Kirstine's Reviews > The Book of Tea

The Book of Tea by Kakuzō Okakura
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bookshelves: philosophy, own, reviewed, little-black-classics, translated

Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life.

It’s not a book about tea, in the sense that it’s not about how to drink your tea, what sorts you can get and what fancy properties they have and should you put milk in it or not. However, it does explain why this golden beverage might hold such sway over us, even today:

There is a subtle charm in the taste of tea which makes it irresistible and capable of idealisation. Western humourists were not slow to mingle the fragrance of their thought with its aroma. It has not the arrogance of wine, the self- consciousness of coffee, nor the simpering innocence of cocoa.

Having been written in 1906 you’d think it’d be a bit dated, but it could just as well have been written today. What Okakura has to say about art, philosophy, nature, and the gap between Eastern and Western civilizations, and how to bridge it, is as relevant and as spot on today as it was a hundred years ago. It’s a bit scary really, but goes to show, perhaps, how delicate a thing it is to understand a different culture, and how delicate and slow you have to go in order not to ruin it. He simply does it all by talking about tea, and how it can help you understand all these things.

A few teasers on some of the things he has to say about art;

We must remember, however, that art is of value only to the extent that it speaks to us. It might be a universal language if we ourselves were universal in our sympathies. Our finite nature, the power of tradition and conventionality, as well as our hereditary instincts, restrict the scope of our capacity for artistic enjoyment. Our very individuality establishes in one sense a limit to our understanding; and our aesthetic personality seeks its own affinities in the creations of the past. It is true that with cultivation our sense of art appreciation broadens, and we become able to enjoy many hitherto unrecognised expressions of beauty. But, after all, we see only our own image in the universe,—our particular idiosyncracies dictate the mode of our perceptions. The tea- masters collected only objects which fell strictly within the measure of their individual appreciation.

human nature, our culture and nature itself;

Scratch the sheepskin and the wolf within us will soon show his teeth. It has been said that a man at ten is an animal, at twenty a lunatic, at thirty a failure, at forty a fraud, and at fifty a criminal. Perhaps he becomes a criminal because he has never ceased to be an animal. Nothing is real to us but hunger, nothing sacred except our own desires. Shrine after shrine has crumbled before our eyes; but one altar is forever preserved, that whereon we burn incense to the supreme idol,—ourselves. Our god is great, and money is his Prophet! We devastate nature in order to make sacrifice to him. We boast that we have conquered Matter and forget that it is Matter that has enslaved us. What atrocities do we not perpetrate in the name of culture and refinement!

philosophy;

The usefulness of a water pitcher dwelt in the emptiness where water might be put, not in the form of the pitcher or the material of which it was made. Vacuum is all potent because all containing. In vacuum alone motion becomes possible. One who could make of himself a vacuum into which others might freely enter would become master of all situations. The whole can always dominate the part.”

and so on, and so on. It is on the whole a very enlightening read on many subjects, all of them centered around tea and its many abilities.

The Philosophy of Tea is not mere aestheticism in the ordinary acceptance of the term, for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is economics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe.

So if you want to know about the history of tea, the cultural significance it had and still has, and the philosophy that surrounds it and that it’s cultivated through the ages, then this is what you need to read.

Even if you are an avid coffee drinker and would never dare look upon a cup of tea, then you will learn a thing or two from this.
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Reading Progress

Started Reading
September 15, 2013 – Shelved
September 15, 2013 – Shelved as: philosophy
September 15, 2013 – Finished Reading
February 3, 2014 – Shelved as: own
June 26, 2014 – Shelved as: reviewed
May 23, 2020 – Shelved as: little-black-classics
February 17, 2021 – Shelved as: translated

Comments Showing 1-12 of 12 (12 new)

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Noran Miss Pumkin Very nice review, of a book I have longed enjoyed. Thank you for sharing. I also do agree with your ending-it increased my appreciation of drinking coffee. Now with the slow brew and cold brew coffee movements, they echo this book.


message 2: by Jason (new)

Jason Koivu This reminded me of how happy I am that it's tea drinking season again!


Kirstine Jason wrote: "This reminded me of how happy I am that it's tea drinking season again!"

I consider all seasons tea drinking seasons (seeing as I don't drink coffee), but I'll agree the cold and crispy air and dry leaves add some extra flavor!


message 4: by Jason (new)

Jason Koivu When the temperature consistently goes over 100F, as it does for most of the summer here, then I stop drinking anything warm.


Kirstine Oh, damn that's hot. I can understand that. I think I would do the same. Denmark is rather less warm, which is fortunate for me. I like it a bit colder.


Aubrey Wonderful review. This book has been lying around my house for some time, and it's high time that I finally get around to it.


message 7: by Sue (new) - added it

Sue Beautiful review. And excellent seleciof quotes. This is another book I intend to read and your words have definitely added to its allure.


Henri Neziri Hi Kristine,

I heard your post and I never thought about this. I agree with you that Okakura in general does not talk about tea. We learn about Japanese expression. This was a very good book on the history of tea and especially on eastern cultures. Tea started out as a medicine and changed as a drink. Okakura talks about the religion of Japan of Teaism. As I said before this book is much more than tea. This is about how tea became a definition of culture’s history and philosophy.


Nikki Bridgman While I agree 'The Book of Tea' could has just as much relevance today, as when it was written, I do believe the message that Kakuzo Okakura was trying to covey was one of inner-evaluation of our personal priorities. What matters the most to each one of us as an individual? He writes "We must remember, however, that art is of value only to the extent that it speaks to us". What do we as an individual value, covet, or make a priority in our life? Teaism means different things to different people. No two tea rooms are identical, nor are they adorned alike. What I value and hold dear, is probably not the same for anyone else. If you were to decorate your 'tea room', what would it look like? What art would you have?


message 10: by Adiola (new)

Adiola Shurdhi Hi Kristine,

What a great review and choice of quotes.
'The Book of Tea' has so much relevance even today, despite the fact that has been written so long ago. It started with the usage of tea as a medicine, and it ended up with all the philosophical aspects that one could ever think.
Even nowadays, we have gone so far with accepting each-others cultures, but still Westerns are so far in really understanding Easters.
What actually surprises me, thinking that this book was written in 1906, i actually find Okakura very progressive for his time, especially when they ( Japanese) strongly believed that were not understood by Westerns.


Audrey Hi Kristine,

I would first like to say, I loved reading your review as well as reading the quotes you chose to include in it!

I agree that The Book of Tea still is so relevant in today’s world, even though it was written in 1906. Through Okakura’s use of tea, art, and flowers, we can see how he is trying to bridge, or at least emphasize and show, the gap between Eastern and Western cultures. I also agree that culture is something that is difficult to understand and study, as beliefs and ideals can dramatically change from one culture to another, which may be a reason why this text still holds up as a relevant piece of literature.

I, for one, was pretty scared to read this since I have always struggled with classic literature, as the wording can get confusing. And though, at times, I had to re-read certain portions that didn't make sense to me, I am very glad that I read this book since I enjoyed Okakura’s message of Japanese culture through the “simple” idea of tea, which turns out not to be as simple as one may think.


message 12: by Bella (new)

Bella Main Wonderful review! From reading your insight on the book, I learned how to connect what he wrote about eastern and western cultures and how it can relate today. I also had not thought about how even though the book was written in 1906, you wouldn’t necessarily be able to tell that just by reading it. I also enjoyed your highlights of some bigger ideas to expect in the book. One passage I thought was interesting was “We are wicked because we are frightfully self-conscious. We nurse a conscience because we are afraid to tell the truth to others; we take refuge in pride because we are afraid to tell the truth to ourselves. How can one be serious with the world when the world itself is so ridiculous!” I think this could be interpreted as very insightful to human nature as a whole, and can help show how the author is able to connect the art of tea to huge philosophical ideas.


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