 1989. Retrieved 2023-12-04.
  3. ^ a b Sheridan, David (2005), "'Singing While England is Burning': Women Musicians as Working Music Travellers in Wartime Britain, 1940–43", Women and Work Culture, Routledge, pp. 229–245, doi:10.4324/9781315233789-18, ISBN 978-1-315-23378-9, retrieved 2023-12-04
  4. ^ a b Rebellato, Dan (2002-03-11). 1956 and All That: The Making of Modern British Drama. Routledge. ISBN 978-1-134-65783-4.
  5. ^ "England & Wales Births 1837-2006". Find My Past. 1897. Retrieved 2024-03-23.
  6. ^ a b c d e f g h Straeten, Edmund Sebastian Joseph van der (1968). The history of the violin; its ancestors and collateral instruments from earliest times. Internet Archive. New York, Da Capo Press.
  7. ^ Epstein M (1918). The Annual Register 1917 Series I.
  8. ^ The Strad. Orpheus. 1982.
  9. ^ Fuller, Sophie; LeFanu, Nicola, eds. (1994). Reclaiming the Muse. Vol. 11. Internet Archive. Switzerland : Harwood Academic Publishers. ISBN 978-3-7186-5528-1.
  10. ^ Dibble, Jeremy (2002). Charles Villiers Stanford: Man and Musician. Oxford University Press. ISBN 978-0-19-816383-1.
  11. ^ Banfield, Stephen (1997). Gerald Finzi : an English composer. Internet Archive. London; Boston : Faber Music. ISBN 978-0-571-16269-7.
  12. ^ Orrey, Leslie (1950). "R. M. S. A. Comes of Age". The Musical Times. 91 (1293): 423–426. doi:10.2307/933269. ISSN 0027-4666. JSTOR 933269.
  13. ^ Britain, Arts Council of Great (1948). The Arts Council Bulletin. Council for the Encouragement of Music and the Arts.
  14. ^ a b c d e f White, Eric Walter (1975). The Arts Council of Great Britain. Internet Archive. London : Davis-Poynter. ISBN 978-0-7067-0108-1.
  15. ^ "Museum celebrates creativity and culture of women". The Northumberland Gazette. 15 March 2019.
  16. ^ a b Leventhal, F. M. (1990). "'The Best for the Most': CEMA and State Sponsorship of the Arts in Wartime, 1939–1945". Twentieth Century British History. 1 (3): 289–317. doi:10.1093/tcbh/1.3.289. ISSN 0955-2359.
  17. ^ a b "A Sybil Eaton Tribute". The Times. 14 November 1945. p. 6.
  18. ^ Le Fleming, Christopher (1982). Journey into music (by the slow train) : an autobiography. Internet Archive. Bristol : Redcliffe. ISBN 978-0-905459-42-4.
  19. ^ "Memorial Services". The Times. 9 October 1989. p. 21.
  20. ^ Field, Geoffrey G. (2011-11-01). Blood, Sweat, and ToilRemaking the British Working Class, 1939-1945. Oxford University Press. doi:10.1093/acprof:oso/9780199604111.003.0007. ISBN 978-0-19-960411-1.
  21. ^ "Council for the Encouragement of Music and the Arts (CEMA)". devon-cat.swheritage.org.uk. Retrieved 2024-03-23.
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