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[[Image:HelloMaBaby.jpg|thumb|Original sheet-music cover from 1899]]
[[Image:HelloMaBaby.jpg|thumb|Original sheet-music cover from 1899]]

'''"Hello! Ma Baby"''' is a [[Tin Pan Alley]] song written in 1899 by the songwriting team of [[Joseph E. Howard]] and [[Ida Emerson]], known as "Howard and Emerson".<ref>{{cite web | url=http://www.allmusic.com/artist/joseph-e-howard-mn0001193439 | title=Joseph E. Howard | author=AllMusic.com | website=AllMusic.com | publisher=AllMusic.com | access-date=2015-02-17}}</ref> Its subject is a man who has a girlfriend he knows only through the [[telephone]]. At the time, telephones were relatively novel, present in fewer than 10% of U.S. households, and this was the first well-known song to refer to the device.<ref>{{cite book |last1= Fuld |first1= James J. |title= The Book of World-Famous Music: Classical, Popular and Folk |edition= 3rd |year= 1985 |publisher= [[Dover Publications]] |location= [[New York, New York|New York]] |isbn= 0-486-24857-7 |oclc= 11289867 |page= 272}}</ref> Additionally, the word "Hello" itself was primarily associated with telephone use — "[[Hello Girls|Hello Girl]]" was slang for a telephone operator even through the first world war — though it later became a general greeting for all situations.
'''"Hello! Ma Baby"''' is a [[Tin Pan Alley]] song written in 1899 by the songwriting team of [[Joseph E. Howard]] and [[Ida Emerson]], known as "Howard and Emerson".<ref>{{cite web | url=http://www.allmusic.com/artist/joseph-e-howard-mn0001193439 | title=Joseph E. Howard | author=AllMusic.com | website=AllMusic.com | publisher=AllMusic.com | access-date=2015-02-17}}</ref> Its subject is a man who has a girlfriend he knows only through the [[telephone]]. At the time, telephones were relatively novel, present in fewer than 10% of U.S. households, and this was the first well-known song to refer to the device.<ref>{{cite book |last1= Fuld |first1= James J. |title= The Book of World-Famous Music: Classical, Popular and Folk |edition= 3rd |year= 1985 |publisher= [[Dover Publications]] |location= [[New York, New York|New York]] |isbn= 0-486-24857-7 |oclc= 11289867 |page= 272}}</ref> Additionally, the word "Hello" itself was primarily associated with telephone use — "[[Hello Girls|Hello Girl]]" was slang for a telephone operator even through the first world war — though it later became a general greeting for all situations.


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It was originally a "[[coon song]]", with [[African-American]] [[caricature]]s on the sheet music and "coon" references in the lyrics.<ref>{{cite web |url=http://rateyourmusic.com/release/single/arthur_collins/hello__ma_baby.p/ |title=Hello, Ma Baby by Arthur Collins (Single; Edison; 5470): Reviews, Ratings, Credits, Song list - Rate Your Music |website=Rateyourmusic.com |publisher=Rateyourmusic.com |access-date=2015-02-17}}</ref>
It was originally a "[[coon song]]", with [[African-American]] [[caricature]]s on the sheet music and "coon" references in the lyrics.<ref>{{cite web |url=http://rateyourmusic.com/release/single/arthur_collins/hello__ma_baby.p/ |title=Hello, Ma Baby by Arthur Collins (Single; Edison; 5470): Reviews, Ratings, Credits, Song list - Rate Your Music |website=Rateyourmusic.com |publisher=Rateyourmusic.com |access-date=2015-02-17}}</ref>


Its chorus is far better known than its verse, as the introductory song in the famous [[Warner Bros.]] cartoon ''[[One Froggy Evening]]'' (1955), sung by the character later dubbed [[Michigan J. Frog]] and high-stepping in the style of a [[cakewalk]]:
Its chorus is far better known than its verse, as the introductory song in the famous [[Warner Bros.]] cartoon ''[[One Froggy Evening]]'' (1955), sung by the character later dubbed [[Michigan J. Frog]] and high-stepping in the style of a [[cakewalk]]


==Influence==
==Influence==

Revision as of 01:16, 29 January 2016

Original sheet-music cover from 1899

"Hello! Ma Baby" is a Tin Pan Alley song written in 1899 by the songwriting team of Joseph E. Howard and Ida Emerson, known as "Howard and Emerson".[1] Its subject is a man who has a girlfriend he knows only through the telephone. At the time, telephones were relatively novel, present in fewer than 10% of U.S. households, and this was the first well-known song to refer to the device.[2] Additionally, the word "Hello" itself was primarily associated with telephone use — "Hello Girl" was slang for a telephone operator even through the first world war — though it later became a general greeting for all situations.

The song was first recorded by Arthur Collins on an Edison 5470 phonograph cylinder.[3]

It was originally a "coon song", with African-American caricatures on the sheet music and "coon" references in the lyrics.[4]

Its chorus is far better known than its verse, as the introductory song in the famous Warner Bros. cartoon One Froggy Evening (1955), sung by the character later dubbed Michigan J. Frog and high-stepping in the style of a cakewalk.

Influence

In Charles Ives's 1906 composition Central Park in the Dark, it is quoted frequently.

The short piano piece "Le Petit Nègre" by Claude Debussy from 1909 features a melody very similar to "Hello! Ma Baby", and may have been inspired by the song.

Sheet music and the Warner Bros. acquisition of the song

The sheet music was published by T.B. Harms & Co., who were acquired by Warner Bros. before the Stock Market Crash of 1929 (during the advent of the "Talkies" era of cinema).[5]

References

  1. ^ AllMusic.com. "Joseph E. Howard". AllMusic.com. AllMusic.com. Retrieved 2015-02-17. {{cite web}}: |author= has generic name (help)
  2. ^ Fuld, James J. (1985). The Book of World-Famous Music: Classical, Popular and Folk (3rd ed.). New York: Dover Publications. p. 272. ISBN 0-486-24857-7. OCLC 11289867.
  3. ^ "Recording "Hello, Ma Baby" by Arthur Francis Collins". Musicbrainz.org. Retrieved 2015-02-17.
  4. ^ "Hello, Ma Baby by Arthur Collins (Single; Edison; 5470): Reviews, Ratings, Credits, Song list - Rate Your Music". Rateyourmusic.com. Rateyourmusic.com. Retrieved 2015-02-17.
  5. ^ Spring, Katherine (2013). Saying It With Songs: Popular Music and the Coming of Sound to Hollywood Cinema. Oxford University Press. p. 58. ISBN 978-0-19-984221-6.