The best examples of this genre continue to evoke humanity’s eternal fear of social disruption.
Here, the thrills of the journalism procedural come at the expense of ideological nuance.
The film is a woefully misguided VFX-aided odyssey through mid-20th-century America.
As ever, the loving textures of Aardman’s claymation practically warm the heart.
At once intimate and maximalist, it suggests a mix of Thelma & Louise and Starship Troopers.
Caroline Lindy’s rom-com is a delightful beauty until it decides to be a beast.
Ruizpalacios discusses the immigrant experience, working in kitchens, and his own dreams.
In Ruizpalacios’s latest, a Times Square kitchen becomes a microcosm of American capitalism.
The trio discuss how their Canadian identity informed their view of international relations.
Adam Elliot’s latest feature is an evocative feat of visual storytelling.
Madison and Baker discuss how youth and love shape the eponymous character’s trajectory.
Goodrich’s modest ambitions yield modest rewards.
The film’s attempts to tell two stories at once ultimately see it damned by its own ambition.
This is a near-perfect sequel in terms of go-for-broke intensity and one-upmanship.
Nocturnes is one of the most reverent treatments of scientific process in recent memory.
These films shocked us by plumbing our deepest primordial terrors.
The film builds an all-consuming sense of dread and panic that almost sneaks up on you.