John Van Eyssen(1922-1995)
- Actor
- Producer
John van Eyssen (1922-1995) John van Eyssen wore several hats during
his long professional career -- including that of Shakespearean
thespian, movie actor, literary agent, producer and studio executive.
Born and raised in South Africa, van Eyssen did not come to Great
Britain until after WW II. Once in London, he studied drama at the
Central School of Speech and Drama and, before graduation, joined the
Royal Shakespeare Company. At the RSC, van Eyssen performed the major
classical leads and also played Cassio in Orson Welles' production of
Othello. As Lucifer in the York Cycle of Mystery Plays, van Eyssen
inspired Dame Judi Dench, a teenager at the time, to pursue a career in
acting. From there, van Eyssen branched out into radio, television and,
beginning with The Angel with the Trumpet (1950), films, and went on to
appear in a number of British movies of the period including Joseph
Losey's Blind Date, Cockleshell Heroes and Carlton Browne of the F.O.
In 1958, he appeared as Jonathan Harker in Hammer Films' cult classic,
The Horror of Dracula. Van Eyssen abandoned acting in 1961 to become a
literary agent for London Management. He proved to have a knack for the
job and was quickly promoted to helm the literary department. He became
so important that, when the company merged with London Artists, he was
in charge of handling Franco Zeffirelli, Tennessee Williams, and Arthur
Miller. Van Eyssen left the management business in 1965 to work at
Columbia Pictures' UK division. Two years after his hiring, van Eyssen
became the UK studio's Managing Director and was behind some of the
studio's most popular British films, including Romeo and Juliet, To Sir
With Love (1967), Born Free (1966), Georgy Girl (1966), Oliver! and A
Man For All Seasons (1969). In 1969, he was promoted to Worldwide Head
of Production (ex-US) and moved to New York. He left the studio in 1974
to work as an independent producer, and in 1981, produced Sidney
Lumet's Daniel. Van Eyssen returned to England in 1991 and became an
instrumental part of establishing Britain's premiere showcase for
talented young filmmakers, the Chelsea Film Festival.