A reporter interviews Max Fleischer about his creation, and Betty illustrates with excerpts from three prior cartoons.A reporter interviews Max Fleischer about his creation, and Betty illustrates with excerpts from three prior cartoons.A reporter interviews Max Fleischer about his creation, and Betty illustrates with excerpts from three prior cartoons.
Photos
Cab Calloway
- Old Man
- (voice)
- (uncredited)
Dave Fleischer
- Reporter
- (uncredited)
Max Fleischer
- Max Fleischer
- (uncredited)
Bonnie Poe
- Betty Boop
- (voice)
- (uncredited)
Mae Questel
- Betty Boop
- (voice)
- (uncredited)
Storyline
Did you know
- TriviaBetty Boop comes to life from an ink drawing by animator Max Fleischer, much like Fleischer's earlier cartoon star Ko-Ko the Inkwell Clown would come to life from Max's drawings in the popular "Out of the Inkwell" films of the 1920s.
- ConnectionsEdited into Betty Boop Confidential (1998)
- SoundtracksBetty Boop
(uncredited)
Music by Johnny Green
Played during the opening credits and at the end
Played when illustrations from previous cartoons are shown to Betty
Played when Betty runs behind the books to change
Featured review
"Betty Boop's Rise to Fame" is one of the best Betty Boop cartoons and it's held up very, very well over the years. I think part of this is because the film gives you a look at two of the big driving forces behind these cartoons--Max and David Fleischer. I think it also helps that the strange style is a nice look at the origins of the Boop cartoons--a look back to the earlier Fleischer Brothers cartoons.
This is a part live-action short. A reporter (Dave Fleischer) is interviewing the studio chief (Max Fleischer) and Max is talking about his beloved character, Betty Boop. But instead of just showing her, he quickly draws her and she comes to life---stepping off the page and begins talking with the reporter. She also then performs a few of her greatest hits (actually clips from "Stopping the Show", "Betty Boop's Bamboo Isle" and "The Old Man of the Mountain").
As far as when this cartoon was made, it might interest you to know it couldn't have been made only two months later unless there were massive changes. That's because in July, 1934, the new strengthened Production Code was adopted--and films were 'cleaned up'. In regard to Betty, that meant MORE CLOTHES and LESS CURVES! So, when you see her dancing the topless hula in this one (they do cover her breasts with a lei), you never would have seen that had the film come out after the Code. And, all the countless times Betty strips down and changes clothes, they would have been a lot less suggestive. Let's face it, sex appeal and titillation made Betty Boop and this is certainly her last hurrah, so to speak.
I also love her going in and out of the inkwell--hearkening back to the Into the Inkwell series the Fleischers did in the 1920s and early 30s where characters like KoKo routinely would step out of the inkwell to start the cartoon.
Overall, this is a nice nostalgic look at Betty--one that is filled with amazing animation, live action and fun.
This is a part live-action short. A reporter (Dave Fleischer) is interviewing the studio chief (Max Fleischer) and Max is talking about his beloved character, Betty Boop. But instead of just showing her, he quickly draws her and she comes to life---stepping off the page and begins talking with the reporter. She also then performs a few of her greatest hits (actually clips from "Stopping the Show", "Betty Boop's Bamboo Isle" and "The Old Man of the Mountain").
As far as when this cartoon was made, it might interest you to know it couldn't have been made only two months later unless there were massive changes. That's because in July, 1934, the new strengthened Production Code was adopted--and films were 'cleaned up'. In regard to Betty, that meant MORE CLOTHES and LESS CURVES! So, when you see her dancing the topless hula in this one (they do cover her breasts with a lei), you never would have seen that had the film come out after the Code. And, all the countless times Betty strips down and changes clothes, they would have been a lot less suggestive. Let's face it, sex appeal and titillation made Betty Boop and this is certainly her last hurrah, so to speak.
I also love her going in and out of the inkwell--hearkening back to the Into the Inkwell series the Fleischers did in the 1920s and early 30s where characters like KoKo routinely would step out of the inkwell to start the cartoon.
Overall, this is a nice nostalgic look at Betty--one that is filled with amazing animation, live action and fun.
- planktonrules
- Sep 20, 2013
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Бетти Буп становится знаменитостью
- Production company
- See more company credits at IMDbPro
- Runtime9 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Betty Boop's Rise to Fame (1934) officially released in Canada in English?
Answer