Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde.Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde.Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde.
- Won 1 Oscar
- 4 wins & 2 nominations total
Robert Adair
- Ivy's Admirer at Music Hall
- (uncredited)
Harry Adams
- Pub Patron
- (uncredited)
William Begg
- Party Guest
- (uncredited)
Leonard Carey
- Briggs - Lanyon's Butler
- (uncredited)
Rita Carlyle
- Jekyll's Patient
- (uncredited)
Frank Goddard
- Undetermined Role
- (uncredited)
Bobbie Hale
- Pub Patron
- (uncredited)
Pat Harmon
- Music Hall Customer
- (uncredited)
Sam Harris
- Party Guest
- (uncredited)
Boyd Irwin
- Police Inspector
- (uncredited)
Tom London
- Undetermined Role
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe remarkable Jekyll-to-Hyde transition scenes in this film were accomplished by manipulating a series of variously colored filters in front of the camera lens. Fredric March's Hyde makeup was in various colors, and the way his appearance registered on the film depended on which color filter was being shot through. Only in the late 1960's did Mamoulian reveal how this was done.
- GoofsImmediately after Hyde changes to Jekyll in front of Dr. Lanyon, he moves his head and briefly reveals the padded armature attached to the back of his chair, intended to hold his head in the same position while the makeup artists worked on various stages of his transformation.
- Alternate versionsThis film was published in Italy in an DVD anthology entitled "Il dottor Jekyll e Mr. Hyde", distributed by DNA Srl. The film has been re-edited with the contribution of the film history scholar Riccardo Cusin . This version is also available in streaming on some platforms.
- ConnectionsEdited into Mondo Lugosi - A Vampire's Scrapbook (1987)
- SoundtracksToccata and Fugue in D Minor, BWV 565
(1708) (uncredited)
Music by Johann Sebastian Bach
Played by orchestra during opening credits and in some scenes by an anonymous organist dubbing Fredric March
Featured review
This film is far superior to the 1941 version with Spencer Tracy, Ingrid Bergman and Lana Turner. Fredric March's portrayal was more subtle than Tracy's. March's Mr. Hyde is terrifying, especially in his scenes with Miriam Hopkins, but at the same time, he was able to imbue his "bad side" personality with sympathy, especially toward the end when he realizes the monster that he's become because he messed with his natural impulses through the use of chemical augmentation. The scene where Jekyll is watching his fiancée cry and he desperately tries to control his impulses and keep himself from transforming was well-acted by March and was very sad to watch. I thought March did an excellent job and he earned his Oscar.
Spencer Tracy's rendition of Mr. Hyde was way too hammy and the makeup was ridiculous. He seemed forced and over the top, whereas March's portrayal of the two sides of his personality was more complex. Both Jekyll and Hyde had their bad parts. Hyde, even though he did some awful things, may have had some good qualities despite his selfish and unconscionable behavior. Based on March's portrayal, it seems that the best of human nature lies somewhere in the middle of Jekyll and Hyde.
Miriam Hopkins is very good here as the professional trollop who gets more than she bargained for in Hyde. I thought her cockney accent was a little uneven, but it didn't detract from her performance. Miriam's bad girl liked to take chances, and thus she gets herself into questionable situations, but she didn't deserve the fate of being stuck with the abusive Mr. Hyde.
I really liked her opening scene with Dr. Jekyll where she flaunts her legs and ends up nude in the bed with a strategically placed sheet, that was pretty risqué, even for a pre-code. Unfortunately, her whispered "come back" was a temptation for Dr. Jekyll, but it was an invitation for Hyde. The scene where Mr. Hyde attacks her was very frightening and I thought that Hopkins and March acted it well.
I think that director Mamoulian managed to keep the secret of Hyde's transformation until his death or pretty close to it. That is an accomplishment in and of itself - keeping a secret that long. At any rate, highly recommended.
Spencer Tracy's rendition of Mr. Hyde was way too hammy and the makeup was ridiculous. He seemed forced and over the top, whereas March's portrayal of the two sides of his personality was more complex. Both Jekyll and Hyde had their bad parts. Hyde, even though he did some awful things, may have had some good qualities despite his selfish and unconscionable behavior. Based on March's portrayal, it seems that the best of human nature lies somewhere in the middle of Jekyll and Hyde.
Miriam Hopkins is very good here as the professional trollop who gets more than she bargained for in Hyde. I thought her cockney accent was a little uneven, but it didn't detract from her performance. Miriam's bad girl liked to take chances, and thus she gets herself into questionable situations, but she didn't deserve the fate of being stuck with the abusive Mr. Hyde.
I really liked her opening scene with Dr. Jekyll where she flaunts her legs and ends up nude in the bed with a strategically placed sheet, that was pretty risqué, even for a pre-code. Unfortunately, her whispered "come back" was a temptation for Dr. Jekyll, but it was an invitation for Hyde. The scene where Mr. Hyde attacks her was very frightening and I thought that Hopkins and March acted it well.
I think that director Mamoulian managed to keep the secret of Hyde's transformation until his death or pretty close to it. That is an accomplishment in and of itself - keeping a secret that long. At any rate, highly recommended.
Details
Box office
- Budget
- $535,000 (estimated)
- Gross worldwide
- $16,615
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.20 : 1
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