Tomorrow at Ten

1963
1h 20m

IMDb RATING

YOUR RATING

It's a race against time for the police when they have to find a kidnapped boy imprisoned with a time bomb, after his abductor dies without revealing the child's whereabouts.It's a race against time for the police when they have to find a kidnapped boy imprisoned with a time bomb, after his abductor dies without revealing the child's whereabouts.It's a race against time for the police when they have to find a kidnapped boy imprisoned with a time bomb, after his abductor dies without revealing the child's whereabouts.

See production info at IMDbPro

IMDb RATING

6.8/10

477

YOUR RATING

See production info at IMDbPro

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Storyline

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Trivia
Abbots Mead, the disused Victorian house (referred to in the film by its real name) where Marlow takes Jonathan after he has kidnapped him, was bought by film director Stanley Kubrick shortly after this film was made. He and his family lived there from 1965-1979 and he edited many of his films, such as A Clockwork Orange, in an outbuilding alongside the house.

Goofs
When Parnell and Grey first meet the local police officer near Chester's house, a cylindrical microphone windshield is very obvious at the bottom of the frame.

Connections
Featured in Tienes que ver esta peli: Mañana a las 10 (2022)

Soundtracks
Bongo Girl
(uncredited)
Music by Brian Fahey

User reviews21

Review

Featured review

6/10

Must Be A Matinee

Detective Inspector John Gregson gets called in on a kidnapping. Robert Shaw has kidnapped a rich man's son and hidden him some place in London, with a bomb that will explode at 10 the following morning. Let him catch his plane to unextraditable Rio, and when he's safe, he'll phone in plenty of time. The man whose son has been abducted agrees. Gregson's superior agrees. Gregson thinks it's handing license to every would-be kidnapper in the country. He thinks he can break Shaw. He's making a good start, when the rich man attacks Shaw in a frenzy, rendering him unconscious.

It's a well performed little thriller, with the hurry-up-and-wait sequences very telling, and a few familiar faces in small roles; William Hartnell is present in a throwaway cameo, paired with Renee Houston. There's the stereotypical last minute race to save the boy, but even that ends with a twist.