25
Metascore
6 reviews · Provided by Metacritic.com
- 50Paste MagazineMatt DonatoPaste MagazineMatt DonatoYou can’t fault an attempt to transform a viral sensation into the next bonkers realization of contemporary horror that exploits our ever-volatile online climate—but you can always fault a genre film that doesn’t do the chosen genre justice.
- 50IGNIGNDear David tries its best to scare, but it never quite brings the spookiness it promises. It suffers from trying to do a bit too much with the living characters and not enough with the dead ones. Also, way too much lens flare.
- 33IndieWireDavid EhrlichIndieWireDavid EhrlichThis low-rent, no-energy, seen-it-all-before genre wank left me absolutely terrified of returning to an era when micro-blogged cries for help could last for half a year and run the length of a novella.
- 25RogerEbert.comMonica CastilloRogerEbert.comMonica CastilloDear David is branded content—uninspired and hollow to a fault—and perhaps that’s even more disturbing than a five-year-old internet ghost story.
- 25TheWrapTomris LafflyTheWrapTomris LafflySo if you’re in search of a new horror film to watch in the countdown to Halloween this October, look elsewhere—no need to go exploring this particular noise in your streaming pool.
- 20Los Angeles TimesKatie WalshLos Angeles TimesKatie Walshit is a boring paint-by-numbers ghost movie, a jumble of tropes borrowed from movies like “The Ring,” and a poor facsimile of its influences.