Pakeezah
- 1972
- 2h 27m
IMDb RATING
7.2/10
1.9K
YOUR RATING
In Lucknow at the turn of the century, a dancer and courtesan believes that her pure soul and body will enable her to find true love and honor.In Lucknow at the turn of the century, a dancer and courtesan believes that her pure soul and body will enable her to find true love and honor.In Lucknow at the turn of the century, a dancer and courtesan believes that her pure soul and body will enable her to find true love and honor.
- Awards
- 1 win & 4 nominations
D.K. Sapru
- Hakim Saab
- (as Sapru)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIt took 14 years for this film to be completed. To begin with, the film was launched in 1958, jointly planned by Kamal Amrohi and 'Meena Kumari'. It was launched in black-and-white, but when colour came in vogue, Amrohi scrapped those portions already shot and decided to start again. Later, Cinemascope came into vogue, and Amrohi acquired a Cinemascope lens from MGM and scrapped the plain colour portions too. Then Amrohi and Kumari separated in 1964, bringing filming to an indefinite halt. Finally, the film was resumed in 1968, and though by then Kumari was suffering from alcoholism and was in critical condition, she was still Amrohi's only choice and she agreed to complete the film.
- Quotes
Salim Ahmed Khan: [in a note to Sahibjaan] Aapke paon dekhe, bahut haseen hai. / Inhe zameen par mat utariyega, maile ho jayenge.
[Saw your feet; they are very beautiful. / Don't place them on the ground, they will get dirty]
- ConnectionsFeatured in Ek Number Ka Chor (1990)
Featured review
Without question, this film has to be one of the greatest ........ in cinematic history. I have it watched too many times to remember, and each time it is like I am seeing the film for the first time.
Where does one begin?
Meena Kumari's central performance is undoubtedly one of the finest of her career, followed closely by Sahib Bibi aur Ghulam and Phool aur Pathar. Each movement and nuance of her performance, makes any other Bollywood heroine pale into significance. Her masterly interpretation of Kathak coupled with her grace, tragic vulnerability and poetic delivery of Urdhu, is like nothing ever seen on the bollywood screen.
Pakeezah is perhaps the most stylised interpretation of the human condition; the photography, sumptuous cinematography and mise en scene, are so charged with symbolism and meaning, that the viewer is left breathless.
Naushads music, is unsurpassed, his knowledge of the music of the courtesan gharanas is incredible, and the way in which he punctuates the narrative with dark atmospheric motifs and overwhelming romantic melodies is indeed remarkable.
My only advice to anyone who seriously enjoys the spectacle of total cinema, should watch this epic mediation on life and art.
Where does one begin?
Meena Kumari's central performance is undoubtedly one of the finest of her career, followed closely by Sahib Bibi aur Ghulam and Phool aur Pathar. Each movement and nuance of her performance, makes any other Bollywood heroine pale into significance. Her masterly interpretation of Kathak coupled with her grace, tragic vulnerability and poetic delivery of Urdhu, is like nothing ever seen on the bollywood screen.
Pakeezah is perhaps the most stylised interpretation of the human condition; the photography, sumptuous cinematography and mise en scene, are so charged with symbolism and meaning, that the viewer is left breathless.
Naushads music, is unsurpassed, his knowledge of the music of the courtesan gharanas is incredible, and the way in which he punctuates the narrative with dark atmospheric motifs and overwhelming romantic melodies is indeed remarkable.
My only advice to anyone who seriously enjoys the spectacle of total cinema, should watch this epic mediation on life and art.
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Details
- Runtime2 hours 27 minutes
- Aspect ratio
- 2.35 : 1
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