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It It by Stephen King
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It Quotes Showing 241-270 of 981
“once a thing is found it can’t be unfound, can it?”
Stephen King, It
“Even at eleven he had observed that things turned out right a ridiculous amount of the time.”
Stephen King, It
“You’re a bird,” Eddie said. “It’s tetanus, not titnuss, and it means lockjaw. There’s these special microbes that grow in rust, see, and if you cut yourself they can get inside your body and, um, fuck up your nerves.”
Stephen King, It
“The dead river of its breath would wash over him.”
Stephen King, It
“The emptiness imparts a strange melancholy which she could never express...except to think of bare trees under a white winter sky, empty trees, trees waiting for blackbirds to come like ministers at the end of March to preside over the death of snow.”
Stephen King, It
“I turned off my tape-recorder and just sat looking at him for a moment, this strange time-traveller from the year 1890 or so, who remembered when there were no cars, no electric lights, no airplanes, no state of Arizona.”
Stephen King, It
“Shut up, candy-ass,”
Stephen King, It
“He put the car in gear and went, feeling again how easy it had been to slip through an unexpected fissure in what he had considered a solid life- how easy it was to get over onto the dark side, to sail out of the blue and into the black.”
Stephen King, It
“The screams were too big to come out.”
Stephen King, It
“But who knows how long a grief may last? Isn’t it possible that, even thirty or forty years after the death of a child or a brother or a sister, one may half-waken, thinking of that person with that same lost emptiness, that feeling of places which may never be filled . . . perhaps not even in death?”
Stephen King, It
“Be true, be brave, stand. All the rest is darkness.”
Stephen King, It
“He felt a tremor of fear at the image, and a disquieting thought... ran through his mind almost too quickly to read and was gone. But...but it wasn't all disquiet, was it? No. It was desire as well... The desire to go fast, to feel the wind race pass you without knowing if you were racing toward or running away from, to just go. To fly.

Disquiet and desire. All the difference between the world and want---the difference between being an adult who counted the cost and a child who just got on it and went, for instance. All the world between. Yet not that much difference at all. Bedfellows, really. The way you felt it when the roller coaster car approached the top of the first steep grade, are the ride really begins.

Disquiet and desire. What you want and what you're scared to try for. Where you've been and where you want to go. Something in a rock-and-roll song about wanting the girl, the car, the place to stand and be. Oh please God can you dig it.”
Stephen King, It
“he thinks that it is good to be a child, but it is also good to be a grownup and able to consider the mystery of childhood...its beliefs and desires.”
Stephen King, It
“he raced to beat the devil.”
Stephen King, It
“If you find a footnote,” a library-science prof once told a class of which I was a part, “step on its head and kill it before it can breed.”
Stephen King, It
“him some baby aspirin and let him color while”
Stephen King, It
“Seen from the expressway at quarter to five in the morning, Boston seems a city of the dead brooding over some tragedy in its past—a plague, perhaps, or a curse.”
Stephen King, It
“According to the stories, you could go in there any night and see men close-dancing, rubbing their cocks”
Stephen King, It
"Had any good chucks lately, Eds?" he says out loud, and laughs again. Man, he had hated it when Richie called him Ed's...but he had sort of liked it, too.
Stephen King, It
“If the wheels of the universe are in true, then good always compensates for evil--but good can be awful as well.”
Stephen King, It
“Grownups could be so hateful in their power sometimes. So hateful.”
Stephen King, It
“They put him down, and Richie kissed Eddie’s cheek. Then he looked blindly up at Ben. ‘You sure?’ ‘Yeah. Come on, Richie.’ Richie got up and turned toward the door. ‘Fuck you, Bitch!’ he cried suddenly, and kicked the door shut with his foot. It made a solid chukking sound as it closed and latched. ‘Why’d you do that?’ Beverly asked.”
Stephen King, It
“El hecho es que tengo veinticinco años más de lo que debería tener para que este miedo pudiese justificarse.”
Stephen King, it
“leaving.
So you leave, and there is an urge to look back, to look back just once as the sunset fades,
to see that severe New England skyline one final time — the spires, the Standpipe, Paul with
his axe slung over his shoulder. But maybe it's not such a good idea to look back. All the
stories say so — look what happened to Lot's wife. Best not to look back. Best to believe there
will be happily ever afters all the way around — and so there may be; who is to say there will
not be such endings? Not all boats which sail away into darkness never find the sun again, or
the hand of another child; if life teaches anything at all, it teaches that there are so many
happy endings that the man who believes there is no God needs his rationality called into
serious question.”
Stephen King, It
“Your hair is winter fire, January embers. My heart burns there, too.”
Stephen King, It
“Интуитивно он понимал, как и большинство детей, что они живут ниже плоскости зрения, а потому и плоскости мышления, большинства взрослых. Когда взрослый шел по улице, погруженный в свои взрослые мысли о работе, о встречах и покупке автомобиля или о чем там еще думают взрослые, он никогда не замечал детей, играющих в классики, или в войну, или в пятнашки, или в чай-чай-выручай, или в прятки. Хулиганы вроде Генри могли всласть измываться над другими детьми, если помнили о том, что должны оставаться ниже плоскости видения взрослых. В самом крайнем случае проходящий взрослый мог сказать что-то вроде: «Почему бы вам это не прекратить?» — и двинуться дальше, не дожидаясь, чтобы посмотреть, прекратил хулиган безобразничать или нет. Так что хулиган обычно вел себя смирно, а когда взрослый поворачивал за угол… принимался за свое. Словно взрослые думали, что реальная жизнь начинается лишь после того, как человек становился выше пяти футов.”
Stephen King, It
“But it's really faith that monsters live on, isn't it? I am led irresistibly to this conclusion: food maybe life, but the source of power is faith, not food. And who is more capable of a total act of faith than a child?”
Stephen King, It
“Telling was only part of it. Bill was good at seeing.”
Stephen King, It
“parasites wriggled and squirmed in this pussy discharge.”
Stephen King, It
“Maybe in the end it’s the voice that tells the stories more than the stories themselves that matters.”
Stephen King, It