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Eiléan Ní Chuilleanáin

Author of Selected Poems

29+ Works 192 Members 1 Review

About the Author

Poet Eiléan Ní Chuilleanáin was born in Lancashire, England in 1942. She received a B.A. in English and History and a master's in English from University College Cork. She published her first collection of poems in 1981. Her collections of poetry have won numerous awards including the Patrick show more Kavanagh Prize, the O'Shaughnessy Prize for Poetry, the Séan O Riordain Award, and the Arts Council Prize for Poetry. She founded the literary review Cyphers with Leland Bardwell and Pearse Hutchinson. She is a Fellow of Trinity College, Dublin and is a member of Aosdána, which is an association of Irish artists engaged in literature, music, and visual arts. She currently lives in Dublin. (Bowker Author Biography) show less

Works by Eiléan Ní Chuilleanáin

Associated Works

The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,309 copies, 9 reviews
The Year's Best Fantasy and Horror: Ninth Annual Collection (1996) — Contributor — 242 copies, 3 reviews
The Penguin Book of Irish Verse (1970) — Contributor — 204 copies
Emergency Kit (1996) — Contributor, some editions — 111 copies, 1 review
The Finest Music: Early Irish Lyrics (2014) — Contributor — 19 copies
Modern Women Poets (2005) — Contributor — 13 copies

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This collection of poems spans Eiléan Ní Chuilleanáin’s poetic output from 1972 to 2001. A lifetime of sorts, though a remarkably consistent lifetime, if these poems are the sole evidence. Always respected in her native Ireland and in select centres beyond, she seemed to emerge into prominence with the awarding of the Griffin Poetry Prize in 2010 for her collection, The Sun Fish, published in 2009. Perhaps this Faber and Faber Selected Poems, published the previous year, helped promulgate that international attention.

The poems are brief (most no more than one page), elemental (usually fixated upon earth and water), periodically erudite (both classical and Catholic), sometimes personal, and, except in rare cases, almost hermetically sealed—preserving and transporting imagery that has no obvious connection to the world outside the poem. Or perhaps that last observation is more an admission of my own failing in reading, since many of the poems seemed powerful and heartfelt and yet remained inscrutable to me.

The most accessible of the poems are perhaps those that reference Odysseus’ interrupted journey home such as “The Swineherd” and “The Second Voyage”. Equally, there are numerous reference to water and earth, and the boundary that marks their engagement, as perhaps is fitting for an island poet. Religious imagery recurs, usually aligned to the movement of women through the church from novitiate to sisterhood. But women outside the church are also a focus of many of these poems, modest interiors perhaps, but rarely in the first person.

I don’t suppose I am an ideal reader for these poems. But I think if you are patient with them, give them space, and return to them a third or fourth time, they begin to yield a bounty. I will certainly return to them again and look forward to Eiléan Ní Chuilleanáin’s further collections.
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RandyMetcalfe | Mar 11, 2013 |

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Works
29
Also by
6
Members
192
Popularity
#113,797
Rating
4.0
Reviews
1
ISBNs
53
Languages
2

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