As Consciousness is Harnessed to Flesh Quotes

“My library is an archive of longings.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I don’t feel guilt at being unsociable, though I may sometimes regret it because my loneliness is painful. But when I move into the world, it feels like a moral fall – like seeking love in a whorehouse.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Self-respect. It would make me lovable. And it's the secret to good sex.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“One can never ask anyone to change a feeling.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Being in Love means being willing to ruin yourself for the other person.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Nothing is mysterious, no human relation. Except love.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I am only interested in people engaged in a project of self-transformation.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Can I love someone...and still think/fly? Love is flying, sown, floating. Thought is solitary flight, beating wings.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Being in love (l’amour fou) a pathological variant of loving. Being in love = addiction, obsession, exclusion of others, insatiable demand for presence, paralysis of other interests and activities. A disease of love, a fever (therefore exalting). One “falls” in love. But this is one disease which, if one must have it, is better to have often rather than infrequently. It’s less mad to fall in love often (less inaccurate for there are many wonderful people in the world) than only two or three times in one’s life. Or maybe it’s better always to be in love with several people at any given time.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“One criticizes in others what one recognizes and despises in oneself. For example, an artist who is revolted by another’s ambitiousness.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I feel profoundly alone, cut off, unattractive…I feel unloveable. But I respect that unloveable solider—struggling to survive, struggling to be honest, just, honourable. I respect myself.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I perceive value, I confer value, I create value, I even create — or guarantee — existence. Hence, my compulsion to make “lists.” The things (Beethoven’s music, movies, business firms) won’t exist unless I signify my interest in them by at least noting down their names.

Nothing exists unless I maintain it (by my interest, or my potential interest). This is an ultimate, mostly subliminal anxiety. Hence, I must remain always, both in principle + actively, interested in everything. Taking all of knowledge as my province.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I suffer from a chronic nausea—after I’m with people. The awareness (after-awareness) of how programmed I am, how insincere, how frightened.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I vulgarize my feelings by speaking of them too readily to others.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Alone, alone. I am alone – I ache … Yet for the first time, despite all the anguish and the reality problems, I’m here. I feel tranquil, whole, ADULT.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I don’ t want to learn anything from the failure of this love.”
― Susan Sontag, As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Pop art: only possible in an affluent society, where one can be free to enjoy ironic consumption.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I’m now writing out of rage — and I feel a kind of Nietzschean elation. It’s tonic. I roar with laughter. I want to denounce everybody, tell everybody off. I go to my typewriter as I might go to my machine gun. But I’m safe. I don’t have to face the consequences of ‘real’ aggressivity. I’m sending out colis piégés ['booby-trapped packages'] to the world.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I love to eat, even though it is easy for me not to eat (when no one feeds me, when there is no food around).”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Philosophy is an art form—art of thought or thought as art”
― Susan Sontag, As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“The “Art Nouveau” appeal of smoking: manufacture your own pneuma, spirit. “I’m alive.” “I’m decorative.”
― Susan Sontag, As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“I am trying to check my habits of seeing, to counter them for the sake of a greater freshness. I am trying to be unfamiliar with what I’m doing.”
― Susan Sontag, As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Regenerative experiences: Plunge into the sea. The sun. An old city. Silence.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Feeling of discontinuity as a person. My various selves—how do they all come together? And anxiety at moments of transition from one “role” to another. Will I make it fifteen minutes from now? Be able to step into, inhabit the person I’m supposed to be? This is felt as an infinitely hazardous leap, no matter how often it’s successfully executed.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“If one could amputate part of one's consciousness...”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“To say a feeling, an impression is to diminish it - expel it”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Only thing that counts are ideas. Behind ideas are [moral] principles. Either one is serious or one is not. Must be prepared to make sacrifices. I'm not a liberal.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“Everyone else not real-very distant, small figures. I would have to swim a thousand miles to reach the margin of the relationship, on the other side of which might lie other people, and it was too far, I was too tired.
The almost infinitely extending network of that relationship; its dense weave That's what held me-”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“True that Benjamin used a communist language in the last years of his life, so he looks different to us now. But that's because he died in 1940. Those last years were the ones in which communist language regained authority--seen as necessary to fight fascism (identified as The Enemy). Had Benjamin lived as long as Adorno he would have become as a-social, as disillusioned with left as Adorno did.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“She increases her burden of self-hatred, she behaves destructively with people she loves.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980