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Blind Evolution

2010 1 min
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Transformation, technology, higher powers, breath. These ideas and elements roil around inside Toronto artist and filmmaker Zane Kozak's CG-animated short, taking us on a somewhat troubling but eerily mystical journey from the human form to... something entirely different. Produced as part of the 6th edition of the NFB’s Hothouse apprenticeship.

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Blind Evolution
  • Hothouse
    Hothouse
    2003 - 2024 14 editions
    Short, surprising and always entertaining! Watch a collection of one-minute animated shorts from our Hothouse animation mentorship program, past and present.

Details

Transformation, technology, higher powers, breath. These ideas and elements roil around inside Toronto artist and filmmaker Zane Kozak's CG-animated short, taking us on a somewhat troubling but eerily mystical journey from the human form to... something entirely different.



Produced as part of the 6th edition of the NFB’s Hothouse apprenticeship.

  • writer
    Zane Kozak
  • director
    Zane Kozak
  • mentoring director
    Ann Marie Fleming
  • music
    Luigi Allemano
  • sound
    Luigi Allemano
  • musician
    Luigi Allemano
  • editor
    Jelena Popovic
  • technical consultant, stereoscopy
    Paul Kroitor
  • creative consultant, stereoscopy
    Munro Ferguson
  • infographics
    Susan Gourley
    Randall Finnerty
  • technical support
    Marylin Drolet
    Brian Mitchell
    Lawrence Lafetière
  • foley
    Karla Baumgardner
  • recording
    Geoffrey Mitchell
    Jean Paul Vialard
  • mix
    Geoffrey Mitchell
    Jean Paul Vialard
  • on-line
    Denis Pilon
  • technical co-ordination
    Julie Laperrière
  • marketing
    Julie Armstrong-Boileau
  • administration
    Gisèle Guilbault
    Rosalina Di Sario
    Marie-Christine Nadon
  • executive producer
    David Verrall
  • producer
    Michael Fukushima
  • associate producer
    Maral Mohammadian

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Education

Ages 15 to 16
School subjects
As human beings are increasingly drawn into the web of integration and use of technologies into their lives, are they moving farther away from human to human contact, engagement and interaction? Will the analogy of the spider web only refer to the digital world and technologically mediated communication and interaction or will it still refer to the human to human community of life? What is this filmmaker’s response to this question?