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World cinema

October 2024

  • Mati Diop.

    ‘I felt this film was my duty’: director Mati Diop on Dahomey, about the return of looted African treasures

    The French-Senegalese film-maker on winning the top prize at Berlin for her otherworldly new work, cultural identity and her beef with Beyoncé

September 2024

  • Arieh Worthalter flanked by a gendarme.

    The Goldman Case review – compelling real-life French courtroom drama

  • Julian Brave NoiseCat and Ed Archie NoiseCat sitting side by side.

    Sugarcane review – impressive account of the Catholic church’s abuse of Indigenous children in Canada

  • Preeti Panigrahi as Mira in Girls Will Be Girls.

    Girls Will Be Girls review – simmering emotions in Himalayan boarding school coming-of-age drama

  • An elderly Iranian man and woman standing next to one another, her head on his right shoulder, look at a mobile phone she is holding in her right hand.

    My Favourite Cake review – lovely, quietly subversive late-life Iranian romance

  • ‘The main issue was always the hijab’: the Iranian directors arrested for their gentle septuagenarian comedy

  • Fawzia Mirza and Amrit Kaur on The Queen of My Dreams: ‘People want to hear more queer Muslim stories’

  • The Count of Monte Cristo review – highly enjoyable French costume spectacle

  • ‘Everyone recognises her now – me, not so much’: Arthur Harari on how Anatomy of a Fall catapulted him and Justine Triet to film power couple status

  • Paradise Is Burning review – compelling Swedish drama of three abandoned sisters

August 2024

  • Eddie Peng as Lang with Xin the whippet in Guan Hu’s Black Dog.

    Black Dog review – ex-con and stray dog bond in searching Chinese social drama

    Guan Hu’s low-key Cannes winner is a heartfelt tale of redemption set against the dramatic backdrop of the Gobi desert
  • Pierre Niney (Edmond Dantès) in The Count of Monte Cristo.

    The Count of Monte Cristo review – a good-looking gallop through Dumas’ tale of revenge

    Pierre Niney plays the man behind the multiple masks in this fast-moving adaptation that needs a touch more finesse
    • French film star Alain Delon dies aged 88

    • Only the River Flows review – stylishly enigmatic Chinese crime drama

    • Only the River Flows review – accomplished Chinese noir is intriguing and ingenious thriller

July 2024

  • A somnambulist trance … Werckmeister Harmonies.

    Werckmeister Harmonies review – Béla Tarr’s brooding masterpiece of a town sleepwalking into tyranny

    Tarr and Ágnes Hranitzky’s 2000 film moves slowly around a small town where a very strange circus has arrived. Its eerie power has only grown in a time of rising fascism
  • Deniz Celiloğlu and Musab Ekici as Samet and Kenan in About Dry Grasses.

    Wendy Ide's film of the week
    About Dry Grasses review – rich, engrossing Turkish epic with a twist

    A village teacher is accused of inappropriate behaviour in Nuri Bilge Ceylan’s handsome, beautifully performed, three-and-a-half-hour fable
    • Coma review – vital signs are weak in Bertrand Bonello’s mopey lockdown drama

    • Crossing review – terrific Istanbul-set culture-clash drama

    • Shayda review – tense Australian-Iranian domestic abuse drama

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