Although wife and mother Mabel is loved by her husband Nick, her mental illness places a strain on the marriage.Although wife and mother Mabel is loved by her husband Nick, her mental illness places a strain on the marriage.Although wife and mother Mabel is loved by her husband Nick, her mental illness places a strain on the marriage.
- Nominated for 2 Oscars
- 10 wins & 7 nominations total
Matthew Labyorteaux
- Angelo Longhetti
- (as Matthew Laborteaux)
George Dunn
- Garson Cross
- (as O.G. Dunn)
Vincent Barbi
- Gino
- (as Vince Barbi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJohn Cassavetes could not find a distributor for the film after completion, and was at one point literally carrying the reels under his arm, from one theater to another, in hopes of getting one to play his movie. Finally, Martin Scorsese, who had recently become critically acclaimed following his film Mean Streets (1973) happened to be a huge fan of Cassavetes' work and threatened to pull his film Alice Doesn't Live Here Anymore (1974) from a major New York film festival unless they accepted this film.
- GoofsIn the scene at the end of the film when Nick and Mabel are putting the children to bed, the boom mic is visible on the left side of the screen poking out from behind the door frame just after Nick exits the room and Mabel is about to turn off the light.
- Quotes
Nick Longhetti: Mabel is not crazy, she's unusual. She's not crazy, so don't say she's crazy.
- ConnectionsFeatured in Siskel & Ebert: Cousins/The Mighty Quinn/True Believer/Tap (1989)
- SoundtracksLa Boheme: 'Che facevi, che dicevi Act 3
Written by Giacomo Puccini
Performed by Mirella Freni, Nicolai Gedda and Thomas Schippers
Featured review
Eeesh, what a tough movie to sit through.
This two and a half hour movie left me sweaty, exhausted and hollowed out. In its own way it's an extremely well done film, but I don't know that it's an experience I want to repeat. Director John Cassavetes follows a few months in the life of a family whose mother and wife (Gena Rowlands) is suffering from mental illness, and the movie consists of one long scene after another of her cracking up, or trying not to crack up, and the various family members' reactions to her cracking up. Peter Falk plays the husband and father who thinks that mental illness is just some silly nonsense his wife should be able to stop if she just tried hard enough. Rowlands has the showier role, but Falk is the revelation here. His depiction of a husband who blusters and shouts to hide his overwhelming sense of helplessness and fear is superb.
Cassavetes's camera is relentless. We watch Rowlands suffer again and again in long takes and intimate closeups. There are times when you simply want to look away from the screen to help this poor woman preserve a shred of dignity. The highlight of the film (or low point, depending on your point of view) comes when Rowlands's character returns home from a stay in an institution, and her family works overtime to convince themselves that everything's fine when the audience can see clearly that everything is not.
Bruising is the best word I can think of to describe this film.
Grade: A-
This two and a half hour movie left me sweaty, exhausted and hollowed out. In its own way it's an extremely well done film, but I don't know that it's an experience I want to repeat. Director John Cassavetes follows a few months in the life of a family whose mother and wife (Gena Rowlands) is suffering from mental illness, and the movie consists of one long scene after another of her cracking up, or trying not to crack up, and the various family members' reactions to her cracking up. Peter Falk plays the husband and father who thinks that mental illness is just some silly nonsense his wife should be able to stop if she just tried hard enough. Rowlands has the showier role, but Falk is the revelation here. His depiction of a husband who blusters and shouts to hide his overwhelming sense of helplessness and fear is superb.
Cassavetes's camera is relentless. We watch Rowlands suffer again and again in long takes and intimate closeups. There are times when you simply want to look away from the screen to help this poor woman preserve a shred of dignity. The highlight of the film (or low point, depending on your point of view) comes when Rowlands's character returns home from a stay in an institution, and her family works overtime to convince themselves that everything's fine when the audience can see clearly that everything is not.
Bruising is the best word I can think of to describe this film.
Grade: A-
- evanston_dad
- Jul 9, 2007
- Permalink
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Neurosis de mujer
- Filming locations
- 1741 N. Taft Avenue, Hollywood, Los Angeles, California, USA(the Longhettis' home)
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $25,601
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What was the official certification given to A Woman Under the Influence (1974) in Japan?
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