Exclusive: Trailers, posters and global marketing campaigns from the likes of Focus Features’ Last Night In Soho, Netflix’s Ozark and Amazon Prime Video’s The Tomorrow War were among the winners Saturday at the inaugural World Trailer Awards.
The ceremony, which was emceed by Portuguese actor Sonia Balaco, took place live from the Tivoli Marina Vilamoura Hotel in Vilamoura, Portugal. (Watch the full ceremony exclusively below.)
The show, founded by the U.S.-based Golden Trailer Awards and AcclaimWorks, recognized achievements of the world’s best creative marketing across the fields of cinema, TV (broadcast/cable), gaming, streaming services and social media. The winners were revealed after regional finalists from around the globe were set last week.
Edgar Wright’s Last Night In Soho was a double winner on the night, with Joe Argent from Zealot UK scoring trophies in the Cinema categories for Best Online Advertising and Best Outdoor Advertising.
The ceremony, which was emceed by Portuguese actor Sonia Balaco, took place live from the Tivoli Marina Vilamoura Hotel in Vilamoura, Portugal. (Watch the full ceremony exclusively below.)
The show, founded by the U.S.-based Golden Trailer Awards and AcclaimWorks, recognized achievements of the world’s best creative marketing across the fields of cinema, TV (broadcast/cable), gaming, streaming services and social media. The winners were revealed after regional finalists from around the globe were set last week.
Edgar Wright’s Last Night In Soho was a double winner on the night, with Joe Argent from Zealot UK scoring trophies in the Cinema categories for Best Online Advertising and Best Outdoor Advertising.
- 2/27/2022
- by Patrick Hipes
- Deadline Film + TV
The John Landis-directed mini-movie – first shown publicly 30 years ago this week – influenced a generation of directors including Spike Jonze, turned music promos into an industry, and established MTV as a cultural force
John Landis was in London in 1983 when Michael Jackson called to ask if he was interested in making a video for Thriller, the title track of the album he'd released a little under a year before. Seemingly unaware of the time difference, Jackson had called at 2am UK time and the sleepy director had to feign knowledge of the song, which he hadn't heard. Jackson, for his part, hadn't seen Landis's films Animal House, The Blues Brothers or Trading Places; he wanted Landis because of An American Werewolf in London. Landis said he would do the video if it could be a short film, and Jackson embraced the idea. The 13-minute film that resulted changed the music video for ever,...
John Landis was in London in 1983 when Michael Jackson called to ask if he was interested in making a video for Thriller, the title track of the album he'd released a little under a year before. Seemingly unaware of the time difference, Jackson had called at 2am UK time and the sleepy director had to feign knowledge of the song, which he hadn't heard. Jackson, for his part, hadn't seen Landis's films Animal House, The Blues Brothers or Trading Places; he wanted Landis because of An American Werewolf in London. Landis said he would do the video if it could be a short film, and Jackson embraced the idea. The 13-minute film that resulted changed the music video for ever,...
- 11/22/2013
- The Guardian - Film News
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