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Leigh Hunt (1784–1859)

Author of The autobiography of Leigh Hunt

94+ Works 290 Members 2 Reviews 1 Favorited

About the Author

Leigh Hunt was so prolific that, if his writing were ever collected, it would exceed 100 volumes of mostly unmemorable prose. He was so eccentric and socially visible that even Dickens's caricature of Hunt as the perennially cheerful Harold Skimpole in Bleak House is immediately recognizable. But show more his philosophy of cheer, however eccentric among such doleful writers of his generation as Coleridge and Byron, appealed to middle-class public taste, which accounts for his immense following. Educated, like Coleridge and Lamb, at Christ's Hospital, Hunt became a journalist, helping his brother John edit the weekly Examiner. As a result of the paper's liberal policy, they were both fined and imprisoned for two years for writing a libelous description of the Prince Regent on his birthday. Hunt turned his prison cell into a salon and enjoyed visits from Jeremy Bentham, Byron, Keats, Lamb, and Hazlitt. After his release, Hunt settled in Hampstead, London, a political martyr and a model of domesticity. His writing includes The Feast of the Poets (1814), a satire of contemporary writers; The Story of Rimini (1816), a saccharine Italianate romance; and Hero and Leander (1819). Young poets such as Keats found the sensual surfaces easy to imitate. But mostly Hunt wrote essays and edited dozens of short-lived magazines and journals, providing an insight into the literary life of London during this period. (Bowker Author Biography) show less
Image credit: Leigh Hunt at an early age. Frontispiece of the book, Men, women and Books, by Leigh Hunt, published in 1847.

Works by Leigh Hunt

Essays (2010) 33 copies
Essays and Sketches (1912) 14 copies
The Town (2014) 13 copies
Imagination and Fancy (1972) 10 copies
Selected Essays 6 copies
The Months (1936) 4 copies
Coaches and Coaching (2015) 4 copies, 1 review
The Companion 3 copies
Abou Ben Adhem 2 copies
Christmas Short Works Collection 2014 — Contributor — 1 copy
The book of the sonnet (2018) 1 copy
A day by the fire (2016) 1 copy
My Books 1 copy
No title 1 copy
Ballads of Robin Hood (2012) 1 copy

Associated Works

One Hundred and One Famous Poems (1916) — Contributor, some editions — 2,118 copies, 19 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 951 copies, 7 reviews
The Nation's Favourite Poems (1996) — some editions — 633 copies, 7 reviews
A Treasury of the World's Best Loved Poems (1961) — Contributor — 530 copies, 4 reviews
English Poetry, Volume II: From Collins to Fitzgerald (1910) — Contributor — 519 copies, 1 review
English Essays: From Sir Philip Sidney to Macaulay (1969) — Contributor — 488 copies, 2 reviews
Fables for Our Time and Famous Poems Illustrated (1952) — Contributor — 392 copies, 4 reviews
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 253 copies, 1 review
A Book of English Essays (1942) — Contributor — 249 copies, 2 reviews
The Literary Cat (1977) — Contributor — 244 copies
Best Remembered Poems (1992) — Contributor — 162 copies, 4 reviews
The Standard Book of British and American Verse (1932) — Contributor — 117 copies, 1 review
Poetry of Witness: The Tradition in English, 1500-2001 (2014) — Contributor — 45 copies, 1 review
Prose and Poetry for Appreciation (1934) — Contributor — 44 copies
Selected sonnets, odes, and letters (1966) — Translator, some editions — 39 copies, 1 review
Fairy Poems (2023) — Contributor — 21 copies
100 Story Poems (1951) — Contributor — 21 copies
Great English Short Stories (1930) — Contributor — 19 copies, 1 review
Poems of Magic and Spells (1960) — Contributor — 15 copies
Englische Essays aus drei Jahrhunderten (1980) — Contributor — 10 copies
Men and Women: The Poetry of Love (1970) — Contributor — 8 copies
English Romantic Poetry (1996) — Contributor — 2 copies
The King's Story Book — Contributor — 1 copy

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"Coaches and Coaching"ACCORDING to the opinion commonly entertained respecting an author's want of riches, it may be allowed us to say that we retain from childhood a considerable notion of "a ride in a coach." Nor do we hesitate to confess, that by coach we especially mean a hired one; from the equivocal dignity of the post-chaise, down to that despised old castaway, the hackney.
It is true that the carriage, as it is indifferently called (as if nothing less genteel could carry any one), is a more decided thing than the chaise; it may be swifter even than the mail, leaves the stage at a still greater distance in every respect, and (forgetting what it may come to itself) darts by the poor old lumbering hackney with immeasureable contempt.

It rolls with a prouder ease than any other vehicle. It is full of cushions and comfort; elegantly coloured inside and out; rich, yet neat; light and rapid, yet substantial. The horses seem proud to draw it. The fat and fair-wigged coachman "lends his sounding lash," his arm only in action and that but little, his body well set with its own weight.

The footman, in the pride of his nonchalance, holding by the straps behind, and glancing down sideways betwixt his cocked-hat and neckcloth, stands swinging from east to west upon his springy toes.

The horses rush along amidst their glancing harness. Spotted dogs leap about them, barking with a princely superfluity of noise. The hammer-cloth trembles through all its fringe. The paint flashes in the sun.

We, contemptuous of everything less convenient, bow backwards and forwards with a certain indifferent air of gentility, infinitely predominant.
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