Aerin's Reviews > Inversions

Inversions by Iain M. Banks
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really liked it
bookshelves: science-fiction, first-contact, personal-collection

Inversions, like so many of Banks' books, is slippery. Every time I think I have a hold on it, it slithers out of my grasp. It's this element that keeps drawing me back in to the Culture series, as strange and frustrating as it often is. I keep trying different techniques to pin these books down, thinking at some point I will find the right angle from which to sneak up on them. I hope I never find it.

The plot of Inversions is fairly straightforward - the book is really two interweaved novellas, called The Doctor and The Bodyguard, which both take place on the same medieval planet. The Doctor follows Dr. Vosill, personal physician to King Quience of Haspidus, who raises suspicions at court because she is a woman, and a foreigner, and because her treatments are strangely effective. The Bodyguard follows DeWar, chief of security to General Urleyn, the leader of the Tassasen Protectorate, halfway around the world from Haspidus. Like Vosill, DeWar is a foreigner and therefore inherently suspicious, but his devotion to the General has placed him above reproach. The world itself is in turmoil; meteor strikes a generation ago had killed thousands, altered the climate, and destroyed a global empire, leaving fractured states like Haspidus and Tassasen to battle for dominance. As Vosill and DeWar tend to their charges, the leaders prepare for war.

Inversions, therefore, reads like a fantasy - light on magic, but heavy on court intrigue and battle plans. It's not immediately clear how the book fits into the Culture series, which is about an intergalactic utopia filled with decadent aliens, hyperintelligent spaceships, and smartass drones. Nor is it obvious what the two novellas have to do with each other, despite the assurance in the introduction that they "belong together." These mysteries resolve in the bedtime stories DeWar tells the young prince, Lattens, about a faraway land called "Lavishia":

"In this land there lived two friends, a boy and a girl who were cousins and who had grown up together. They thought they were adults but really they were still just children. They were the best of friends but they disagreed on many things. One of the most important things they disagreed about was what to do when Lavishia chanced upon one of these tribes of poor people. Was it better to leave them alone or was it better to try and make life better for them? Even if you decided it was the right thing to do to make life better for them, which way did you do this? Did you say, Come and join us and be like us? Did you say, Give up all your own ways of doing things, the gods that you worship, the beliefs you hold most dear, the traditions that make you who you are? Or do you say, We have decided you should stay roughly as you are and we will treat you like children and give you toys that might make your life better? Indeed, who even decided what was better?"

This, then, pretty clearly lays out the premise of the book, and invokes a common theme in the series: the Culture's ambivalence toward colonialism (which I talked about in my review of the first book, Consider Phlebas, too). Vosill seems to be championing an interventionist approach, while DeWar adheres more to Star Trek's prime directive.

Where the book gets slippery, though, is in the outcomes - who was right, in the end, if either of them were? Inversions has a lot of tricks up its sleeve, several rogue variables that knock everything out of alignment. In the end, is this world better for having been visited by Vosill and DeWar? Are they better off for having done so? I know better by now than to expect straightforward answers from Banks. His characters just settle in my mind, asking their questions, smiling inscrutably at every answer I propose.
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Reading Progress

February 8, 2018 – Shelved
February 8, 2018 – Shelved as: beg-steal-or-borrow
February 28, 2018 – Shelved as: sooner-rather-than-later
March 10, 2018 – Shelved as: own-but-not-yet-read
January 4, 2019 – Started Reading
January 5, 2019 –
page 20
5.68% "“Truth, I have learned, differs for everybody. Just as no two people ever see a rainbow in exactly the same place - and yet both most certainly see it, while the person seemingly standing right underneath it does not see it at all - so truth is a question of where one stands, and the direction one is looking in at the time.”"
January 5, 2019 – Shelved as: science-fiction
January 7, 2019 –
page 117
33.24% "Nothing in my edition labels this book an installment of the Culture series, and if I didn’t know better I would think this was purely a fantasy/palace intrigue novel. The hints of what’s really going on and how this fits into the Culture universe have so far been fairly cryptic."
January 13, 2019 – Finished Reading
January 23, 2019 – Shelved as: first-contact
June 10, 2020 – Shelved as: personal-collection

Comments Showing 1-5 of 5 (5 new)

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Matt Bank's "Culture" books are at their best where The Culture is actually portrayed as having some sort of weakness, and isn't simply an ego trip by the author.


Aerin I agree, and I think Banks did too for the most part. I read an interview with him at some point where he talked about conceiving of the Culture as a utopia, but preferring to write about the aspects of it that were ambiguous, or portraying it through the eyes of those who disagreed with it. Admittedly, I haven't read the later books yet, so I'm not sure if/how his approach evolved.


Matt It might be best to let you continue enjoy reading them and see what you think at the end about how or if Bank's presentation of The Culture changed.


Aerin That's fair. So far, the series is hard to rate as a group since the books are so different - the highs have been high ( Use of Weapons especially, for me) and the lows low (ugh, Excession). But the most interesting aspect for me is always wrestling with whether the Culture is a force for good and whether I'd want to be a part of it.


Matt You know how in Excession one of the antagonists are a species that is almost comically vile and revels in it? After a while, this gets to be a repeated trope, so that the question you are asking about 'The Culture' becomes difficult to answer, because we are never asked to compare 'The Culture' to any legitimate alternative. Indeed, the alternatives start looking more and more contrived over time. When you are comparing 'The Culture' to some parody of evil, this over the top mustachioed baby chewing puppy kicking woman raping villain, the question of whether 'The Culture' is good or evil, much less Utopian, becomes impossible to answer. You aren't really setting up a fair test.

The other thing that increasingly bothered me over the course of the series is how much of it was what someone on the Left might describe as 'male gaze'. Was this really Utopia, or was it just a sort of Valhalla, that conceived Utopia in terms of violence, drunkenness, and orgies. Consider that in this Utopia, people have been genetically modified to be able to 'gland' intoxicants and have greater sexual stamina. But this is particularly bothersome, because its decadence that is typically used by Banks to condemn the villains. If a culture genetically modified its females to cater better to male sexual urges, is that really very different than what the 'bad guys' are doing? If the bad guys are bad because of their merciless cruelty, what are we to make of The Cultures merciless cruelty towards whatever they don't approve of? If I use a nanoweapon to rip apart someone, or drone knife to punch holes in a group of people, how gleefully can you do that and also say, "Well, I'm different than they are because I only do this to bad people?"

Anyway, if you keep reading, see if you detect a shift in how The Culture is presented compared to earlier works, or a shift in how The Minds are presented particularly in terms of their emotional lives.

A really interesting far future comparison are the similar settings and themes, but very different treatment of the question that John C. Wright develops in 'The Golden Oecumene' trilogy. And I just finished 'House of Suns' by Alistair Reynolds, and that's yet a third take.


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