SummaryAn epic adventure of good against evil, a story of the power of friendship and individual courage, and the heroic quest to pave the way for the emergence of mankind, J.R.R. Tolkien's master work brought to cinematic life. [New Line Cinema]
SummaryAn epic adventure of good against evil, a story of the power of friendship and individual courage, and the heroic quest to pave the way for the emergence of mankind, J.R.R. Tolkien's master work brought to cinematic life. [New Line Cinema]
The Fellowship of the Ring, Peter Jackson's first swing at J.R.R. Tolkien's daunting multi-volume masterwork, lands flush on the chin of fans and casuals alike. It's a gorgeous example of just how well a literary adaptation can perform with the right mix of passion, budget, vision and expertise. Jackson's direction, though quite long-winded, seems fat-free and balanced with a good sense of when to press forward and when to admire its surroundings.
The acting is a broad mix - while Ian McKellen resides comfortably in the quasi-leading role of Gandalf the Gray and Viggo Mortensen is both gallant and inspiring as Aragorn, I found Elijah Wood just a bit too doe-eyed as the ring-bearing hobbit, Frodo. That's nit-picking at its finest, admittedly, especially given the scene-stealing part played by the realm of Middle Earth itself. Staggeringly realized with an obsessive attention to detail, it's a stern flex of the artistic muscle unlike anything I've seen, before or after.
Watching the film today, in the shadow of The Hobbit: An Unexpected Journey, is doubly rewarding, as dozens of throwbacks to the events of that film are planted like seedlings throughout the landscape. For my money, this is also the best plot of the three LotR volumes. With one foot planted firmly on the ground and the other teasing the abyss, it covers a gamut of emotions, isn't bashful about shedding important cast members, and gives its audience a sweeping taste of the many colors and flavors present in this world.
A wonderful fantasy/adventure hybrid, spiced with action at all the right moments, that does its mythical source material (and the legion of associated fans) proud.
The film's single downside is a certain nagging sense of deja vu: the fact that so many of the elements of the story -- the dark force, the all-empowering object, etc. -- have been usurped over the years (by "Star Wars" and others) that you feel as if you've been down this road many, many times before.
That it transcends this genre -- that it is a well-crafted and sometimes stirring adventure -- is to its credit. But a true visualization of Tolkien's Middle-earth it is not.
Der Beginn des Abenteuers. Meisterhaft umgesetzt.
Besser als in meiner Fantasie.
Nie habe ich Charaktere + ihre Mission mehr geliebt.
So gut das man sich nach Mittelerde wünscht.
1. choppy editing in non action scenes.
2. way to slow character development.
3. to much screen time devoted to unneeded scenery brochure.
4. not enough focus on Languages
5. nazgul impotence.
6. no magic battles.
Appearances can be very deceiving. Upon first glance, this seems like a boring and stupid film about a troupe of short people who have to take a ring somewhere that's of some consequence. But this is much too literal an interpretation. The movie is actually an elaborate metaphor for something else, which is also boring and stupid.
People often miss this nuance.