In 1898, composer Sid's new show casts singer Adeline as lead, angering former star Elysia. Sid worries as Adeline grows close to Major Day, jeopardizing the production and his romance with ... Read allIn 1898, composer Sid's new show casts singer Adeline as lead, angering former star Elysia. Sid worries as Adeline grows close to Major Day, jeopardizing the production and his romance with her.In 1898, composer Sid's new show casts singer Adeline as lead, angering former star Elysia. Sid worries as Adeline grows close to Major Day, jeopardizing the production and his romance with her.
Ernie Alexander
- Tennis Player
- (uncredited)
Louise Allen
- Chorus Girl
- (uncredited)
Don Alvarado
- Renaldo
- (uncredited)
William Arnold
- Second Man at McGowan's
- (uncredited)
Jean Ashton
- Chorus Girl
- (uncredited)
Gertrude Astor
- Minor Role
- (uncredited)
Noah Beery
- Sultan in the Show
- (uncredited)
William A. Boardway
- Observer at Rehearsal
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaLike many film musicals adapted from stage successes of the time, the plot line and characters of "Sweet Adeline" bear only a faint resemblance to the ones in the original Broadway show.
- GoofsThe action takes place in 1898, but two cast members sing the title song, "You're the Flower of My Heart, Sweet Adeline", which wasn't published until 1903.
- ConnectionsFeatured in Queerama (2017)
- SoundtracksSweet Adeline
(1903) (uncredited)
Music by Harry Armstrong
Lyric by Richard H. Gerard
Played during the opening credits
Reprised by the band at Schmidt's beer garden
Sung later by Hugh Herbert and Donald Woods
Featured review
Irene Dunne and the songs by Jerome Kern and Oscar Hammerstein were the biggest two reasons for seeing 'Sweet Adeline' in the first place. Have also liked some of Mervyn Leroy's films, especially 'Waterloo Bridge' and 'Random Harvest'.
'Sweet Adeline' is certainly watchable, but at the same time it is unremarkable though with enough big merits. Dunne and the songs as well as being the two selling points are also the best things about the film. Dunne looks luminous with the camera clearly loving her, charms the socks off and sings like a nightingale, definitely a role that suits her to a tee. The songs by Kern and Hammerstein are so good that they are enough to redeem any film, regardless of overall quality, more than one notch, the highlights being "Why Was I Born?", "Don't Ever Leave Me" and "Here Am I".
Production values are very lavish, the production design is very pleasing on the eyes while 'Sweet Adeline' is beautifully shot and slickly edited. Of the rest of the cast, coming off best are a debonair but also sinister Louis Calhern and a zesty Wini Shaw. Ned Sparks is amusing too. The dancing and choreography is lively enough as well, and LeRoy makes the most of the production values and of how Dunne looks on film.
Letting 'Sweet Adeline' down in particular are the story and Donald Woods. The story is dull, thin and creaks badly, while also going well overboard on the winsome and cornball factors. The nostalgia is lovely however. Woods is so lifeless, wooden and charisma-free as the leading man here that he gets completely lost amidst everything else. The script also doesn't feel as funny or as emotionally investable as it ought, also sounding sketchy and awkward often.
The scenes with Sparks and Hugh Herbert also feel like filler that drag the film down. Sparks is amusing and some of his lines are good, but Herbert has always been an acquired taste and does try too hard for laughs that it really grates on the nerves. LeRoy's direction is very good from a stylistic standpoint but from a storytelling point of view it lacks momentum and just feels like his heart wasn't completely in it.
On the whole, very watchable but didn't have me jumping out of my chair with excitement or such. Dunne and the songs are the best things about it. 6/10 Bethany Cox
'Sweet Adeline' is certainly watchable, but at the same time it is unremarkable though with enough big merits. Dunne and the songs as well as being the two selling points are also the best things about the film. Dunne looks luminous with the camera clearly loving her, charms the socks off and sings like a nightingale, definitely a role that suits her to a tee. The songs by Kern and Hammerstein are so good that they are enough to redeem any film, regardless of overall quality, more than one notch, the highlights being "Why Was I Born?", "Don't Ever Leave Me" and "Here Am I".
Production values are very lavish, the production design is very pleasing on the eyes while 'Sweet Adeline' is beautifully shot and slickly edited. Of the rest of the cast, coming off best are a debonair but also sinister Louis Calhern and a zesty Wini Shaw. Ned Sparks is amusing too. The dancing and choreography is lively enough as well, and LeRoy makes the most of the production values and of how Dunne looks on film.
Letting 'Sweet Adeline' down in particular are the story and Donald Woods. The story is dull, thin and creaks badly, while also going well overboard on the winsome and cornball factors. The nostalgia is lovely however. Woods is so lifeless, wooden and charisma-free as the leading man here that he gets completely lost amidst everything else. The script also doesn't feel as funny or as emotionally investable as it ought, also sounding sketchy and awkward often.
The scenes with Sparks and Hugh Herbert also feel like filler that drag the film down. Sparks is amusing and some of his lines are good, but Herbert has always been an acquired taste and does try too hard for laughs that it really grates on the nerves. LeRoy's direction is very good from a stylistic standpoint but from a storytelling point of view it lacks momentum and just feels like his heart wasn't completely in it.
On the whole, very watchable but didn't have me jumping out of my chair with excitement or such. Dunne and the songs are the best things about it. 6/10 Bethany Cox
- TheLittleSongbird
- Oct 29, 2016
- Permalink
Details
- Runtime1 hour 27 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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