At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.
The 4,000 inhabitants of the archipelago of Saint-Pierre-et-Miquelon describe it as a caillou—a tiny rock on which they live, lost in the shadow of Newfoundland. There is something mysterious and inexplicable about this extension of faraway France. In broad strokes, the film paints a picture of this insular population, revealing their history, daily lives and singular character.
The renowned actor Roy Dupuis discovers how our historic encounter with the First Nations was a determining factor in the construction of Quebec’s collective indentity.
Documentaire personnel de l'artiste Élisapie Isaac. En pleine immensité boréale, au bord de la mer Arctique, un village : Kangirsujuaq, au Nunavik. Ici, traditions et modernité se croisent quotidiennement. Les rires des enfants habitent joyeusement les rues, les jeunes carburent à la culture « du Sud », alors que les vieux tentent encore de se faire à leur étrange sédentarité. Dans cette toundra à couper le souffle, la jeune cinéaste originaire de Salluit, maintenant installée à Montréal, décide de plonger au coeur de ses origines.
The Algonquin once lived in harmony with the vast territory they occupied. This balance was upset when the Europeans arrived in the 16th century. Gradually, their Aboriginal traditions were undermined and their natural resources plundered. Today, barely 9,000 Algonquin are left. They live in about 10 communities, often enduring abject poverty and human rights abuses. These Aboriginal people are suffering the threat to their very existence in silence. Richard Desjardins and Robert Monderie have decided to sound the alarm before it's too late.
This short documentary studies life in the village of Kangirsujuaq, Nunavik. In this community on the edge of the Arctic Ocean, children’s laughter fills the streets while the old people ponder the passage of time. They are nomads of the wide-open spaces who are trying to get used to the strange feeling of staying put. While the teenagers lap up Southern culture and play golf on the tundra to kill time, the Elders are slowly dying, as their entire culture seems to fade away.
Elisapie Isaac, a filmmaker born in Nunavik, decides to return to her roots on this breathtaking land. To bridge the growing gap between the young and the old, she speaks to her grandfather, now deceased, and confides in him her hopes and fears. Grappling with isolation, family relationships, resource extraction, land-based knowledges, the influence of Southern culture and the ongoing impacts of colonialism on Inuit ways of life, Elisapie Isaac offers a nuanced portrait of the North.
Annie Smith-St-Georges is an Algonquin mother and wife who led a largely uneventful life. Then tragedy struck in 1990, when her teenage son Yanik ended his life. Annie wanted to forget and yet to remember, to understand and yet to deny. Then one day she had a vision of a glass teepee ten storeys high, in Ottawa, to house a National Aboriginal Arts and Performance Centre. The building would be designed by the renowned architect Douglas Cardinal, in memory of her son and for all young Natives struggling to find meaning in life. We meet Annie and her husband eight years later, during the final year of their crusade for the glass teepee. A traditional habitat made from non-traditional material would successfully meld past and present. Annie wishes to give back to her people their ancestral pride and dignity. It's a time of hope. Annie now knows that, and she says it for anyone to hear: "Kwekànamad," the wind is changing. Some subtitles.
This feature documentary uses music to reveal the many faces of jazz, New Orleans style. Colourful and alive with music, the film captures the street life and traditions of this vibrant city and explores the roots of the music that springs from the soul of the African-American community.
Director Thierry Le Brun sets off across the province of Quebec in his documentary, to learn just what the license plate slogan "Je me souviens" means to Quebecers. Quebec license plates don't sport cutesy tourist slogans like "Canada's Ocean Playground" or "Land of Living Skies." Instead, they draw attention to the past with "Je me souviens" ("I remember"), a motto that cuts to the heart of Quebec history and society.
Le Brun rides a dog sled, goes ice fishing, visits an emu farm, joins the Carifiesta celebrations and even gets pulled over by the cops. Along the way he meets a cast of characters, both famous and unknown, with wildly differing views on the provincial motto. "Je me souviens" becomes a Rorschach ink blot into which Quebecers peer, each with their own interpretation, showing the concerns of the many communities that make up their land.
Musicians from Quebec’s Portneuf region adopted and adapted Irish fiddle and drum tunes. Road worker and fiddler André Alain; carpenter and accordion player Jean-Claude Petit; and bus driver, frame-drum player, and jig dancer Arthur Tremblay introduce us to their lively music.
Louisiana's Creole culture helped shape the New World and contributed to the emergence of jazz. But what remains of this unique, mixed-race society, with roots in France, Africa, the Caribbean, Spain and America? Maroon searches for the origins of this little-understood and endangered culture and show how it is doing today. In this second part of his La piste Amérique series, documentary filmmaker André Gladu continues his exploration of the Francophone presence in North America. Maroon is a vibrant travelogue that goes back into history in order to shed light on the present. In French with English subtitles.
Mélanie and Olivier decided to cycle the North Shore of Quebec, Canada, to better understand the complex relationships that exist between Aboriginal and non-Aboriginal people. This quest for identity would push them to travel deep inside themselves and to faraway lands. Their encounters, both planned and spontaneous, include the surprising tale of an Innu man in search of his ancestors in Normandy, and the heart-wrenching story of the sister of Corporal Marcel Lemay, who was killed during the 1990 Oka crisis.
Stories of resistance, strength and perseverance are laid bare in this examination of a dark day in Canadian history. At the height of tensions at Oka, Quebec, in 1990, Kanien’kehá:ka (Mohawk) women, children and Elders fled their community of Kahnawake out of fear for their safety. Once past the Canadian Army that surrounded their home, they were assaulted by angry non-Indigenous protesters who pelted their convoy with rocks. This visceral display of hatred and violence – rarely seen so publicly in Canada – shocked the nation and revealed the severity of the dangers that faced the Kanien’kehá:ka in their struggle to defend a sacred site.
This film is the fourth in Alanis Obomsawin’s landmark series on the Mohawk resistance at Oka that would become a pivot point in contemporary relationships between Indigenous nations and Canada.
Acadians are French-speaking Maritimers. In this film the people speak for themselves--about their feelings toward governments wanting to relocate and urbanize them, about present-day "tragedies" in their communities, and about their hopes for a productive future.
This feature documentary pays homage to the special character of an enduring people: the Acadians. Two hundred years after Expulsion of the Acadians by the British (1755–1764), Acadian culture is still very much alive. But why do Acadians—whose ancestors founded the first colony in North America—have to keep making a racket to tell the world they're still here?
African hip hop pioneer Didier Awadi is on a quest to craft an album that pays tribute to the great black revolutionary leaders and their struggle to realize a dream: a united, independent Africa. In this epic musical and political journey, Awadi visits some 40 countries to collaborate with hip hop activist artists, including Smockey (Burkina Faso), M-1 of Dead Prez (United States) and ZuluBoy (South Africa).
Featuring a score by Ghislain Poirier, as well as Awadi’s own songs, United States of Africa draws the viewer into one artist’s profound meditation on the power of music and the impact of political engagement—both individual and collective. A hopeful and compelling portrait of a continent whose politically aware youth is refusing to accept the role of victim, the film is a call for Africans to rise up, take a stand and take control of their continent and their destiny.
African hip hop pioneer Didier Awadi is on a quest to craft an album that pays tribute to the great black revolutionary leaders and their struggle to realize a dream: a united, independent Africa. In this epic musical and political journey, Awadi visits some 40 countries to collaborate with hip hop activist artists, including Smockey (Burkina Faso), M-1 of Dead Prez (United States) and ZuluBoy (South Africa).
Featuring a score by Ghislain Poirier, as well as Awadi’s own songs, United States of Africa draws the viewer into one artist’s profound meditation on the power of music and the impact of political engagement—both individual and collective. A hopeful and compelling portrait of a continent whose politically aware youth is refusing to accept the role of victim, the film is a call for Africans to rise up, take a stand and take control of their continent and their destiny.
For generations, the suffering of residential school Survivors has radiated outward, impacting Indigenous families and communities. Dr. Jules Arita Koostachin’s deeply personal documentary WaaPaKe (Tomorrow) moves beyond intergenerational trauma, with an invitation to unravel the tangled threads of silence and unite in collective freedom and power.