It is a pleasure to see a film that has believable characters and an engrossing story which both entertains and enlightens. "Hilary and Jackie" tells the story of two sisters, Hilary and Jacqueline Du Pre, from their early years as devoted sisters and fledgling musicians, through their divergent life choices as professional soloist and housewife.
Jacqueline's career as cellist takes off just as Hilary decides to marry and raise a family on a rural farm. The music is integral to the development of the story. Director, Anand Tucker, uses it to comment on the action, much as the piano performances were used in "Shine". The digital stereo sound highlights the richness of the music combined with emotionally gripping sound effects.
Emily Watson shines as Jacqueline in a varied and multi-faceted performance that may well earn her another Academy Award nomination. As the quieter more sensible Hilary, Rachel Griffiths is also effective in a less showy but subtle portrayal.
The key dramatic sequence comes at the film's center where Jacqueline leaves her husband, pianist and conductor, Daniel Barenboim, to stay with Hilary and her family. The surprising favor and request she asks of her sister will not be revealed here. Suffice it to say, this is not a film for children.
The powerful final scenes will remain long in memory. The fine music should encourage those not familiar with the careers of Du Pre and Barenboim to sample their recordings. Put this fine film on your must-see list.
Jacqueline's career as cellist takes off just as Hilary decides to marry and raise a family on a rural farm. The music is integral to the development of the story. Director, Anand Tucker, uses it to comment on the action, much as the piano performances were used in "Shine". The digital stereo sound highlights the richness of the music combined with emotionally gripping sound effects.
Emily Watson shines as Jacqueline in a varied and multi-faceted performance that may well earn her another Academy Award nomination. As the quieter more sensible Hilary, Rachel Griffiths is also effective in a less showy but subtle portrayal.
The key dramatic sequence comes at the film's center where Jacqueline leaves her husband, pianist and conductor, Daniel Barenboim, to stay with Hilary and her family. The surprising favor and request she asks of her sister will not be revealed here. Suffice it to say, this is not a film for children.
The powerful final scenes will remain long in memory. The fine music should encourage those not familiar with the careers of Du Pre and Barenboim to sample their recordings. Put this fine film on your must-see list.